Zitate über Szene

3. Akt, 1. Szene / Shylock
Original engl. "if you prick us doe we not bleede? if you tickle us doe we not laugh? if you poison us doe we not die? and if you wrong us shall we not revenge?"
Der Kaufmann von Venedig - The Merchant of Venice

Hamlet - The Tragedy of Hamlet, 1. Akt, 5. Szene, Hamlet
Original engl. "There are more things in Heaven and Earth […] // Than are dream't of in your Philosophy."
Hamlet - The Tragedy of Hamlet

3. Akt, 1. Szene / König Heinrich
Original engl. "Once more unto the Breach, // Deare friends, once more"
Heinrich V. - The Life of Henry the Fifth

[DT] - 1. Akt, 1. Szene / Hexen

2. Akt, 7. Szene / Iaques
Original engl. "All the world's a stage, and all the men and women merely players"
Wie es euch gefällt - As You Like It

1. Akt, 3. Szene / Polonius
Original engl. "Neither a borrower, nor a lender be;"
Hamlet - The Tragedy of Hamlet

1. Akt, 2. Szene / Hamlet
Original engl. "It is not nor it cannot come to good."
Hamlet - The Tragedy of Hamlet

1. Akt, 5. Szene / Hamlet
Original engl. "My Tables, my Tables; meet it is I set it downe, // That one may smile, and smile and be a Villaine."
Hamlet - The Tragedy of Hamlet

3. Teil, 4. Akt, 8. Szene / Clarence
Original engl. "A little fire is quickly trodden out, Which being suffer'd, Rivers cannot quench."
Heinrich VI. - Henry the Sixth

3. Akt, 2. Szene / Hastings
Original engl. "To flye the Bore, before the Bore pursues, // Were to incense the Bore to follow us."
Richard III. - The Tragedy of Richard the Third

2. Akt, 1. Szene / Gaunt
Original engl.: "Oh but they say the tongues of dying men // Inforce attention like deep harmony. // Where words are scarse, they are seldome spent in vaine; // For they breath truth, that breath their words in pain."
Richard II. - The life and death of King Richard the Second

3. Akt, 2. Szene / Troilus
Troilus und Cressida - Troilus and Cressida

2. Akt, 1. Szene / Gaunt
Original engl. "Light vanity, insatiate cormorant, // Consuming meanes soone preyes upon it selfe."
Richard II. - The life and death of King Richard the Second

[CMW] - 2. Teil, 3. Akt, 1. Szene / der König

2. Akt, 4. Szene / Valentin
Original engl. "Love's a mighty Lord, // And hath so humbled me, as I confesse // There is no woe to his correction, // Nor to his Seruice, no such ioy on earth."
Die beiden Veroneser - The Two Gentlemen of Verona

5. Aufzug, 1. Szene / Demetrius zum Löwen
Original engl.: "Well roar'd Lion."
Ein Sommernachtstraum - A Midsummer Night's Dream

2. Aufzug, 2. Szene / Oberon zu Titania
Original engl. "What thou seest when thou dost wake, // Do it for thy true Love take: // Love and languish for his sake. // Be it Ounce, or Catte, or Beare, // Pard, or Boare with bristled haire, // In thy eye that shall appeare, // When thou wak'st, it is thy deare, // Wake when some vile thing is neere."
Ein Sommernachtstraum - A Midsummer Night's Dream

3. Aufzug, 2. Szene // Puck
(Original engl. "Cupid is a knavish lad, // Thus to make poore females mad."
Ein Sommernachtstraum - A Midsummer Night's Dream

1. Akt, 4. Szene / Hamlet
Original engl. "Ile make a Ghost of him that lets me!"
Hamlet - The Tragedy of Hamlet

1. Akt, 5. Szene, 66 / Hamlets Vater
Oft falsch verwendet im Sinne "Ich schöpfe Hoffnung."
Original engl. "But soft, me thinkes I sent the Mornings Ayre"
Hamlet - The Tragedy of Hamlet

