Søren Kierkegaard Zitate
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39 Weisheiten über das Leben, die Freiheit und das Wesen des Menschen

Entdecken Sie die tiefgründigen Zitate von Sören Kierkegaard, die sich mit der Komplexität des Lebens, der Freiheit, der Selbstliebe und dem Wesen des Menschen auseinandersetzen. Lassen Sie sich von seinen Weisheiten über Existenz und Glauben inspirieren und erleben Sie den Einfluss dieses Philosophen.

Søren Aabye Kierkegaard war ein bedeutender dänischer Philosoph, evangelisch-lutherischer Theologe und religiöser Schriftsteller. Er zeigte sich als engagierter Verfechter der Idee des Christentums gegen die Realität der Christenheit in seinen meist unter Pseudonymen veröffentlichten Schriften. Neben diesen Werken besteht ein Drittel seines gedruckten Werkes aus Predigten und religiösen Reden, veröffentlicht unter eigenem Namen. Er wird häufig als Wegbereiter der Existenzphilosophie angesehen und gilt als der führende dänische Philosoph seiner Zeit.

Kierkegaard ist auch für seinen herausragenden Prosa-Stil bekannt und gehört zu den wichtigen Vertretern von Dänemarks Goldenem Zeitalter. Sein Einfluss erstreckt sich nicht nur auf die Philosophie, sondern auch auf die Literaturgeschichte. Mit seiner intensiven Auseinandersetzung mit existentiellen Fragen hat er das Denken seiner Zeit maßgeblich beeinflusst und gilt als einer der wichtigsten Denker des 19. Jahrhunderts.

✵ 5. Mai 1813 – 11. November 1855   •   Andere Namen Sören Aabye Kierkegaard
Søren Kierkegaard Foto
Søren Kierkegaard: 348   Zitate 94   Gefällt mir

Søren Kierkegaard Berühmte Zitate

„Es ist ganz wahr, was die Philosophie sagt, daß das Leben rückwärts verstanden werden muß. Aber darüber vergißt man den andern Satz, daß vorwärts gelebt werden muß.“

Die Tagebücher. Deutsch von Theodor Haecker. Brenner-Verlag 1923, S. 203 books.google http://books.google.de/books?id=8D-ehrAsTPAC&q=r%C3%BCckw%C3%A4rts "Det er ganske sandt, hvad Philosophien siger, at Livet maa forstaaes baglaends. Men derover glemmer man den anden Saetning, at det maa leves forlaends." - 1843, Journalen JJ 167, Søren Kierkegaards Skrifter 18: Journalerne EE, FF, GG, HH, JJ, KK. Søren Kierkegaard Forskningscenteret, 2001, S. 194, books.google http://books.google.de/books?id=w-rWAAAAMAAJ&q=bagl%C3%A6nds
Tagebücher 1834–1855

Zitate über Leben von Søren Kierkegaard

„Es gilt, eine Wahrheit zu finden, die Wahrheit für mich ist, die Idee zu entdecken, für die ich leben und sterben will.“

1. Aug. 1835, zitiert in: Die Leidenschaft des Religiösen, Lieselotte Richter (Hrsg.), Reclam Verlag, Ditzingen, 1968, Einleitung S. 4 "Det [...] gjælder om at finde en Sandhed, som er Sandhed for mig, at finde den Idee, for hvilken jeg vil leve og døe." - Journalen AA, http://www.sk.ku.dk/sks17.asp
Tagebücher 1834–1855

„Die Sorge ist das Verhältnis zum Leben.“

Die Krankheit zum Tode Original dän.: "Bekymringen er Forholdet til Livet [...]."]
Die Krankheit zum Tode

„Für drei Dinge danke ich Gott - 1) Daß kein lebendes Wesen mir sein Dasein verdankt […].“

13. Dez. 1854, von Karl Kraus zitiert in "Die Fackel" Band 27, S. 26, books.google http://books.google.de/books?id=YoMsAQAAIAAJ&q=Dasein+verdankt " For tre Ting takker jeg Gud / 1) At intet levende Væsen skylder mig Tilværelse." - Journalerne NB31-NB36. København Gad 2009, S. 416 books.google http://books.google.de/books?id=WzdRAAAAYAAJ&q=skylder
Tagebücher 1834–1855

