Der Name der Rose. Übersetzer: Burkhart Kroeber. München 1982. Siebenter Tag, Nacht. S. 607 (William von Baskerville zu Jorge von Burgos).
"Il diavolo non è il principe della materia, il diavolo è l'arroganza dello spirito, la fede senza sorriso, la verità che non viene mai presa dal dubbio." - p. 688 books.google http://books.google.de/books?id=QMfSLZ-4iC4C&pg=PT688
Variante: Der Teufel ist nicht der Fürst der Materie, der Teufel ist die Anmaßung des Geistes, der Glaube ohne ein Lächeln, die Wahrheit, die niemals vom Zweifel erfasst wird.
Werk

Das Foucaultsche Pendel
Umberto EcoUmberto Eco Berühmte Zitate
zitiert bei: Nina Werlberger. Der Bürger als Verweigerer. ZUKUNFT 12/2010 http://diezukunft.at/?p=1843
Original engl.: "I don't even have an e-mail address. I have reached an age where my main purpose is not to receive messages." - vor dem University Club of Chicago. Zitiert bei: Anthony Haden-Guest. Of Eco and E-mail. The New Yorker 26. Juni 1995 http://www.newyorker.com/archive/1995/06/26/1995_06_26_058_TNY_CARDS_000369998
„Um tolerant zu sein, muß man die Grenzen dessen, was nicht tolerierbar ist, festlegen.“
Das Denken ist ständige Wachsamkeit http://www.zeit.de/1993/45/das-denken-ist-staendige-wachsamkeit?page=all. Ein Gespräch mit Umberto Eco. Aus dem Französischen von Uli Aumüller. DIE ZEIT, 5. November 1993 Nr. 45.
Original französisch: " [...] pour être tolérant il faut fixer les limites de l'intolérable." - Roger Pol Droit. Un entretien avec Umberto Eco. La pensée est une vigilance continuelle. LE MONDE 5 octobre 1993
„Weisheit ist begreifen, daß man nicht weiß, ob etwas schwarz oder weiß ist.“
Streichholzbriefe. Übersetzer: Burkhart Kroeber. Hanser 1990, S. 19 books.google http://books.google.de/books?id=bKEqAQAAMAAJ&q=weisheit
Umberto Eco Zitate und Sprüche
Umberto Eco, Jean-Claude Carrière, Stephen Jay Gould, Jean Delumeau: "Das Ende der Zeiten", DuMont Verlag Köln 1999, ISBN 3-7701-4882-7, S. 252
Interpretazione e sovrainterpretazione: Un dibattito con Richard Rorty, Jonathan Culler e Christine Brooke-Rose
Il cimitero di Praga
N'espérez pas vous débarrasser des livres
Nachschrift zum »Namen der Rose«, dtv, ISBN 3-423-10552-6; Übersetzer: Burkhart Kroeber
Original italienisch: "L'autore dovrebbe morire dopo aver scritto. Per non disturbare il cammino del testo." -Postille a Il nome della rosa. Bompiani, 1984. p. 10
Die Suche nach der vollkommenen Sprache, Verlag C. H. Beck, München, 1994, S. 336 ISBN 978-3406378881; Übersetzer: Burkhart Kroeber
Original italienisch: "L'Esperanto dunque potrebbe funzionare come lingua internazionale per le stesse ragioni per cui, nel corso dei secoli, la stessa funzione è stata svolta da lingue naturali come il greco, il latino, il francese, l'inglese o lo swahili" - La ricerca della lingua perfetta nella cultura europea. Edizione Laterza, Roma-Bari, 1993. p. 356
Umberto Eco, Jean-Claude Carrière, Stephen Jay Gould, Jean Delumeau: "Das Ende der Zeiten", DuMont Verlag Köln 1999, ISBN 3-7701-4882-7, S. 275
Umberto Eco: Zitate auf Englisch
“We were clever enough to turn a laundry list into poetry.”
Quelle: Foucault's Pendulum
Quelle: "Why Are They Laughing In Those Cages?", in Travels in Hyperreality : Essays (1986), Ch. III : The Gods of the Underworld, p. 122
Kontext: The real hero is always a hero by mistake; he dreams of being an honest coward like everybody else. If it had been possible he would have settled the matter otherwise, and without bloodshed.
Kontext: The real hero is always a hero by mistake; he dreams of being an honest coward like everybody else. If it had been possible he would have settled the matter otherwise, and without bloodshed. He doesn't boast of his own death or of others'. But he does not repent. He suffers and keeps his mouth shut; if anything, others then exploit him, making him a myth, while he, the man worthy of esteem, was only a poor creature who reacted with dignity and courage in an event bigger than he was.
