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“Every play is rhythmic control. If you want an audience to go on a journey, it’s rhythmic control. You’re crafting when they lean in, when they push back, when they breathe, when they surrender. It takes you probably five to six minutes to build trust with an audience. A musical you can build trust in three notes. Boom, boom, boom, you’re instantly seduced. So musicals have this easy potency, but generally, in my opinion, they waste them, because a musical is incredibly hard to do…”

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George C. Wolfe

On a dramatic work having its own energy in “GEORGE C. WOLFE” https://www.interviewmagazine.com/culture/george-c-wolfe in Interview Magazine (2016 May 9)

“Smashing things together. Because, culturally, that’s America at its most interesting. It’s things connected, awkwardly, that produce the brilliance. It’s not absoluteness that produces the brilliance; it’s when things that don’t belong together collide, and in that collision, something springs forth, and that becomes extraordinarily fascinating to me.”

Help us translate this quote

George C. Wolfe

On how he explores the revue as a playwriting form in “GEORGE C. WOLFE” https://www.interviewmagazine.com/culture/george-c-wolfe in Interview Magazine (2016 May 9)