Zitate über Menschen von Søren Kierkegaard

„Was ist ein Dichter? Ein unglücklicher Mensch, der heiße Schmerzen in seinem Herzen trägt, dessen Lippen aber so geartet sind, daß, während Seufzer und Geschrei ihnen entströmen, diese dem fremden Ohr wie schöne Musik ertönen..“

Entweder - Oder, 1. Teil zeno. org

zeno.org http://www.zeno.org/nid/20009194533 Original dän.: "Hvad er en Digter? Et ulykkeligt Menneske, der gjemmer dybe Qvaler i sit hjerte, men vis Læber ere dannede saaledes, at idet Sukket og Skriget strømme ud over dem, lyde de som en skjøn Musik."
Entweder - Oder

Søren Kierkegaard Zitate und Sprüche

„Es ist keine Kunst, ein Mädchen zu verführen, aber ein Glück, eines zu finden, das es wert ist, verführt zu werden.“

Tagebuch des Verführers zeno. org

Original dän.: "[D]et er ingen Kunst at forføre en Pige, men en Lykke at finde En, der er vært at forføre."

„Je weniger Geist, desto weniger Angst.“

Der Begriff Angst (Original dän.: "[J]o mindre Aand jo mindre Angest."}
Der Begriff Angst

„Nach Veränderung rufen alle, die sich langweilen.“

Entweder - Oder, 1. Teil zeno. org

zeno.org http://www.zeno.org/nid/20009194746 Original dän.: "Paa Forandring raaber Alle, der kjede sig."
Entweder - Oder

„Aber Existieren ist etwas ganz anderes als Wissen.“

Concluding Unscientific Postscript

„Der Augenblick ist jenes Zweideutige, darin Zeit und Ewigkeit einander berühren.“

Der Begriff Angst Original dän.: "Øieblikket er hiint Tvetydige, hvori Tiden og Evigheden berøre hinanden [...]."
Der Begriff Angst

„Verheirate dich, du wirst es bereuen; verheirate dich nicht, du wirst es auch bereuen.“

Entweder - Oder, 1. Teil zeno.org http://www.zeno.org/nid/20009194533 Original dän.: "Gift Dig, Du vil fortryde det; gift Dig ikke, Du vil ogsaa fortryde det [...]." -
Entweder - Oder

„Dass das Weib sinnlicher ist als der Mann, das zeigt sogleich ihre leibliche Bildung an.“

Der Begriff Angst Original dän.: "At Qvinden er mere sandselig end Manden, viser strax hendes legemlige Organisation."
Der Begriff Angst

„Was aber ist denn dies mein Selbst? Wollte ich von einem ersten Augenblick sprechen, einem ersten Ausdruck dafür, so ist meine Antwort: es ist das Abstrakteste von allem, das doch in sich zugleich das Konkreteste von allem ist - es ist die Freiheit.“

Entweder - Oder, 2. Teil zeno. org

Entweder - Oder, 2. Teil zeno.org http://www.zeno.org/nid/20009194754 Original dän.: "Men hvad er da dette mit Selv? Dersom jeg vilde tale om et foerste Øieblik, et første Udtryk derfor, saa er mit Svar: det er det Abstrakteste af Alt, der dog tillige i sig er det Concreteste af Alt -- det er Friheden." -
Entweder - Oder

„Was wird geschehen? Was wird die Zukunft bringen? Ich weiß nicht; ich ahne nichts. Wenn eine Spinne sich von einem festen Punkte aus in ihre Konsequenzen hinabstürzt, da sieht sie vor sich beständig einen leeren Raum, in welchem sie nirgends Fuß findet, wie sehr sie auch zappeln mag. Geradeso geht es mir. Vorn immer ein leerer Raum; was mich vorwärts treibt, ist eine Konsequenz, deren erster Anstoß hinter mir liegt. Dieses Leben ist ein verkehrtes und schreckliches, nicht zum Aushalten.“

Entweder - Oder, 1. Teil zeno. org

Entweder - Oder, 1. Teil zeno.org http://www.zeno.org/nid/20009194533 Original dän.: "Hvad skal der komme? Hvad skal Fremtiden bringe? Jeg veed det ikke, jeg ahner intet. Naar en Edderkop fra et vast Punkt styrter sig ned i sine Consequentser, da seer den bestandig et tomt Rum foran sig, hvori den ikke kan finde Fodfæste, hvormeget den end sprætter. Saaledes gaaer det mig; hvad der driver meg frem er en Consequents, der ligger bag mig. Dette Liv er bagvendt og rædsomt, ikke til at udholde."
Entweder - Oder

„Denn wer unendlich resigniert hat, ist sich selber genug.“

Furcht und Zittern

Original dän.: "[T]hi den, der har resigneret uendeligt, han er sig selv nok."