1. Akt, 1. Szene / Horatio
Original engl. "A mote it is to trouble the mind's eye."
Hamlet - The Tragedy of Hamlet

1. Akt, 4. Szene / Marcellus
Original engl. "Something is rotten in the state of Denmark."
Hamlet - The Tragedy of Hamlet

1. Akt, 3. Szene / Polonius
Original engl. "Be thou familiar, but by no means vulgar."
Hamlet - The Tragedy of Hamlet

2. Teil, 4. Akt, 4. Szene / Heinrich
Original engl. "Most subiect is the fattest Soyle to Weedes."
Heinrich IV. - Henry the Fourth

2. Teil, 3. Akt, 1. Szene / Warwick
Original engl. "Rumor doth double, like the Voice, and Eccho, // The numbers of the feared."
Heinrich IV. - Henry the Fourth

1. Teil, 5. Akt, 1. Szene / Falstaff
Original engl. "What is Honour? A word. What is that word Honour? Ayre. […] Honour is a meere Scutcheon."
Heinrich IV. - Henry the Fourth

2. Akt, 4. Szene / König Karl
Original engl. "This is a Stem // Of that Victorious Stock: and let us feare // The Native mightinesse and fate of him."
Heinrich V. - The Life of Henry the Fifth

4. Akt, 3. Szene / König Heinrich
Original engl. "We are but Warriors for the working day: // Our Gaynesse and our Gilt are all besmyrcht // With raynie Marching in the painefull field. // […] But […] our hearts are in the trim"
Heinrich V. - The Life of Henry the Fifth

2. Teil, 4. Akt, 2. Szene / Dick
Original engl. "The first thing we do, let's kill all the Lawyers!"
Heinrich VI. - Henry the Sixth

3. Teil, 3. Akt, 3. Szene / Königin Margareta
Original engl. "O, but impatience waiteth on true sorrow!"
Heinrich VI. - Henry the Sixth

3. Teil, 2. Akt, 1. Szene / Bote
Original engl. "And many stroakes, though with a little Axe, // Hewes downe and fells the hardest-tymber'd Oake."
Heinrich VI. - Henry the Sixth

1. Teil, 3. Akt, 1. Szene / der König
Original engl. "Who should study to preferre a Peace, If holy Church-men take delight in broyles?"
Heinrich VI. - Henry the Sixth

3. Akt, 1. Szene / Caesar
Original lat. "Et Tu Brute?"
Julius Cäsar - The Tragedy of Julius Caesar

2. Akt, 2. Szene / Caesar
Original engl. "Cowards dye many times before their deaths; // The valiant never taste of death but once."
Julius Cäsar - The Tragedy of Julius Caesar

1. Akt, 1.Szene / Caesar
Original engl. "Let me have men about me that are fat,, Sleek-headed men, and such as sleep o' nights:"
Julius Cäsar - The Tragedy of Julius Caesar

3. Akt, 1. Szene / Antonius
Original engl. "Cry havocke and let slip the Dogges of Warre"
Julius Cäsar - The Tragedy of Julius Caesar

3. Akt 2. Szene / Antonius
Moderne Version: "This was the most unkindest cut of all;"
Julius Cäsar - The Tragedy of Julius Caesar

3. Akt 2. Szene / Antonius
Original engl. "I come not friends to steale away your hearts."
Julius Cäsar - The Tragedy of Julius Caesar

2. Akt, 4. Szene / Portia
Original engl. "How hard it is for women to keepe counsell." Moderne Version: "How hard it is for women to keep secrets!"
Julius Cäsar - The Tragedy of Julius Caesar

2. Akt, 3. Szene / Pförtner
Original engl. "Therefore, much // drink may be said to be an equivocator with lechery: // it makes him, and it mars him; (...) equivocates him in a sleep, and, giving him the lie, leaves // him."
Macbeth - The Tragedy of Macbeth

[DT] - 3. Akt, 2. Szene / Lady Macbeth

[FS] - 4. Akt, 1. Szene / Hexen

[DT] - 4. Akt, 3. Szene / Macduff

5. Akt, 5. Szene / Macbeth
(Original engl. "Life's but a walking shadow, a poor player // That struts and frets his hour upon the stage, // And then is heard no more. It is a tale // Told by an idiot, full of sound and fury, // Signifying nothing"
Macbeth - The Tragedy of Macbeth
Variante: Leben ist nur ein wandelnd Schattenbild;
Ein armer Komödiant, der spreizt und knirscht
Sein Stündchen auf der Bühn' und dann nicht mehr
Vernommen wird; ein Märchen ist's, erzählt
Von einem Dummkopf voller Klang und Wut,
Das nichts bedeutet.

