“We're actors — we're the opposite of people!”
Quelle: Rosencrantz and Guildenstern Are Dead
Sir Tom Stoppard OM, CBE, geboren als Tomáš Straussler, ist ein britischer Dramatiker, der bekannt ist für seine Stücke wie The Real Thing und Rosencrantz and Guildenstern are Dead sowie für das Drehbuch zu dem Film Shakespeare in Love. Er gilt als einer der herausragenden Autoren des britischen Nachkriegsdramas, das er durch seine sowohl bühnenwirksam wie auch intellektuell anregende Mischung aus Wortwitz, Situationskomik und philosophischen Reflexionen maßgeblich mit beeinflusst hat. Seine Werke gehören zu den meistgespielten und ebenfalls in akademischen Kreisen am intensivsten diskutierten Stücken des zeitgenössischen britischen Dramas. Der Stellenwert Stoppards als Autor und Dramatiker wurde 1997 auch durch seine Erhebung in den Adelsstand gewürdigt. Wikipedia
“We're actors — we're the opposite of people!”
Quelle: Rosencrantz and Guildenstern Are Dead
Quelle: Rosencrantz and Guildenstern are Dead
Quelle: Rosencrantz and Guildenstern Are Dead
“Eternity is a terrible thought. I mean, where's it going to end?”
Quelle: Rosencrantz and Guildenstern Are Dead
“An artist is the magician put among men to gratify — capriciously — their urge for immortality.”
Joyce, Act I
Stoppard called this "the most important" speech in the play.
Travesties (1974)
Kontext: An artist is the magician put among men to gratify — capriciously — their urge for immortality. The temples are built and brought down around him, continuously and contiguously, from Troy to the fields of Flanders. If there is any meaning in any of it, it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities. What now of the Trojan War if it had been passed over by the artist's touch? Dust. A forgotten expedition prompted by Greek merchants looking for new markets. A minor redistribution of broken pots. But it is we who stand enriched, by a tale of heroes, of a golden apple, a wooden horse, a face that launched a thousand ships — and above all, of Ulysses, the wanderer, the most human, the most complete of all heroes — husband, father, son, lover, farmer, soldier, pacifist, politician, inventor and adventurer.
“Look on every exit as being an entrance somewhere else.”
Quelle: Rosencrantz and Guildenstern Are Dead
Quelle: Rosencrantz and Guildenstern Are Dead
Henry, Act II, scene V
Quelle: The Real Thing (1982)
Kontext: Buddy Holly was twenty-two. Think of what he might have gone on to achieve. I mean, if Beethoven had been killed in a plane crash at twenty-two, the history of music would have been very different. As would the history of aviation, of course.
“Life is a gamble, at terrible odds. If it were a bet you wouldn’t take it.”
Quelle: Rosencrantz and Guildenstern are Dead
“We are tied down to a language which makes up in obscurity what it lacks in style.”
Quelle: Rosencrantz and Guildenstern are Dead
Quelle: Rosencrantz and Guildenstern Are Dead
“Words, words. They're all we have to go on.”
Quelle: Rosencrantz and Guildenstern Are Dead
“Be happy -- if you're not even happy, what's so good about surviving?”
Quelle: Rosencrantz and Guildenstern Are Dead
Quelle: Rosencrantz and Guildenstern Are Dead
“What a fine persecution—to be kept intrigued without ever quite being enlightened.”
Quelle: Rosencrantz and Guildenstern Are Dead
“It would have been nice to have had unicorns.”
Quelle: Rosencrantz and Guildenstern Are Dead
“It’s not the voting that’s democracy, it’s the counting.”
Dotty, Act I
Quelle: Jumpers (1972)
“… reality, the name we give to the common experience.”
Quelle: Rosencrantz and Guildenstern are Dead
“It's the wanting to know that makes us matter.”
Hannah, Act II.
Quelle: Arcadia (1993)