Temi, Adso, i profeti e coloro disposti a morire per la verità, ché di solito fan morire moltissimo con loro, spesso prima di loro, talvolta al posto loro.
William of Baskerville http://books.google.com/books?id=XY2vXKsHbzIC&q="Fear+prophets+adso+and+those+prepared+to+die+for+the+truth+for+as+a+rule+they+make+many+others+die+with+them+often+before+them+at+times+instead+of+them"&pg=PA549#v=onepage
Quelle: The Name of the Rose (1980)
“How peaceful life would be without Love, Adso. How Safe. How Tranquil. And how Dull.”
Quelle: The Name of the Rose
“Books are not made to be believed, but to be subjected to inquiry.”
William of Baskerville
Quelle: The Name of the Rose (1980)
Kontext: Books are not made to be believed, but to be subjected to inquiry. When we consider a book, we mustn't ask ourselves what it says but what it means...
“To survive, you must tell stories.”
The Island of the Day Before
“Ur-Fascism is based upon a selective populism, a qualitative populism, one might say.”
Ur-Fascism (1995)
Kontext: Ur-Fascism is based upon a selective populism, a qualitative populism, one might say. In a democracy, the citizens have individual rights, but the citizens in their entirety have a political impact only from a quantitative point of view—one follows the decisions of the majority. For Ur-Fascism, however, individuals as individuals have no rights, and the People is conceived as a quality, a monolithic entity expressing the Common Will. Since no large quantity of human beings can have a common will, the Leader pretends to be their interpreter. Having lost their power of delegation, citizens do not act; they are only called on to play the role of the People. Thus the People is only a theatrical fiction. To have a good instance of qualitative populism we no longer need the Piazza Venezia in Rome or the Nuremberg Stadium. There is in our future a TV or Internet populism, in which the emotional response of a selected group of citizens can be presented and accepted as the Voice of the People.
Ur-Fascism (1995)
Kontext: Fascism became an all-purpose term because one can eliminate from a fascist regime one or more features, and it will still be recognizable as fascist. Take away imperialism from fascism and you still have Franco and Salazar. Take away colonialism and you still have the Balkan fascism of the Ustashes. Add to the Italian fascism a radical anti-capitalism (which never much fascinated Mussolini) and you have Ezra Pound. Add a cult of Celtic mythology and the Grail mysticism (completely alien to official fascism) and you have one of the most respected fascist gurus, Julius Evola... But in spite of this fuzziness, I think it is possible to outline a list of features that are typical of what I would like to call Ur-Fascism, or Eternal Fascism.
[O] : Introduction, 0.4
Semiotics and the Philosophy of Language (1984)
Kontext: Not every specific semiotics can claim to be like a natural science. In fact, every specific semiotics is at most a human science, and everybody knows how controversial such a notion still is. However, when cultural anthropology studies the kinship system in a certain society, it works upon a rather stable field of phenomena, can produce a theoretical object, and can make some prediction about the behavior of the members of this society. The same happens with a lexical analysis of the system of terms expressing kinship in the same society.
[O] : Introduction, 0.7
Semiotics and the Philosophy of Language (1984)
Kontext: A philosophy does not play its role as an actor during a recital; it interacts with other philosophies and with other facts, and it cannot know the results of the interaction between itself and other world visions. World visions can conceive of everything, except alternative world visions, if not in order to criticize them and to show their inconsistency. Affected as they are by a constitutive solipsism, philosophies can say everything about the world they design and very little about the world they help to construct.
[I] Signs, 1.13 : Sign and subject
Semiotics and the Philosophy of Language (1984)
Kontext: !-- The subject is constantly reshaped by the endless resegmentation of the content. In this way (even though the process of resegmentation must be activated by someone, who is probably the collectivity of subjects), the subject is spoken by language (verbal and nonverbal), by the dynamic of sign-functions rather than by the chain of signifiers. --> As subjects, we are what the shape of the world produced by signs makes us become.
Perhaps we are, somewhere, the deep impulse which generates semiosis. And yet we recognize ourselves only as semiosis in progress, signifying systems and communicational processes. The map of semiosis, as defined at a given stage of historical development (with the debris carried over from previous semiosis), tells us who we are and what (or how) we think.
[O] : Introduction, 0.6
Semiotics and the Philosophy of Language (1984)
Kontext: When semiotics posits such concepts as 'sign', it does not act like a science; it acts like philosophy when it posits such abstractions as subject, good and evil, truth or revolution. Now, a philosophy is not a science, because its assertions cannot be empirically tested … Philosophical entities exist only insofar as they have been philosophically posited. Outside their philosophical framework, the empirical data that a philosophy organizes lose every possible unity and cohesion.
