Paul Valéry Zitate (94 Zitate, seite 2) | Zitate berühmter Personen

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Paul Valéry Berühmte Zitate

„Der Mensch lebt und stirbt in dem, was er sieht, aber er sieht nur was er träumt.“

Paul Valéry

Diese Übersetzung wartet auf eine Überprüfung. Ist es korrekt?

„Krieg: ein Massaker von Leuten, die sich nicht kennen, zum Vorteil derer, die sich kennen, aber nicht gegenseitig umbringen.“

Paul Valéry

„Die Geschichte rechtfertigt, was immer man will. Sie lehrt schlechterdings nichts, denn es gibt nichts, was sich mit ihr nicht beweisen ließe.“

Paul Valéry

Original franz.: "L’histoire justifie ce que l’on veut. Elle n’enseigne rigoureusement rien, car elle contient tout, et donne des exemples de tout." - De l'Histoire; in: Regards sur le monde actuel. Paris : Stock, Delamain & Boutelleau, 1931. p. 64 gallica.bnf.fr https://gallica.bnf.fr/ark:/12148/bpt6k1510319s/f72

„Im Abgrund der Geschichte ist für alle Platz.“

Paul Valéry

La crise de l'ésprit, Première lettre; in: Valéry, Paul: Œuvres, Vol. 1 / éd. par Jean Hytier; Paris 1957, S. 988

„Und wir sehen jetzt, dass der Abgrund der Geschichte Raum hat für alle. Wir fühlen, dass eine Kultur genau so hinfällig ist wie ein einzelnes Leben.“

Paul Valéry

Die Krise des Geistes. Erster Brief. Corona 1931, Seite 531 books.google https://books.google.de/books?id=_tjjAAAAMAAJ&q=%22abgrund+der%22
Original franz.: "Et nous voyons maintenant que l'abîme de l'histoire est assez grand pour tout le monde. Nous sentons qu’une civilisation a la même fragilité qu’une vie." - La crise de l'ésprit, in: Nouvelle Revue Française, 1919, Tome XIII, p. 321-337, :fr:s:La Crise de l’esprit. Première lettre.

Paul Valéry: Zitate auf Englisch

“Follow the path of your aroused thought, and you will soon meet this infernal inscription: There is nothing so beautiful as that which does not exist.”

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Paul Valéry

“A man who is of 'sound mind' is one who keeps his inner madman under lock and key.”

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Paul Valéry

Quelle: Unsourced

“One should be light like a bird, and not like a feather.”

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Paul Valéry

“Since everything that lives is obliged to expend and receive life, there is an exchange of modifications between the living creature and its environment.
And yet, once that vital necessity is satisfied, our species—a positively strange species—thinks it must create for itself other needs and tasks besides that of preserving life. … Whatever may be the origin or cause of this curious deviation, the human species is engaged in an immense adventure, an adventure whose objective and end it does not know. …
The same senses, the same muscles, the same limbs—more, the same types of signs, the same instruments of exchange, the same languages, the same modes of logic—enter into the most indispensable acts of our lives, as they figure into the most gratuitous. …
In short, man has not two sets of tools, he has only one, and this one set must serve him for the preservation of his life and his physiological rhythm, and expend itself at other times on illusions and on the labours of our great adventure. …
The same muscles and nerves produce walking as well as dancing, exactly as our linguistic faculty enables us to express our needs and ideas, while the same words and forms can be combined to produce works of poetry. A single mechanism is employed in both cases for two entirely different purposes.”

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Paul Valéry

Quelle: Regards sur le monde actuel [Reflections on the World Today] (1931), pp. 158-159

“This character out of my fantasy, whose author I became in the days of my partly literary, partly solitary or.. inward youth, has lived, apparently, since that faded time with a certain life — which his reticence, more than what he said, has persuaded a few readers to attribute to him.
Teste was conceived — in a room where Auguste Comte spent his early years — at a period when I was drunk on my own will and subject to strange excesses of consciousness of my self.
I was suffering from the acute ailment called precision. I tended toward the extreme of the reckless desire to understand, and I searched in myself for the critical points in my powers of attention.”

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Paul Valéry buch Monsieur Teste

Preface
Monsieur Teste (1919)

“All perishes. A thing of flesh and pore
Am I. Divine impatience also dies.”

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Paul Valéry

Allez! Tout fuit! Ma présence est poreuse,
La sainte impatience meurt aussi!
As translated by by C. Day Lewis
Charmes ou poèmes (1922)

“I cannot think that there exists more than one Sovereign Good.”

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Paul Valéry

Socrates, p. 81
Eupalinos ou l'architecte (1921)

“Man discerns three great things in the All: he finds there his body, he finds there his soul—and then there is the rest of the world. Between these things there is an unceasing commerce, and sometimes even a confusion arises; but always after a certain time has elapsed, these three things come to be clearly distinguished from one another.”

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Paul Valéry

Socrates, p. 128
Eupalinos ou l'architecte (1921)

“Science means simply the aggregate of all the recipes that are always successful. All the rest is literature.”

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Paul Valéry

Moralités (1932)

“[T]he soul of love is the invincible difference of lovers, while its subtle matter is the identity of their desires.”

