W. H. Auden Zitate (125 Zitate, seite 2) | Zitate berühmter Personen

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W. H. Auden Berühmte Zitate

„Manche Bücher geraten unverdient in Vergessenheit; unverdient ins Gedächtnis zurückgerufen wird keines.“

W. H. Auden

Des Färbers Hand und andere Essays. Deutsch von Fritz Lorch. Gütersloh Sigbert Mohn ohne Jahr (1962?), Prolog. Lesen. S. 23
Original englisch: "Some books are undeservedly forgotten; none are undeservedly remembered." - The Dyer's Hand, and other essays. New York Random House 1962. Prologue. Reading. p. 10
Des Färbers Hand und andere Essays

„Vergnügen ist keineswegs ein unfehlbarer kritischer Leitfaden, doch ist es der am wenigsten fehlbare.“

W. H. Auden

Des Färbers Hand und andere Essays. Deutsch von Fritz Lorch. Gütersloh Sigbert Mohn ohne Jahr (1962?), Prolog. Lesen. S. 17
Original englisch: "Pleasure is by no means an infallible critical guide, but it is the least fallible" - The Dyer's Hand, and other essays. New York Random House 1962. Prologue. Reading. p. 5
Des Färbers Hand und andere Essays

„Wir fürchten uns wohl vor dem Schmerz, // Mehr aber vor der Stille, denn kein grausamer Alpdruck // Könnte furchtbarer sein als diese Öde. // Dies ist die Verdammnis. Dies ist der Zorn Gottes.“

W. H. Auden

Weihnachtsoratorium. Zitiert in: Adalbert Schmidt. Literaturgeschichte. Wege und Wandlungen moderner Dichtung. Salzburg Stuttgart, Das Bergland-Buch, 1957. S. 397 books.google http://books.google.de/books?id=hTFKAAAAMAAJ&q=alpdruck, s.a. http://books.google.de/books?id=E4M9AQAAIAAJ&q=alpdruck und http://books.google.de/books?id=AfonAAAAMAAJ&q=alpdruck
Original englisch: "We are afraid // Of pain but more afraid of silence; for no nightmare // Of hostile objects could be as terrible as this Void. // This is the Abomination. This is the wrath of God." - For The Time Being. A Christmas Oratorio. Zitiert in TIME Magazin 11. September 1944 http://www.time.com/time/magazine/article/0,9171,775266-2,00.html
Weihnachtsoratorium

W. H. Auden: Zitate auf Englisch

“In most poetic expressions of patriotism, it is impossible to distinguish what is one of the greatest human virtues from the worst human vice, collective egotism.”

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W. H. Auden buch Forewords and Afterwords

"C.P. Cavafy", p. 341
Forewords and Afterwords (1973)
Kontext: In most poetic expressions of patriotism, it is impossible to distinguish what is one of the greatest human virtues from the worst human vice, collective egotism.
The virtue of patriotism has been extolled most loudly and publicly by nations that are in the process of conquering others, by the Roman, for example, in the first century B. C., the French in the 1790s, the English in the nineteenth century, and the Germans in the first half of the twentieth. To such people, love of one's country involves denying the right of others, of the Gauls, the Italians, the Indians, the Poles, to love theirs.

“To-morrow the rediscovery of romantic love,
The photographing of ravens; all the fun under
Liberty's masterful shadow;
To-morrow the hour of the pageant-master and the musician, The beautiful roar of the chorus under the dome;
To-morrow the exchanging of tips on the breeding of terriers,
The eager election of chairmen
By the sudden forest of hands. But to-day the struggle.To-morrow for the young the poets exploding like bombs,
The walks by the lake, the weeks of perfect communion;
To-morrow the bicycle races
Through the suburbs on summer evenings. But to-day the struggle.”

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W. H. Auden buch Spain

Quelle: Spain (1937), Lines 81–92

“We would rather be ruined than changed
We would rather die in our dread
Than climb the cross of the moment
And let our illusions die.”

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W. H. Auden buch The Age of Anxiety

Epilogue
The Age of Anxiety (1948)

“Every autobiography is concerned with two characters, a Don Quixote, the Ego, and a Sancho Panza, the Self.”

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W. H. Auden buch The Dyer's Hand

"Hic et Ille", p. 96
The Dyer's Hand, and Other Essays (1962)

“How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.”

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W. H. Auden

The More Loving One (1957)

“To ask the hard question is simple,
The simple act of the confused will.”

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W. H. Auden

To Ask the Hard Question is Simple, first published in book form in Poems (1930)

“Unendowed with wealth or pity,
Little birds with scarlet legs
Sitting on their speckled eggs,
Eye each flu-infected city. Altogether elsewhere, vast
Herds of reindeer move across
Miles and miles of golden moss,
Silently and very fast.”