To walk, to make love, to sleep, to refrain from doing something, to give food to someone else, to eat roast beef on Friday — each is either a physical event or the absence of a physical event, or a relation between two or more physical events. However, each becomes an instance of good, bad, or neutral behavior within a given philosophical framework. Outside such a framework, to eat roast beef is radically different from making love, and making love is always the same sort of activity independent of the legal status of the partners. From a given philosophical point of view, both to eat roast beef on Friday and to make love to x can become instances of 'sin', whereas both to give food to someone and to make love to у can become instances of virtuous action.
Good or bad are theoretical stipulations according to which, by a philosophical decision, many scattered instances of the most different facts or acts become the same thing. It is interesting to remark that also the notions of 'object', 'phenomenon', or 'natural kind', as used by the natural sciences, share the same philosophical nature. This is certainly not the case of specific semiotics or of a human science such as cultural anthropology.
“A philosophy has a practical power: it contributes to the changing of the world.”
[O] : Introduction, 0.7
Semiotics and the Philosophy of Language (1984)
Kontext: A philosophy has a practical power: it contributes to the changing of the world. This practical power has nothing to do with the engineering power that in the discussion above I attributed to sciences, including specific semiotics. A science can study either an animal species or the logic of road signals, without necessarily determining their transformation. There is a certain 'distance' between the descriptive stage and the decision, let us say, to improve a species through genetic engineering or to improve a signaling system by reducing or increasing the number of its pertinent elements.
On the contrary, it was the philosophical position of the modern notion of thinking subject that led Western culture to think and to behave in terms of subjectivity. It was the position of notions such as class struggle and revolution that led people to behave in terms of class, and not only to make revolutions but also to decide, on the grounds of this philosophical concept, which social turmoils or riots of the past were or were not a revolution. Since a philosophy has this practical power, it cannot have a predictive power. It cannot predict what would happen if the world were as it described it. Its power is not the direct result of an act of engineering performed on the basis of a more or less neutral description of independent data.
Ur-Fascism (1995)
Kontext: At the root of the Ur-Fascist psychology there is the obsession with a plot, possibly an international one. The followers must feel besieged. The easiest way to solve the plot is the appeal to xenophobia. But the plot must also come from the inside: Jews are usually the best target because they have the advantage of being at the same time inside and outside. In the US, a prominent instance of the plot obsession is to be found in Pat Robertson's The New World Order, but, as we have recently seen, there are many others.
Ur-Fascism (1995)
Kontext: Elitism is a typical aspect of any reactionary ideology, insofar as it is fundamentally aristocratic, and aristocratic and militaristic elitism cruelly implies contempt for the weak. Ur-Fascism can only advocate a popular elitism. Every citizen belongs to the best people of the world, the members of the party are the best among the citizens, every citizen can (or ought to) become a member of the party. But there cannot be patricians without plebeians. In fact, the Leader, knowing that his power was not delegated to him democratically but was conquered by force, also knows that his force is based upon the weakness of the masses; they are so weak as to need and deserve a ruler. Since the group is hierarchically organized (according to a military model), every subordinate leader despises his own underlings, and each of them despises his inferiors. This reinforces the sense of mass elitism.
“Every specific semiotics (as every science) is concerned with general epistemological problems.”
[O] : Introduction, 0.4
Semiotics and the Philosophy of Language (1984)
Kontext: Every specific semiotics (as every science) is concerned with general epistemological problems. It has to posit its own theoretical object, according to criteria of pertinence, in order to account for an otherwise disordered field of empirical data; and the researcher must be aware of the underlying philosophical assumptions that influence its choice and its criteria for relevance. Like every science, even a specific semiotics ought to take into account a sort of 'uncertainty principle' (as anthropologists must be aware of the fact that their presence as observers can disturb the normal course of the behavioral phenomena they observe). Notwithstanding, a specific semiotics can aspire to a 'scientific' status. Specific semiotics study phenomena that are reasonably independent of their observations.
Il costume di casa (1973); as translated in Travels in Hyperreality (1986)
Kontext: Not long ago, if you wanted to seize political power in a country you had merely to control the army and the police. Today it is only in the most backward countries that fascist generals, in carrying out a coup d'état, still use tanks. If a country has reached a high degree of industrialization the whole scene changes. The day after the fall of Khrushchev, the editors of Pravda, Izvestiia, the heads of the radio and television were replaced; the army wasn't called out. Today a country belongs to the person who controls communications.
