Jean Cocteau Berühmte Zitate
„Verachte den Menschen, der Beifall sucht, und verachte den Menschen, der ausgepfiffen werden will.“
Hahn und Harlekin (1918); in: Jean Cocteau; Band 2: Prosa; Volk und Welt, Berlin 1971. S.285
Jean Cocteau Zitate und Sprüche
„Die Spiegel täten gut daran, sich ein wenig zu besinnen, ehe sie die Bilder zurückwerfen.“
Versuche (1928/32); in: Jean Cocteau; Band 2: Prosa; Volk und Welt, Berlin 1971. S.288
„Die Schnelligkeit eines durchgegangenen Pferdes zählt nicht.“
Hahn und Harlekin (1918); in: Jean Cocteau; Band 2: Prosa; Volk und Welt, Berlin 1971. S.285
„Ein Künstler, der zurückweicht, verrät keine Sache. Er verrät sich selbst.“
Hahn und Harlekin (1918); in: Jean Cocteau; Band 2: Prosa; Volk und Welt, Berlin 1971. S.285
„Sanft schließt man Toten die Augen; sanft muß man auch den Lebenden die Augen öffnen.“
Hahn und Harlekin (1918); in: Jean Cocteau; Band 2: Prosa; Volk und Welt, Berlin 1971. S.287
„Befasse dich, auch wo du tadelst, nur mit Erstrangigem.“
Hahn und Harlekin (1918) ; in: Jean Cocteau; Band 2: Prosa; Volk und Welt, Berlin 1971. S.286
„Der Takt der Frechheit besteht darin, zu wissen, bis zu welchem Punkt man zu weit gehen kann.“
Hahn und Harlekin (1918); in: Jean Cocteau; Band 2: Prosa; Volk und Welt, Berlin 1971. S.284
Versuche (1928/32); in: Jean Cocteau; Band 2: Prosa; Volk und Welt, Berlin 1971. S.288
„Eine gerade Linie büßt ihre Geradheit nicht ein, weil sie die Richtung ändert.“
Versuche (1928/32); in: Jean Cocteau; Band 2: Prosa; Volk und Welt, Berlin 1971. S.288
„Wenn du dir den Kopf kahl scherst, so laß keine Locke für den Sonntag übrig.“
Hahn und Harlekin (1918); in: Jean Cocteau; Band 2: Prosa; Volk und Welt, Berlin 1971. S.286
Jean Cocteau: Zitate auf Englisch
“I have a piece of great and sad news to tell you: I am dead.”
"Visite" in Discours du Grand Sommeil (1920); later published in Collected Works Vol. 4 (1947)
Opium (1929)
“Originality consists in trying to be like everybody else — and failing.”
Raymond Radiguet, who was quoted by Cocteau in his acceptance speech to the Académie Française (October 1955)
Misattributed
“There are too many souls of wood not to love those wooden characters who do indeed have a soul.”
On marionettes, as quoted in The New York Times (15 February 1987)
On Orson Welles, as quoted in The New York Times (11 October 1985)
“The worst tragedy for a poet is to be admired through being misunderstood.”
Le Coq et l’Arlequin (1918)
“We shelter an angel within us. We must be the guardians of that angel.”
Also quoted in Diary of an Unknown (1991) as translated by Jesse Browne.
Le Coq et l’Arlequin (1918)
“After the writer’s death, reading his journal is like receiving a long letter.”
On the journal of Franz Kafka; diary entry (7 June 1953); Past Tense: Diaries Vol. 2 (1988)
“Know that your work speaks only to those on the same wavelength as you.”
Diary of an Unknown (1988)
As quoted by Ned Rorem The Dick Cavett Show (PBS) (6 October 1981)
On his election to Académie Française (1955)
As quoted in An Encyclopedia of Quotations About Music (1981) by Nat Shapiro, p. 130
As quoted in Moments of Clarity (2002) by Thomas L. Jackson, p. 88
“A prig always finds a last refuge in responsibility.”
The Wedding on the Eiffel Tower (1922), Preface
“The Louvre is like the morgue; one goes there to identify one’s friends.”
"Le Secret Professionnel" in Le Rappel à l’Ordre (1922; 1926)
As quoted by Roger Shattuck in "A Native Son of Paris", Jean Cocteau and the French Scene (1984)
Variante: The Louvre is a morgue; you go there to identify your friends.
“Tact in audacity is knowing how far you can go without going too far.”
Variant translation: Tact in audacity consists in knowing how far we may go too far.
Le Coq et l’Arlequin (1918)
“Poets don’t draw. They unravel their handwriting and then tie it up again, but differently.”
Dessins (1924), as quoted by Pierre Chanel in "A Thousand Flashes of Genius", Jean Cocteau and the French Scene (1984)
Les Enfants Terribles translation by Rosamond Lehmann (1929)