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Chaim Soutine: Zitate auf Englisch

“Ah, the giant that is Rembrandt; he's God, he's God!”

Quelle: Diary of an art dealer, R. Gimpel, Farrar Strauss, New York, 1966, p. 437

“Once I saw the village butcher [in his youth, in Russia] slice the neck of a bird and drain the blood out of it. I wanted to cry out, but his joyful expression caught the sound in my throat... This cry, I always feel it there. When, as a I drew a crude portrait of my professor, I tried to rid myself of this cry, but in vain. When I painted the beef carcass it was still this cry that I wanted to liberate. I have still not succeeded.”

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Chaim Soutine

remark to his friend and biographer
Quelle: Soutine et son temps, Emile Szittya, La Bibliothèque des Arts, Paris, 1955, pp. 107-108; as quoted in Chaim Soutine, Catalogue Raisonné, eds. Maurice Tuchman, Esti Dunow, Klaus Perls, Benedikt Taschen Verlag, p. 16

“I want to show Paris in the carcass of an ox.”

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Chaim Soutine

Quelle: Soutine, Alfred Werner, Harry Abrams, New York, 1985, p. 94; as quoted in Shocking Paris: Soutine, Chagall and the Outsiders of Montparnasse, by Stanley Meisler, Publisher: St. Martin's PressPublication, 2015, p. 218

“It is the first time in my life that I have not been able to do anything. I am in a bad state of mind and I am demoralized, and that influences me. I have only [made] seven canvases. I am sorry. I wanted to leave Cagnes, this landscape that I cannot endure. I even went for a few days to Cap Martin, where I thought of settling down. It displeased me. I had to rub out the canvases I started... I am in Cagnes again, against my will, where, instead of landscapes, I shall be forced to do some miserable still lifes. You will understand in what a state of indecision I am. Can't you suggest some place for me? Because, several times I have had the intention of returning to Paris.”

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Chaim Soutine

quote in 1929
In a letter to his Paris art-dealer w:Léopold Zborowski, 1923; as quoted in Soutine, Monrou Wheeler, Museum of modern art, New York, 1950; p. 61

“Dear Mrs. Castaing, please come over after midday at 2 o'clock with a white dress without sleeves in order to pose. Because today I will not go to Mrs. Saxe. I am disgusted to do nothing at all.”

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Chaim Soutine

Quelle: Soutine, eds. Marcelling Castaing & Jean Leymairie, Silvana Editoriale d'Arte, Milano, 1963

“I never touched Cubism myself, you know, although I was attracted by it one time. When I was painting at Céret and at Cagnes [1919, and from 1923]. I yielded to its influence in spite of myself, and the results were not entirely banal. But then... Céret itself is anything but banal. There is so much foreshortening in the landscape that, for that very reason, a picture may seem to have been painted in some specific style”

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Chaim Soutine

quote in 1927
Quelle: Life with the painters of La Ruche, Vorobëv Marevna, Macmillan, New York, 1972, p. 156

“You have no right to interfere with my art. Your wife is not your property. I need her, in order to finish my picture, I must have her! I will sue you! [the woman returned by persuasion of the Castaings who supported Soutine].”

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Chaim Soutine

Quelle: Life with the painters of La Ruche, Vorobëv Marevna, Macmillan, New York, 1972, p. 156.
reacting to the husband of his model a railway gate-keeper; his wife had to pose a second session for Soutine's painting 'The siesta', in 1934

“You don't like my painting, you only want to help me. If you had given me one franc for my picture I would have taken it [when M. Castaing discovered his art for the very first time and offered him in advance 100 franc to make a new painting - circa 1917 – 1919]”

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Chaim Soutine

As quoted in Soutine, Monrou Wheeler, Museum of modern art, New York, 1950; p. 37