Zitate von Hans-Georg Gadamer

Hans-Georg Gadamer Foto
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Hans-Georg Gadamer

Geburtstag: 11. Februar 1900
Todesdatum: 13. März 2002

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Hans-Georg Gadamer war ein deutscher Philosoph. International bekannt wurde er durch sein für die philosophische Hermeneutik grundlegendes Werk Wahrheit und Methode .

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Zitate Hans-Georg Gadamer

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„Zukunft braucht Herkunft.“

—  Hans-Georg Gadamer
Zitat im Grußwort des Ministerpräsidenten Erwin Teufel bei der Akademischen Feier "Hans-Georg Gadamer und die Philosophie des 20. Jahrhunderts", 15. Februar 2003, uni-heidelberg. de

„Sein, das verstanden werden kann, ist Sprache.“

—  Hans-Georg Gadamer, Wahrheit und Methode
Wahrheit und Methode. Grundzüge einer philosophischen Hermeneutik (Ges. Werke Bd. 1, S. 478). Zitiert nach Bd. 2 Ergänzungen, Register, 2. Aufl. 1993 S. 334 books.google http://books.google.de/books?id=V9PONAKj5EIC&pg=PA334

„Ein Gespräch setzt voraus, dass der andere Recht haben könnte.“

—  Hans-Georg Gadamer
im Interview mit Thomas Sturm. DER SPIEGEL 8/2000 21.02.2000

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„The free artist creates without a commission.“

—  Hans-Georg Gadamer
Truth and Method (1960), Context: The free artist creates without a commission. He seems distinguished by the complete independence of his creativity and thus acquires the characteristic social features of an outsider whose style of life cannot be measured by the standards of public morality. The concept of the bohemian which arose in the nineteenth century reflects this process. The home of the Gypsies became the generic word for the artist's way of life. But at the same time the artist, who is as "free as a bird or a fish," bears the burden of a vocation that makes him an ambiguous figure. For a cultured society that has fallen away from its religious traditions expects more from art than the aesthetic consciousness and the "standpoint of art" can deliver. The Romantic desire for a new mythology... gives the artist and his task in the world the consciousness of a new consecration. He is something like a "secular saviour' for his creations are expected to achieve on a small scale the propitiation of disaster for which an unsaved world hopes. p. 76

„Aristotle established the classical definition of man, according to which man is the living being who has logos.“

—  Hans-Georg Gadamer
Context: Aristotle established the classical definition of man, according to which man is the living being who has logos. In the tradition of the West, this definition became canonical in a form which stated that man is the animal rationale, the rational being, distinguished from all other animals by his capacity for thought. Thus it rendered the Greek word logos as reason or thought. In truth, however, the primary meaning of this word is language.... The word logos means not only thought and language, but also concept and law. Man and Language (1966)

„What man needs is not just the persistent posing of ultimate questions, but the sense of what is feasible, what is possible, what is correct, here and now.“

—  Hans-Georg Gadamer
Truth and Method (1960), Context: What man needs is not just the persistent posing of ultimate questions, but the sense of what is feasible, what is possible, what is correct, here and now. The philosopher, of all people, must, I think, be aware of the tension between what he claims to achieve and the reality in which he finds himself. Foreword to the Second Edition, p. xxiv.

„The more language is a living operation, the less we are aware of it.“

—  Hans-Georg Gadamer
Context: The more language is a living operation, the less we are aware of it. Thus it follows that from the forgetfulness of language that its real being consists in what is said in it. What is said in it constitutes the common world in which we live. … The real being of language is that into which we are taken up when we hear it — what is said. Man and Language (1966)

„Everything depends on how something is said.“

—  Hans-Georg Gadamer
Aesthetics and Hermeneutics (1964), Context: The language of art is constituted precisely by the fact that it speaks to the self-understanding of every person, and it does this as ever present and by means of its own contemporaneousness. Indeed, precisely the contemporaneousness of the work allows it to come to expression in language. Everything depends on how something is said. p. 102 http://books.google.com/books?id=7RP-TggufEEC&pg=PA102

„The work of art that says something confronts us itself. That is, it expresses something in such a way that what is said is like a discovery, a disclosure of something previously concealed.“

—  Hans-Georg Gadamer
Aesthetics and Hermeneutics (1964), Context: The work of art that says something confronts us itself. That is, it expresses something in such a way that what is said is like a discovery, a disclosure of something previously concealed. The element of surprise is based on this. "So true, so filled with being" [So wahr, so seiend] is not something one knows any other way. Everything familiar is eclipsed. To understand what the work of art says to us is therefore a self-encounter. p. 101 http://books.google.com/books?id=7RP-TggufEEC&pg=PA101 (quotation is from Goethe)

„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“

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