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Jackson Pollock Berühmte Zitate

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„Liebe ist musikunterlegte Freundschaft.“

Jackson Pollock

„Vor einiger Zeit schrieb ein Kritiker, meine Bilder hätten weder Anfang noch Ende. Das meinte er nicht als Kompliment, aber es war eins. Es war ein feines Kompliment“

Jackson Pollock

in Bernhard Kerber: Amerikanische Kunst seit 1945 - ihre theoretischen Grundlagen. Reclam Stuttgart 1971. S. 88
Original englisch: "A while ago a critic wrote that my paintings have no beginning and no end. He didn't mean it as a compliment, but it was. It was a fine compliment." - Berton Roueché: Unframed Space. NEW YORKER 5. August 1950; zitiert nach Pepe Karmel, Kirk Vamedoe: Jackson Pollock - Interviews, Articles and Reviews. Museum of Modern Art New York 1999. p. 278
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„Wenn ich in meinem Bild bin, bin ich mir nicht bewußt, was ich tue. Erst nach einer Periode des Vertrautwerdens sehe ich, was ich gemacht habe.“

Jackson Pollock

in Jürgen Claus: Theorien zeitgenössischer Malerei in Selbstzeugnissen. Rowohlt 1963. S. 63, auch in Kammerlohr, "Epochen der Kunst", Band 5; Oldenbourg Verlag 1995
Original englisch: "When I am in my painting, I'm not aware of what I'm doing. It is only after a sort of 'get acquainted' period that I see what I have been about." - My Painting, in: Possibilities I, 1947-48, "Problems of Contemporary Art" v. 4, Georg Wittenborn Inc. New York. Zitiert in Ellen H. Johnson: American artists on art from 1940 to 1980, 1982. p. 4,
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Jackson Pollock: Zitate auf Englisch

“It seems to me that the modern painter cannot express his age, the airplane the atom bomb, the radio, in the old forms of Renaissance or of any past culture. Each age finds its own technique…”

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Jackson Pollock

Quelle: 1950's, Interview by William Wright, Summer 1950, p. 17

“Most of the paint I use is a liquid, flowing kind of paint. The brushes I use are more a sticks rather than brushes – the brush doesn't touch the surface on the canvas, it's just above.... [so] I am able to be more free and to have greater freedom and move about the canvas, with greater ease.”

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Jackson Pollock

Quelle: 1950's, Interview by William Wright, Summer 1950, p. 144

“The important thing is that Clyff Still – you know his work?”

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Jackson Pollock

and Rothko, and I – we've changed the nature of painting.. .I don't mean there aren't any other good painters. Bill [ Willem the Kooning ] is a good painter, but he's a 'French' painter [Pollock meant: a French-abstract style]. I told him so, the last time I saw him after his last show,. ..all those pictures in his last show start with an image. You can see it even though he's covered it up, or tried to.. ..Style – that's the French part of it. He has to cover it up with style.. [answering Seldon Rodman's question]
In an interview (1956); published in Conversations with Artists, by Seldon Rodman, New York, Capricorn Books, 1961, pp. 84-85
1950's