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“WE MUST DESTROY ALL PASSÉIST CLOTHES, and everything about them which is tight-fitting, colourless, funereal, decadent, boring and unhygienic. As far as materials are concerned, we must abolish: wishywashy, pretty-pretty, gloomy, and neutral colours, along with patterns composed of lines, checks and spots.”

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Giacomo Balla

(Manuscript, 1913); as quoted at dekorera.tumblr: Futurist manifesto of men's clothing http://dekorera.tumblr.com/post/3212646425/futurist-manifesto-of-mens-clothing-by-giacomo <br class="br">Futurist Manifesto of Men's clothing,' 1913/1914

“Use materials with forceful MUSCULAR colours – the reddest of reds, the most purple of purples, the greenest of greens, intense yellows, orange, vermillion – and SKELETON tones of white, grey and black.”

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Giacomo Balla

(Manuscript, 1914); as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 148
Futurist Manifesto of Men's clothing,' 1913/1914

“In the evening I study a fair.... if you could see the pomp and luxury of the merry-go-round and the stands and booths. Everything is decorated in Baroque-style, all gold and silver; there are mirrors, fabrics, and electric lightning. By night the whole thing is fantastic and rowdy. First of all I shall make a small picture and some drawings for illustrations.”

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Giacomo Balla

quote c. 1900, in: Giacomo Balla (1871 – 1951), ed. Fagiolo dell'Arco, exh. catalogue, Galleria Nationale d'Arte Moderna, Rome, 1971 <br class="br">Balla studied a fair for his later painting ' Luna park in Paris https://www.wikiart.org/en/giacomo-balla/luna-park-par-s-1900,' he painted in 1900

“It will interest artists because, in it, I have made a special study of the way of walking of this girl, and, in fact, I have succeeded in giving the illusion that she is in the process of moving forward.”

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Giacomo Balla

quote c. 1900, in: 'Lista,' by Balla; in catalogue raisonné, Edizione Galleria Fonte d'Abisso, Modena, 1982, p. 248
Balla's quote refers to a photo of a moving girl he saw, made before 1900 by photographer Jules-Etienne Marey; the photo was exposed at the Exposition Universelle (1900), visited by Balla, then.

“Futurism, as it has developed over six years, has solidified and surpassed Impressionism, has proposed plastic dynamism, atmospheric modeling, and the interpenetration of planes and states of mind.”

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Giacomo Balla

The Futurist Reconstruction of the Universe (1915)

“Using complex, constructive, noise-producing abstraction, that is, the Futurist Style. Any action developed in space, any emotion felt, will represent for us the intuition of a discovery.”

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Giacomo Balla

The Futurist Reconstruction of the Universe (1915)

“WE MUST INVENT FUTURIST CLOTHES, hap-hap-hap-hap-happy clothes, daring clothes with brilliant colours and dynamic lines. They must be simple, and above all they must be made to last for a short time only in order to encourage industrial activity and to provide constant and novel enjoyment for our bodies.”

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Giacomo Balla

(Manuscript, 1913); as quoted at dekorera.tumblr: futurist manifesto of men's clothing http://dekorera.tumblr.com/post/3212646425/futurist-manifesto-of-mens-clothing-by-giacomo <br class="br">Futurist Manifesto of Men's clothing,' 1913/1914

“And we must invent dynamic designs to go with them and express them in equally dynamic shapes: triangles, cones, spirals, ellipses, circles, etc.”

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Giacomo Balla

(Manuscript, 1914); as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 148
Futurist Manifesto of Men's clothing,' 1913/1914

“We [Futurists, Balla and Depero ], seek to realize this total fusion in order to reconstruct the universe by making it more joyful, in other words by an integral re-creation. We will give skeleton and flesh to the invisible, the impalpable, the imponderable and the imperceptible. We will find abstract equivalents for all the forms and elements of the universe, and then well will combine them according to the caprice of our inspiration, to shape plastic complexes which we will set in motion.”

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Giacomo Balla

The Futurist Reconstruction of the Universe (1915)

“Further developing his first synthesis of a speeding automobile, Balla has arrived at the first plastic complex. This has revealed to us an abstract landscape of cones, pyramids, polyhedrons, spirals of mountains, rivers, lights, shadows. In short, there is a deep analogy between the essential force-lines of speed and the essential force-lines of a landscape.”

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Giacomo Balla

The Futurist Reconstruction of the Universe (1915)

“Villages and valleys pass by [Balla viewed during his train voyage to Düsseldorf in July 1912] and with my friend the binoculars [field glasses] I stare into the closest windows; semi-undressed people who wash themselves, bedding on balconies, clean almost empty rooms, a stupendous white shoulder of a women who, with a nude arm opens a door and goes inside.”

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Giacomo Balla

quote from a letter to Balla's family, July 1912; as quoted in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 306, note 34

“The Rhine, with two long branches, stretches out and loses itself among inlets and hills, the boats of tourists and of industry smoke, white, black, and gray, and small, small, seem almost not to move; the silver clear, transparent water, calm and ordered, contrasts with all the rest.... the water gurgles, the sides of the boat are covered in spray, many people greet each other, white handkerchiefs are waved from on high, the hotels, the flags, the inscriptions, the hills and the pointed tips of the bell towers, everything seems unreal, untouchable.”

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Giacomo Balla

quote from a letter to Balla's family, 18 November 1912; as quoted in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 307, note 36

“They [ Boccioni and Severini ] did not want anything to do with me in Paris and they were right: they have gone much further than I, but I will work and I too will progress.”

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Giacomo Balla

Balla is quoted here by his former pupil Umberto Boccioni, in his letter to his Futurist art-friend (and also former pupil of Balla) Gino Severini, Jan. 1913; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 248
Balla was referring to his two former pupils

“As a result we shall have the necessary variety of clothes, even if the people of a given city lack the imagination themselves. The happiness of our Futurist clothes will help to spread the kind of good humour aimed at by my great friend PaIazzeschi in his futurist 'Manifesto against Sadness.”

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Giacomo Balla

“We want Futurist clothes to be comfortable and practical
Dynamic
Aggressive
Shocking
Energetic
Violent
Flying (i. e. giving the idea of flying, rising and running)
Peppy
Joyful
Illuminating (in order to have light even in the rain)
Phosphorescent
Lit by electric lamps.”

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Giacomo Balla