Ur-Fascism (1995)
Kontext: Ur-Fascism is based upon a selective populism, a qualitative populism, one might say. In a democracy, the citizens have individual rights, but the citizens in their entirety have a political impact only from a quantitative point of view—one follows the decisions of the majority. For Ur-Fascism, however, individuals as individuals have no rights, and the People is conceived as a quality, a monolithic entity expressing the Common Will. Since no large quantity of human beings can have a common will, the Leader pretends to be their interpreter. Having lost their power of delegation, citizens do not act; they are only called on to play the role of the People. Thus the People is only a theatrical fiction. To have a good instance of qualitative populism we no longer need the Piazza Venezia in Rome or the Nuremberg Stadium. There is in our future a TV or Internet populism, in which the emotional response of a selected group of citizens can be presented and accepted as the Voice of the People.
[O] : Introduction, 0.6
Semiotics and the Philosophy of Language (1984)
Kontext: When semiotics posits such concepts as 'sign', it does not act like a science; it acts like philosophy when it posits such abstractions as subject, good and evil, truth or revolution. Now, a philosophy is not a science, because its assertions cannot be empirically tested … Philosophical entities exist only insofar as they have been philosophically posited. Outside their philosophical framework, the empirical data that a philosophy organizes lose every possible unity and cohesion.
To walk, to make love, to sleep, to refrain from doing something, to give food to someone else, to eat roast beef on Friday — each is either a physical event or the absence of a physical event, or a relation between two or more physical events. However, each becomes an instance of good, bad, or neutral behavior within a given philosophical framework. Outside such a framework, to eat roast beef is radically different from making love, and making love is always the same sort of activity independent of the legal status of the partners. From a given philosophical point of view, both to eat roast beef on Friday and to make love to x can become instances of 'sin', whereas both to give food to someone and to make love to у can become instances of virtuous action.
Good or bad are theoretical stipulations according to which, by a philosophical decision, many scattered instances of the most different facts or acts become the same thing. It is interesting to remark that also the notions of 'object', 'phenomenon', or 'natural kind', as used by the natural sciences, share the same philosophical nature. This is certainly not the case of specific semiotics or of a human science such as cultural anthropology.
[O] : Introduction, 0.6
Semiotics and the Philosophy of Language (1984)
Ur-Fascism (1995)
Kontext: Fascism became an all-purpose term because one can eliminate from a fascist regime one or more features, and it will still be recognizable as fascist. Take away imperialism from fascism and you still have Franco and Salazar. Take away colonialism and you still have the Balkan fascism of the Ustashes. Add to the Italian fascism a radical anti-capitalism (which never much fascinated Mussolini) and you have Ezra Pound. Add a cult of Celtic mythology and the Grail mysticism (completely alien to official fascism) and you have one of the most respected fascist gurus, Julius Evola... But in spite of this fuzziness, I think it is possible to outline a list of features that are typical of what I would like to call Ur-Fascism, or Eternal Fascism.
[2] Dictionary vs. Encyclopedia, 2.1 : Porphyry strikes back, 2.1.1 : Is a definition an interpretation?
Semiotics and the Philosophy of Language (1984)
Kontext: A sign is not only something which stands for something else; it is also something that can and must be interpreted. The criterion of interpretability allows us to start from a given sign to cover, step by step, the whole universe of semiosis.
[O] : Introduction, 0.7
Semiotics and the Philosophy of Language (1984)
Kontext: A philosophy does not play its role as an actor during a recital; it interacts with other philosophies and with other facts, and it cannot know the results of the interaction between itself and other world visions. World visions can conceive of everything, except alternative world visions, if not in order to criticize them and to show their inconsistency. Affected as they are by a constitutive solipsism, philosophies can say everything about the world they design and very little about the world they help to construct.
[O] : Introduction, 0.2
Semiotics and the Philosophy of Language (1984)
Kontext: The principle of interpretation says that "a sign is something by knowing which we know something more" (Peirce). The Peircean idea of semiosis is the idea of an infinite process of interpretation. It seems that the symbolic mode is the paramount example of this possibility.
However, interpretation is not reducible to the responses elicited by the textual strategies accorded to the symbolic mode. The interpretation of metaphors shifts from the univocality of catachreses to the open possibilities offered by inventive metaphors. Many texts have undoubtedly many possible senses, but it is still possible to decide which one has to be selected if one approaches the text in the light of a given topic, as well as it is possible to tell of certain texts how many isotopies they display.
“Ur-Fascism is still around us, sometimes in plainclothes.”
Ur-Fascism (1995)
Kontext: Ur-Fascism is still around us, sometimes in plainclothes. It would be so much easily for us, if there appeared on the scene somebody saying "I want to re-open Auschwitz, I want the Blackshirts to parade again in the Italian squares". Life is not that simple. Ur-Fascism can come back under the most innocent of disguises. Our duty is to uncover it and point the finger at any of its new instances — every day and in every part of the world.