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W. H. Auden

The Fall of Rome (1947), lines 21–28

“The truly tragic kind of suffering is the kind produced and defiantly insisted upon by the hero himself so that, instead of making him better, it makes him worse and when he dies he is not reconciled to the law but defiant, that is, damned. Lear is not a tragic hero, Othello is.”

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W. H. Auden buch Forewords and Afterwords

"The Greeks and Us", p. 21
Forewords and Afterwords (1973)

“The surest sign that a man has a genuine taste of his own is that he is uncertain of it.”

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W. H. Auden buch The Dyer's Hand

"Reading", p. 6
The Dyer's Hand, and Other Essays (1962)

“Every day America's destroyed and re-created,
America is what you do,
America is I and you,
America is what you choose to make it.”

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W. H. Auden

Paul Bunyan

“I am beginning to lose patience
With my personal relations.
They are not deep
And they are not cheap.”

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W. H. Auden

Case Histories (1930)

“The stars are not wanted now; put out every one,
Pack up the moon and dismantle the sun,
Pour away the ocean and sweep up the woods;
For nothing now can ever come to any good.”

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W. H. Auden

Funeral Blues (1936)

“One can only blaspheme if one believes.”

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W. H. Auden buch Forewords and Afterwords

"Concerning the Unpredictable", p. 472
Forewords and Afterwords (1973)

“Death is the sound of distant thunder at a picnic.”

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W. H. Auden

A misquotation of a haiku by Auden found elsewhere on this page ("Thoughts of his own death" etc.)
Misattributed
Variante: Thoughts of his own death,
like the distant roll
of thunder at a picnic.

“I'll love you, dear, I'll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,I'll love you till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.”

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W. H. Auden

As I Walked Out One Evening (1937)

“To some degree every American poet feels that the whole responsibility for contemporary poetry has fallen upon his shoulders, that he is a literary aristocracy of one.”

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W. H. Auden buch The Dyer's Hand

"American Poetry", p. 367
The Dyer's Hand, and Other Essays (1962)

“Genealogies are admirable things, provided they do not encourage the curious delusion that some families are older than others.”

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W. H. Auden buch Forewords and Afterwords

"As It Seemed to Us", p. 498
Forewords and Afterwords (1973)

“In general, when reading a scholarly critic, one profits more from his quotations than from his comments.”

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W. H. Auden buch The Dyer's Hand

"Reading", p. 9
The Dyer's Hand, and Other Essays (1962)

“I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.”

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W. H. Auden September 1, 1939

Quelle: September 1, 1939 (1939), Lines 1–11

“I don't think the mystical experience can be verbalized. When the ego disappears, so does power over language.”

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W. H. Auden

Quelle: Paris Review interview (1972), p. 266

“In any modern city, a great deal of our energy has to be expended in not seeing, not hearing, not smelling. An inhabitant of New York who possessed the sensory acuteness of an African Bushman would very soon go mad.”

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W. H. Auden buch Forewords and Afterwords

"The Justice of Dame Kind", p. 464
Forewords and Afterwords (1973)

“Put the car away; when life fails
What's the good of going to Wales?
Here am I, here are you:
But what does it mean? What are we going to do?”

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W. H. Auden

It's no use raising a shout (1929), first published in book form in Poems (1930)

“A poet, qua poet, has only one political duty, namely, in his own writing to set an example of the correct use of his mother tongue, which is always being corrupted. When words lose their meaning, physical force takes over.”

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W. H. Auden

Quelle: Paris Review interview (1972), p. 251

“Among those whom I like or admire, I can find no common denominator, but among those whom I love, I can: all of them make me laugh.”

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W. H. Auden buch The Dyer's Hand

"Notes on the Comic", p. 372
The Dyer's Hand, and Other Essays (1962)

“At first critics classified authors as Ancients, that is to say, Greek and Latin authors, and Moderns, that is to say, every post-Classical Author. Then they classified them by eras, the Augustans, the Victorians, etc., and now they classify them by decades, the writers of the '30's, '40's, etc. Very soon, it seems, they will be labeling authors, like automobiles, by the year.”

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W. H. Auden buch The Dyer's Hand

"Reading", p. 12
The Dyer's Hand, and Other Essays (1962)

“Let us then
Consider rather the incessant Now of
The traveler through time, his tired mind
Biased towards bigness since his body must
Exaggerate to exist, possessed by hope…”

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W. H. Auden buch The Age of Anxiety

Prologue
The Age of Anxiety (1948)

“Now is the age of anxiety.”

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W. H. Auden

Widely attributed online to Auden, this phrase does not occur anywhere in his writings. It is apparently a confused recollection of the title of his long poem The Age of Anxiety (1947). (The phrase "age of anxiety" occurs only in the title of the poem, not in the text, nor in anything else by Auden.)
Misattributed