David Lynch Zitate

seite 3

cinetext http://cinetext.philo.at/magazine/circvit.html, 2. Mai 1997

Der Spiegel, Nr. 16/2007, S. 192

sueddeutsche.de http://www.sueddeutsche.de/kultur/artikel/765/75690/7/, 12. Mai 2006 (Stand: 30. November 2007)

Quelle: Chris Rodley (Hrsg.), Lynch über Lynch, Verlag der Autoren, Juli 2006, S. 26, ISBN 3886612910; Übersetzer: Daniel Bickermann, Marion Kagerer

Quelle: Chris Rodley (Hrsg.), Lynch über Lynch, Verlag der Autoren, Juli 2006, S. 30, ISBN 3886612910; Übersetzer: Daniel Bickermann, Marion Kagerer

That was my one sentence. And so I have improved.
GreenCine interview (16 November 2005) http://www.greencine.com/article?action=view&articleID=254

McKenna interview (1992)

And I hadn't even realized that it had lifted.
I call that depression and anger the Suffocating Rubber Clown Suit of Negativity. It's suffocating, and that rubber stinks. But once you start meditating and diving within, the clown suit starts to dissolve. You finally realize how putrid was the stink when it starts to go. Then, when it dissolves, you have freedom.
Anger and depression and sorrow are beautiful things in a story, but they are like poison to the filmmaker or artist. They are like a vise grip on creativity. If you're in that grip, you can hardly get out of bed, much less experience the flow of creativity and ideas. You must have clarity to create. You have to be able to catch ideas.
Suffocating Rubber Clown Suit, p. 8
Catching the Big Fish (2006)

At first I thought it sounded kind of mean, because it doesn't tell you where the "within" is, or how to get there. But still it had a ring of truth. And I began to think that maybe meditation was a way to go within.
The First Dive, p. 3
Catching the Big Fish (2006)

As quoted in The Guardian (19 March 2005)

About the human dependency on language to communicate, as quoted in The Washington Post (18 June 2011)