„Sehnsucht ist die Nabelschnur des höheren Lebens.“

8. Feb. 1839, in: Buch des Richters - Seine Tagebücher 1833-1855. Im Auszug aus dem Dänischen von Hermann Gottsched, Diederichs, Leipzig 1905. S. 19 "Længsel er det høiere Livs Navlestreng." - Søren Kierkegaards Papirer. Band 2. Gyldendalske Boghandel, Nordisk Forlag, 1910, S. 140 books.google.de http://books.google.de/books?id=xssuAQAAIAAJ&q=navlestreng
Tagebücher 1834–1855

„Fegt mich weg!“

Letzte Worte, 11. November 1855; zitiert in: Universitas, Band 63, Wissenschaftliche Verlagsgesellschaft, 2008 S. 1098

„Aber Humor ist auch die Freude, welche die Welt überwunden hat.“

Zitiert bei Peter L. Berger, p. 189 books.google https://books.google.de/books?id=qOjmBQAAQBAJ&pg=PA189&dq=freude
"Men Humoren er ogsaa den Glæde, der har seiret over Verden." - 1837 / 672 U.D. Papirer, Band 2, Gyldendal 1910, p. 240 books.google https://books.google.de/books?id=5PLjrEWC14wC&q=Men+Humoren+er+ogsaa+den+Gl%C3%A6de
Tagebücher 1834–1855

Diese Übersetzung wartet auf eine Überprüfung. Ist es korrekt?

Søren Kierkegaard: Zitate auf Englisch

“You have surely noticed among schoolboys, that the one that is regarded by all as the boldest is the one who has no fear of his father, who dares to say to the others, "Do you think I am afraid of him?" On the other hand, if they sense that one of their number is actually and literally afraid of his father, they will readily ridicule him a little. Alas, in men’s fear-ridden rushing together into a crowd (for why indeed does a man rush into a crowd except because he is afraid!) there, too, it is a mark of boldness not to be afraid, not even of God. And if someone notes that there is an individual outside the crowd who is really and truly afraid – not of the crowd, but of God, he is sure to be the target of some ridicule. The ridicule is usually glossed over somewhat and it is said: a man should love God. Yes, to be sure, God knows that man’s highest consolation is that God is love and that man is permitted to love Him. But let us not become too forward, and foolishly, yes, blasphemously, dismiss the tradition of our fathers, established by God Himself: that really and truly a man should fear God. This fear is known to the man who is himself conscious of being an individual, and thereby is conscious of his eternal responsibility before God.”

Søren Kierkegaard, Purity of Heart, 1847 Steere translation p. 196-197
1840s, Upbuilding Discourses in Various Spirits (1847), Purity of Heart (1847)

“I have needed God every day to defend myself against the abundance of thoughts.”

PV, p. 73; SV1, XIII, p. 559; Jon Bartley Stewart. 2008. Johan Ludvig Heiberg: Philosopher, Littérateur, Dramaturge, and Political Thinker. Museum Tusculanum Press.
Disputed

“This is the truth of the matter. In every human being there is a capacity, the capacity for knowledge. And every person - the most knowing and the most limited - is in his knowledge far beyond what he is in his life or what his life expresses. Yet this misrelation is of little concern to us. On the contrary, we set a high price on knowledge, and everyone strives for this knowledge more and more. "But," says the sensible person, "one must be careful about the direction one's knowing takes. If my knowing turns inward, against me, if I do not take care to prevent this, then knowing is the most intoxicating thing there is, the way to become completely intoxicated, since there then occurs an intoxicating confusion between the knowledge and the knower, so that the knower himself will resemble, will be, that which is known. If your knowing takes such a turn and you yield to it, it will soon end with your tumbling like a drunk man into actuality, plunging yourself recklessly into drunken action without giving the understanding and sagacity the time to take into proper consideration what is prudent, what is advantageous, what will pay. This is why we, the sober ones, warn you, not against knowing or against expanding your knowledge, but against letting your knowledge take an inward direction, for then it is intoxicating." This is thieves' jargon. It says that it is one's knowledge that, by taking the inward direction in this way, intoxicates, rather than that in precisely this way it makes manifest that one is intoxicated, intoxicated in one's attachment to this earthly life, the temporal, the secular, and the selfish. And this is what one fears, fears that one's knowing, turned inward, toward oneself, will expose the intoxication there, will expose that one prefers to remain in this state, will wrench one out of this state and as a result of such a step will make it impossible for one to slip back into that adored state, into intoxication. p. 118”

