letter to his friend Don Martín Zapater, c. 1789; from: Francisco Zapater y Gomez : Goya; Noticias biograficas, Zaragoza, 1868, La Perse Verencia; as quoted in Francisco Goya, Hugh Stokes, Herbert Jenkins Limited Publishers, London, 1914, p. 182
1780s
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1790s, Goya's announcement about 'Los Caprichos', 6 Febr. 1799
1790s, Goya's announcement about 'Los Caprichos', 6 Febr. 1799
the announcement in the paper of 6. Feb. 1799 was necessary because Goya was unable to find regular bookshops to sell the Capricho-prints. That year 300 sets were printed, which meant 24.000 prints!! - without the mis-prints and proof-prints.
The Caprichos was the name of a serie of eigthy prints that Goya entitled 'Los Caprichos'; Goya made them in a combination of regular etching & aquatint technique. Etching gave lines by scratching with needles in the copper-plate. Aquatint gave fields of flat watercolor wash, a uniform tone composed of tiny grains and speckles rather than lines (as Robert Hughes explains) in the same book, p. 176-177/207-208)
1790s, Goya's announcement about 'Los Caprichos', 6 Febr. 1799
El sueño de la razón produce monstruos.
The 'monsters' in this etching are bats and owls, flying around the sleeper in his dream
1790s
In a report in 1792 - Goya wrote to the Academy of San Fernando, on 'teaching art'; as quoted in Francisco Goya y Licientis, Janis Tomlinson, Phaodon 1999, p. 70
1790s
letter to his friend Zapater, April 23, 1794; in Goya; Noticias biograficas, Francisco Zapater y Gomez, Zaragoza, 1868; first published in 'La Perseverencia', p. 53; as quoted in Francisco Goya, Hugh Stokes, Herbert Jenkins Limited Publishers, London, 1914, p. 203-204
1790s
letter to his friend Don Martín Zapater, early Jan. 1779 https://www.wikidata.org/wiki/Q3915977 and https://nl.wikipedia.org/wiki/Bestand:Francisco_de_Goya_-_Portrait_of_Mart%C3%ADn_Zapater_-_Google_Art_Project.jpg; as quoted in Francisco Goya, Hugh Stokes, Herbert Jenkins Limited Publishers, London, 1914, p. 110 <br class="br">Early in January, 1779, Goya was presented to the Spanish King and the heir apparent, and kissed hands. They appreciated his pictures (cartoons), Goya made as designs for the royal tapestry factory, to cover the huge walls of the king's palace https://commons.wikimedia.org/wiki/Palacio_Real_de_Madrid <br class="br">1770s