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Paul Valéry

Phaedrus, p. 47
L'Âme et la danse (1921)

“This quiet roof, where dove-sails saunter by,
Between the pines, the tombs, throbs visibly.
Impartial noon patterns the sea in flame —
That sea forever starting and re-starting.
When thought has had its hour, oh how rewarding
Are the long vistas of celestial calm!”

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Paul Valéry

Ce toit tranquille, où marchent des colombes,
Entre les pins palpite, entre les tombes;
Midi le juste y compose de feux
La mer, la mer, toujours recommencée
O récompense après une pensée
Qu'un long regard sur le calme des dieux!
Le Cimetière Marin · Online original and translation as "The Graveyard By The Sea" by C. Day Lewis http://unix.cc.wmich.edu/%7Ecooneys/poems/fr/valery.daylewis.html
Variant translations:
The sea, the ever renewing sea!
Charmes ou poèmes (1922)

“The very object of an art, the principle of its artifice, is precisely to impart the impression of an ideal state in which the man who reaches it will be capable of spontaneously producing, with no effort of hesitation, a magnificent and wonderfully ordered expression of his nature and our destinies.”

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Paul Valéry

Remarks on Poetry in The Art of Poetry (1958)

“Nay, who knows, Phaedrus, if the efforts of humans in their search for God, the observances, the prayers they essay, their obstinate will to discover the most efficacious… who knows if mortals will not finally discover a certitude—or an incertitude—stable and in exact conformity with their nature, if not with the very nature of God?”

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Paul Valéry

Socrates, p. 130. Ellipsis in original.
Eupalinos ou l'architecte (1921)

“We civilizations now know ourselves mortal.”

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Paul Valéry

La Crise de l'Esprit (1919)

“What are mortals for?—Their business is to know. Know? And what is to know?—It is assuredly: not to be what one is.—And so here are humans raving and thinking, introducing into nature the principle of unlimited error, and myriads of marvels!”

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Paul Valéry

Eryximachus, p. 52
L'Âme et la danse (1921)

“An intelligent woman is a woman with whom one can be as stupid as one wants.”

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Paul Valéry

Mauvaises Pensées et Autres (1941)

“What is most beautiful is of necessity tyrannical.”

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Paul Valéry

Eupalinos quoted by Phaedrus, p. 86
Eupalinos ou l'architecte (1921)

“My soul is nothing now but the dream dreamt by matter struggling with itself!”

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Paul Valéry

Eryximachus, p. 27
L'Âme et la danse (1921)

“I said that to invite minds to concern themselves with Mind and its destiny was a sign and symptom of the times. Would that idea have occurred to me, had not a whole body of impressions been sufficiently significant and powerful to reflect themselves in me, and for that reflection to become action? And that action, which consists of expressing it in your presence, would not perhaps have been accomplished had I not felt that my impressions were those of many other people, that the sensation of a diminution of mind, of a menace to culture, of a twilight of the most pure gods was a sensation which imposed itself with increasing strength on all those who are capable of feeling something in the order of superior values of which we are speaking.”

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Paul Valéry

Quelle: Regards sur le monde actuel [Reflections on the World Today] (1931), p. 172

“Man can act only because he can ignore.”

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Paul Valéry

Socrates, p. 124
Eupalinos ou l'architecte (1921)

“What's loftiest in the mind can only live through growth.”

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Paul Valéry

Lucretius, p. 171
Dialogue de l'arbre (1943)

“Poetry is simply literature reduced to the essence of its active principle. It is purged of idols of every kind, of realistic illusions, of any conceivable equivocation between the language of "truth" and the language of "creation."”

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Paul Valéry

Littérature (1930)

“A really free mind is scarcely attached to its opinions. If the mind cannot help giving birth to … emotions and affections which at first appear to be inseparable from them, it reacts against these intimate phenomena it experiences against its will.”

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Paul Valéry

Quelle: Regards sur le monde actuel [Reflections on the World Today] (1931), p. 55

“Now present here, the future takes its time.
The brittle insect scrapes at the dry loam;
All is burnt up, used up, drawn up in air
To some ineffably rarefied solution...
Life is enlarged, drunk with annihilation,
And bitterness is sweet, and the spirit clear.”

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Paul Valéry

Ici venu, l'avenir est paresse.
L'insecte net gratte la sécheresse;
Tout est brûlé, défait, reçu dans l'air
A je ne sais quelle sévère essence . . .
La vie est vaste, étant ivre d'absence,
Et l'amertume est douce, et l'esprit clair.
As translated by by C. Day Lewis
Charmes ou poèmes (1922)

“What grace of light, what pure toil goes to form
The manifold diamond of the elusive foam!
What peace I feel begotten at that source!
When sunlight rests upon a profound sea,
Time's air is sparkling, dream is certainty —
Pure artifice both of an eternal Cause.”

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Paul Valéry

Quel pur travail de fins éclairs consume
Maint diamant d'imperceptible écume,
Et quelle paix semble se concevoir!
Quand sur l'abîme un soleil se repose,
Ouvrages purs d'une éternelle cause,
Le temps scintille et le songe est savoir.
As translated by by C. Day Lewis
Charmes ou poèmes (1922)