Zitate von Philip K. Dick
Philip K. Dick
Geburtstag: 16. Dezember 1928
Todesdatum: 2. März 1982
Zitate Philip K. Dick
„Wir bezeichnen Menschen, die mit Gott reden, als gläubig – und wir bezeichnen Menschen, zu denen Gott spricht, als geisteskrank. Dies ist ein Zeitalter, in dem es nur wenig Glauben gibt. Nicht Gott ist es, der tot ist, es ist unser Glaube, der gestorben ist.“
Die Wiedergeburt des Timothy Archer, 1982
„In der Ehe manifestiert sich der größte Haß, den Menschen füreinander überhaupt empfinden können, und dies liegt vielleicht am ständigen Zusammensein und vielleicht auch daran, daß man sich einst geliebt hat. Die Intimität untereinander existiert noch immer, auch wenn die Liebe verschwunden ist. Und so tritt der Wille zur Macht ans Tageslicht, der Wunsch, den anderen zu beherrschen.“
Warte auf das letzte Jahr, 1966
„Der Geist eines Junkies ist wie die Musik, die du aus dem Radiowecker hörst - manchmal klingt sie ja ganz hübsch, aber sie ist nur dazu da, dich zu etwas Bestimmtem zu veranlassen. Die Musik aus dem Radiowecker soll dich aufwecken; die Musik des Junkies soll dich in ein Werkzeug zur Beschaffung von immer mehr Stoff verwandeln.“
„Was, wenn ein Symphonieorchester nur bestrebt wäre, zur letzten Koda zu kommen? Was würde dann aus der Musik? Ein einziges Getöse, das so schnell wie möglich endet. Die Musik aber liegt im Prozess, in der Entwicklung – wenn man sie beschleunigt, vernichtet man sie. Dann ist die Musik vorbei.“
Die Wiedergeburt des Timothy Archer, 1982
„A psychologist said, “They used to talk about seeing only ‘reflections’ of reality. Not reality itself. The main thing wrong with a reflection is not that it isn’t real, but that it’s reversed.”“
— Philip K. Dick, buch A Scanner Darkly
Quelle: A Scanner Darkly (1977), Chapter 13 (p. 213)
„No tools. He doesn't build anything or utilize anything outside himself. He just stands and waits for the right opportunity and then he runs like hell.“
The Golden Man (1954)
Kontext: "We were always afraid a mutant with superior intellectual powers would come along," Baines said reflectively. "A deeve who would be to us what we are to the great apes. Something with a bulging cranium, telepathic ability, a perfect semantic system, ultimate powers of symbolization and calculation. A development along our own path. A better human being."
"He acts by reflex," Anita said wonderingly. She had the analysis and was sitting at one of the desks studying it intently. "Reflex — like a lion. A golden lion." She pushed the tape aside, a strange expression on her face. "The lion god."
"Beast," Wisdom corrected tartly. "Blond beast, you mean."
"He runs fast," Baines said, "and that's all. No tools. He doesn't build anything or utilize anything outside himself. He just stands and waits for the right opportunity and then he runs like hell."
"This is worse than anything we've anticipated," Wisdom said. His beefy face was lead-gray. He sagged like an old man, his blunt hands trembling and uncertain. "To be replaced by an animal! Something that runs and hides. Something without a language!" He spat savagely. "That's why they weren't able to communicate with it. We wondered what kind of semantic system it had. It hasn't got any! No more ability to talk and think than a — dog."
— Philip K. Dick, buch VALIS
Variante: What he did not know then is that it is sometimes an appropriate response to reality to go insane.
Quelle: VALIS (1981)
— Philip K. Dick, buch I Hope I Shall Arrive Soon
Quelle: I Hope I Shall Arrive Soon
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— Philip K. Dick, buch Do Androids Dream of Electric Sheep?
Quelle: Do Androids Dream of Electric Sheep?
"What The Dead Men Say" (1964)
„The basic tool for the manipulation of reality is the manipulation of words. If you can control the meaning of words, you can control the people who must use the words.“
"How To Build A Universe That Doesn't Fall Apart Two Days Later" (1978)
"The Variable Man" (1952), The Collected Short Stories of Philip K. Dick, v.1: The Short Happy Life of the Brown Oxford (1987)
Kontext: Can any of us fix anything? No. None of us can do that. We're specialized. Each one of us has his own line, his own work. I understand my work, you understand yours. The tendency in evolution is toward greater and greater specialization. Man's society is an ecology that forces adaptation to it. Continued complexity makes it impossible for us to know anything outside our own personal field — I can't follow the work of the man sitting at the next desk over from me. Too much knowledge has piled up in each field. And there are too many fields.
„Van Vogt influenced me so much because he made me appreciate a mysterious chaotic quality in the universe which is not to be feared.“
As quoted in "Vertex Interviews Philip K. Dick" by Arthur Byron Cover, in Vertex, Vol. 1, no. 6 (February 1974) http://2010philipkdickfans.philipkdickfans.com/frank/vertexin.htm
Kontext: I started reading SF when I was about twelve and I read all I could, so any author who was writing about that time, I read. But there's no doubt who got me off originally and that was A. E. van Vogt. There was in van Vogt's writing a mysterious quality, and this was especially true in The World of Null A. All the parts of that book did not add up; all the ingredients did not make a coherency. Now some people are put off by that. They think that's sloppy and wrong, but the thing that fascinated me so much was that this resembled reality more than anybody else's writing inside or outside science fiction. … reality really is a mess, and yet it's exciting. The basic thing is, how frightened are you of chaos? And how happy are you with order? Van Vogt influenced me so much because he made me appreciate a mysterious chaotic quality in the universe which is not to be feared.
„For a moment he studied the massive figure who stood calmly between the two Civil Policemen. Beside him, they seemed to have shrunk, become ungainly and repellent.“
The Golden Man (1954)
Kontext: For a moment he studied the massive figure who stood calmly between the two Civil Policemen. Beside him, they seemed to have shrunk, become ungainly and repellent. Like dwarves... What had Jean said? A god come to earth. Baines broke angrily away. "Come on," he muttered brusquely. "This one may be tough; we've never run up against one like it before. We don't know what the hell it can do."
Interview, Science Fiction Review (August 1976)
Kontext: I think that, like in my writing, reality is always a soap bubble, Silly Putty thing anyway. In the universe people are in, people put their hands through the walls, and it turns out they're living in another century entirely. … I often have the feeling — and it does show up in my books — that this is all just a stage.
Story notes for The Golden Man (1953), in the short story anthology The Golden Man (1980)
Kontext: Here I am saying that mutants are dangerous to us ordinaries, a view which John W. Campbell, Jr. deplored. We were supposed to view them as our leaders. But I always felt uneasy as to how they would view us. I mean, maybe they wouldn't want to lead us. Maybe from their superevolved lofty level we wouldn't seem worth leading. Anyhow, even if they agreed to lead us, I felt uneasy as where we would wind up going. It might have something to do with buildings marked SHOWERS but which really weren't.