5. Akt, 4. Szene / König Richard III. zeno.org http://www.zeno.org/nid/20005690854, books.google http://books.google.de/books?id=WdlMAAAAcAAJ&pg=PA123&dq=f%C3%BCr%27n
Original engl. "A horse, a horse, my kingdom for a horse!"
Richard III. - The Tragedy of Richard the Third

2. Akt, 2. Szene http://www.zeno.org/nid/20005691427 71 ff. / Romeo
Original engl. "Alacke, there lies more perill in thine eye, // Then twenty of their swords, looke thou but sweete, // And I am proofe against their enmity. […] My life were better ended by their hate, // Then death proroged wanting of thy Love."
Romeo und Julia - Romeo and Juliet

3. Akt, 3. Szene 55 / Bruder Lorenzo
Original engl. "Adversities sweete milke, philosophie"
Romeo und Julia - Romeo and Juliet

3. Akt, 5. Szene / Julia
Original engl. "It was the Nightingale, and not the Larke"
Romeo und Julia - Romeo and Juliet

[CMW] - 2. Akt, 2. Szene 28-30 / Romeo

2. Akt, 2. Szene 33-36 / Julia
Original engl. "O Romeo, Romeo, wherefore art thou Romeo? // Denie thy Father and refuse thy name: // Or if thou wilt not, be but sworne to my Love, // And Ile no longer be a Capulet."
Romeo und Julia - Romeo and Juliet

3. Akt, 2. Szene 75f / Wärterin und Julia
Original engl. "O serpent heart, hid with a flowring face! // Did ever dragon keepe so faire a cave?"
Romeo und Julia - Romeo and Juliet

3. Akt, 2. Szene 23-26 / Julia
Original engl. "and, when he shall die, // Take him and cut him out in little stars, // And he will make the Face of heaven so fine, // That all the world will be in Love with night, // And pay no worship to the Garish Sun."
Romeo und Julia - Romeo and Juliet

1. Akt, 3. Szene / Capulet
Original engl. "Such comfort as do lusty young men feele, // When well apparrel'd Aprill on the heele // Of limping Winter treads, even such delight // Among fresh Fennell buds shall you this night // Inherit at my house."
Romeo und Julia - Romeo and Juliet

[WHB] - 3. Aufzug, 1. Szene

2. Akt, 4. Szene / Orsino
Original engl. "For women are as Roses, whose fairr flowre, // Being once displaid, doth fall that verie howre."
Was ihr wollt - Twelfth Night

3. Akt, 1. Szene / Narr
Original engl. "fooles are // as like husbands, as Pilchers are to Herrings, the Husbands // the bigger"
Was ihr wollt - Twelfth Night

2. Akt, 2. Szene / Viola
Original engl. "She made good view of me, indeed so much, // That me thought her eyes had lost her tongue"
Was ihr wollt - Twelfth Night

5. Akt, 4. Szene / Touchstone
Original engl. "Rich honestie dwels like a miser sir, in a poore house, as your Pearle in your foule oyster."
Wie es euch gefällt - As You Like It

4.Akt, 1. Szene, Der Wald / Rosalinde
Original engl. "a Womans thought runs before her actions"
Wie es euch gefällt - As You Like It

A Glastonbury Romance, London 1933, Carl Hanser Verlag München, Wien für Zweitausendeins, 1995, aus dem Englischen von Klaus Pemsel, ISBN 3-86150-258-5, S. 925

28.12.1940
Ungemalte Bilder. Aquarelle und 'Worte am Rande'. Herausgeber Werner Haftmann. Köln M. DuMont Schauberg, 1963. S. 10

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