1850s, Judge For Yourselves! 1851 (1876)

“There was a time, and not so long ago, when one could score a success also here with a bit of irony, which compensated for all other deficiencies and helped one get through the world rather respectably, gave one the appearance of being cultured, of having a perspective on life, an understanding of the world, and to the initiated marked one as a member of an extensive intellectual freemasonry. Occasionally we still meet a representative of that vanished age who has preserved that subtle, sententious, equivocally divulging smile, that air of an intellectual courtier with which he has made his fortune in his youth and upon which he had built his whole future in the hope that he had overcome the world. Ah, but it was an illusion! His watchful eye looks in vain for a kindred soul, and if his days of glory were not still a fresh memory for a few, his facial expression would be a riddle to the contemporary age, in which he lives as a stranger and foreigner. Our age demands more; it demands, if not lofty pathos then at least loud pathos, if not speculation then at least conclusions, if not truth then at least persuasion, if not integrity then at least protestations of integrity, if not feeling then at least verbosity of feelings. Therefore it also coins a totally different kind of privileged faces. It will not allow the mouth to be defiantly compressed or the upper lip to quiver mischievously; it demands that the mouth be open, for how, indeed, could one imagine a true and genuine patriot who is not delivering speeches; how could one visualize a profound thinker’s dogmatic face without a mouth able to swallow the whole world; how could one picture a virtuoso on the cornucopia of the living world without a gaping mouth? It does not permit one to stand still and to concentrate; to walk slowly is already suspicious; and how could one even put up with anything like that in the stirring period in which we live, in this momentous age, which all agree is pregnant with the extraordinary? It hates isolation; indeed, how could it tolerate a person’s having the daft idea of going through life alone-this age that hand in hand and arm in arm (just like itinerant journeymen and soldiers) lives for the idea of community.”

Quelle: 1840s, On the Concept of Irony with Continual Reference to Socrates (1841), p. 246-247

“But on the other hand, the understanding, reflection, is also a gift of God. What shall one do with it, how dispose of it if one is not to use it? And if one then uses it in fear and trembling not for one’s own advantage but to serve the truth, if one uses it that way in fear and trembling and furthermore believing that it still is God who determines the issue in its eternal significance, venturing to trust in him, and with unconditional obedience yielding to what he makes use of it: is this not fear of God and serving God the way a person of reflection can, in the somewhat different way than the spontaneously immediate person, but perhaps more ardently. But if this is the case, does not a maieutic element enter into the relation to other man or to various other men. The maieutic is really only the expression for a superiority between man and man. That is exists cannot be denied-but existence presses far more powerfully upon the superior one precisely because he is a maieutic (because he has the responsibility) than upon the other. As far as I am concerned, there has been no lack of witnesses. All my upbuilding discourses are in fact in the form of direct communication. Consequently there can be a question only about this, something that has occupied me for a long time (already back in earlier journals): should I for one definitely explain myself as author, what I declare myself to be, how I from the beginning understood myself to be a religious author. But now is not the time to do it; I am also somewhat strained at the moment, I need more physical recreation.”

JP VI 6234 (Pap. IX A 222 1848)
1840s, The Journals of Søren Kierkegaard, 1840s

“These two essays probably will essentially be able to interest only theologians.”

