Max Beckmann Zitate

seite 2

Frühe Tagebücher, Max Beckmann, 14. August 1903, S. 10; zitiert nach "Max Beckmann - Meisterwerke 1907 - 1950", ed. Karin von Mauer, Staatsgalerie Stuttgart, Verlag Gerd Hatje, Stuttgart 1994

Kritik auf Franz Marc in "Pan", Heft 17, März 1912; zitiert nach Kat. Bielefeld 1983, S 28ff

Londoner Rede von 1938, Max Beckmann, in Schriften und Gespräche, S. 49

Beitrag von 1918 zu 'Schöpherische Konfession', Max Beckmann, in Schriften und Gespräche, S. 22

letter to his first wife Minna, from the front, 1915; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 14
1900s - 1920s

Beckmann's sketchbook - probably referring to his last triptych painting 'The Argonauts', he painted in 1950, the year Beckmann died
1940s

Quote from Beckmann's letter to his first wife Minna, from the front, first World war, 1915; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 14
Quote of Max Beckmann, one from a series of letters he wrote to his wife Minna Beckmann-Tube, being medic soldier at the front of World War 1.
1900s - 1920s

1930s, On my Painting (1938)

In a letter to Stephan Lackner, Amsterdam, 1939; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 5
1930s

In his public speech 'On my painting', for the exhibition 'Twentieth-Century German Art', London, 21 July 1938; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 77
1930s

Beckman&#x27;s Diary, 1 June 1943, Amsterdam; as cited on: &#x27;Arts in exile&#x27; http://kuenste-im-exil.de <br class="br">1940s

1930s, On my Painting (1938)

1940s

1930s, On my Painting (1938)

In a letter to his art dealer Curt Valentin, Amsterdam, 11 February 1938; as quoted in Max Beckmann – On my Painting in the preface, Mayen Beckmann; Tate Publishing London, 2003
1930s

Quote from Schopferische Konfession (Creative credo) of 1918; first published in 'Tribune der Kunst und Zeit', no. 13 (1920): 66; for an English translation, see Victor H. Miesel, ed. Voices of German Expressionism, (Englewood Cliffs, N.J.: Prentice Hall, 1970); as quoted in 'Portfolios', Alexander Dückers; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 101
1900s - 1920s

Beckmann's lecture 'Drei Briefe an eine Malerin' ('Three letters to a Woman-painter'), New York and Boston, Spring 1948; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 214
1940s

IBeckmann's diary-notes, Saint Louis, 6 October 1947; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 89
1940s

In a letter to Stephan Lackner, Amsterdam, 29 January 1938; as quoted in Max Beckmann – On my Painting, in the preface, Mayen Beckmann; Tate Publishing London, 2003
1930s

Beckmann's diary-notes, New York, 8 and 9 September 1947; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 89
1940s

1930s, On my Painting (1938)

Quelle: 1930s, On my Painting (1938), p. 12

Quelle: 1930s, On my Painting (1938), p. 19

as quoted in the exhibition, 'Expressionisten, die Avantgarde in Deutschland 1905 - 1920', catalog Nationalgalerie Berlin, DDR, 1986, p. 109
1900s - 1920s

Quelle: 1930s, On my Painting (1938), p. 14