Fritz Wotruba Zitate

Fritz Wotruba gilt als einer der bedeutendsten österreichischen Bildhauer des 20. Jahrhunderts. In seinem Werk löst er zunehmend die figürlichen Komponenten zugunsten geometrischer Abstraktion auf. Wikipedia  

✵ 23. April 1907 – 28. August 1975
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Fritz Wotruba: Zitate auf Englisch

“There are laws which the stone imposes upon us.”

Quelle: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 46.

“Solidity, rigidity, what did not yield to the pressure of the hand attracted me.”

Quelle: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 88.

“Culture can flourish only under the protection of a society with aristocratic characteristics.”

Quelle: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 12.

“At the present time the artists stands alone.... no ideology can be of help to him.”

Quelle: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 7.

“Only a distinctive individual can produce great art. Great art is synonymous with anonymous art.”

Quelle: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 73.

“I am concerned with the figure... Equilibrium, unity.”

Quelle: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 6.

“Every magnitude, every dimension, requires a new configuration.”

Quelle: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 10.

“Measures, weights, proportions move and change in expression and meaning.”

Quelle: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 56.

“The power and force of stone reside in its mass, its weight, and its density.”

Quelle: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 19.

“The hardness and immobility of material gave me more satisfaction tan true-to-life representations.”

Quelle: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 9.

“Stone is the only true material for the sculptor. All others, tin, iron bars, tin cans and coiled springs are merely poor substitutes”

Quelle: 'Sculpture of Rotterdam', ed. Jan van Adrichem / Jelle Bouwhuis / Mariëtte Dulle, Center for the Art, 010 Publishers, Rotterdam, 2002, p. 198.

“A good piece of art must combine barbarism and culture: two unique elements…”

Quelle: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 52.

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