Preface
1840s, Two Ethical-Religious Minor Essays (1849)

“If a person is unwilling to make a decisive resolution, if he wants to cheat God of the heart’s daring venture in which a person ventures way out and loses sight of all shrewdness and probability, indeed, takes leave of his senses or at least all his worldly mode of thinking, if instead of beginning with one step he almost craftily seeks to find out something, to have the infinite certainty changed into a finite certainty, then this discourse will not be able to benefit him. There is an upside-downness that wants to reap before it sows; there is a cowardliness that wants to have certainty before it begins. There is a hypersensitivity so copious in words that it continually shrinks from acting; but what would it avail a person if, double-minded and fork-tongued he wanted to dupe God, trap him in probability, but refused to understand the improbable, that one must lose everything in order to gain everything, and understand it so honestly that, in the most crucial moment, when his soul is already shuddering at the risk, he does not again leap to his own aid with the explanation that he has not yet fully made a resolution but merely wanted to feel his way. Therefore, all discussion of struggling with God in prayer, of the actual loss (since if pain of annihilation is not actually suffered, then the sufferer is not yet out upon the deep, and his scream is not the scream of danger but in the face of danger) and the figurative victory cannot have the purpose of persuading anyone or of converting the situation into a task for secular appraisal and changing God’s gift of grace to the venture into temporal small change for the timorous. It really would not help a person if the speaker, by his oratorical artistry, led him to jump into a half hour’s resolution, by the ardor of conviction started a fire in him so that he would blaze in a momentary good intention without being able to sustain a resolution or to nourish an intention as soon as the speaker stopped talking.”

Sören Kierkegaard buch Eighteen Upbuilding Discourses

Eighteen Upbuilding Discourses, Hong, One Who Prays Aright Struggles In Prayer and is Victorious-In That God is Victorious p. 380-381
1840s, Eighteen Upbuilding Discourses

“If I tried to imagine the public as a particular person (for although some better individuals momentarily belong to the public they nevertheless have something concrete about them, which holds them in its grip even if they have not attained the supreme religious attitude), I should perhaps think of one of the Roman emperors, a large well-fed figure, suffering from boredom, looking only for the sensual intoxication of laughter, since the divine gift of wit is not earthly enough. And so for a change he wanders about, indolent rather than bad, but with a negative desire to dominate. Every one who has read the classical authors knows how many things a Caesar could try out in order to kill time. In the same way the public keeps a dog to amuse it. That dog is the sum of the literary world. If there is some one superior to the rest, perhaps even a great man, the dog is set on him and the fun begins. The dog goes for him, snapping and tearing at his coat-tails, allowing itself every possible ill-mannered familiarity – until the public tires, and says it may stop. That is an example of how the public levels. Their betters and superiors in strength are mishandled – and the dog remains a dog which even the public despises. The leveling is therefore done by a third party; a non-existent public leveling with the help of a third party which in its significance is less than nothing, being already more than leveled.”

The Present Age 1846 by Søren Kierkegaard, translated by Alexander Dru 1962, p. 65-66
1840s, Two Ages: A Literary Review (1846)

“After a considerable walk through the forest, where I became acquainted with several of the little lakes I am so fond of, I came to Hestehaven and Lake Carl. Here is one of the most beautiful regions I have ever seen. The countryside is somewhat isolated and slopes steeply down to the lake, but with the beech forests growing on either side, it is not barren. A growth of rushes forms the background and the lake itself the foreground; a fairly large part of the lake is clear, but a still larger part is overgrown with the large green leaves of the waterlily, under which the fish seemingly try to hide but now and then peek out and flounder about on the surface in order to bathe in sunshine. The land rises on the opposite side, a great beech forest, and in the morning light the lighted areas make a marvelous contrast to the shadowed areas. The church bells call to prayer, but not in a temple made by human hands. If the birds do not need to be reminded to praise God, then ought men not be moved to prayer outside of the church, in the true house of God, where heaven's arch forms the ceiling of the church, where the roar of the storm and the light breezes take the place of the organ's bass and treble, where the singing of the birds make up the congregational hymns of praise, where echo does not repeat the pastor's voice as in the arch of the stone church, but where everything resolves itself in an endless antiphony — Hillerød, July 25, 1835”

1830s, The Journals of Søren Kierkegaard, 1830s

“For as only one thing is necessary, and as the theme of the talk is the willing of only one thing: hence the consciousness before God of one’s eternal responsibility to be an individual is that one thing necessary.”

Søren Kierkegaard, Purity of Heart is to Will One Thing, 1847 p. 197-198
1840s, Upbuilding Discourses in Various Spirits (1847), Purity of Heart (1847)

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