1950s, Tradition and Identity' (1959)
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the ancient sites and museums in Italy
from his notes 'Report on Voltri', shortly after 1962, about making his huge sculptures in Voltri, 1962
1960s, The Fields of David Smith,' (1999)
1950s <br class="br">Quelle: 'Questions to Students', one from a long list of questions, in an undated typescript among the David Smith Papers; probably written c. 1953-54; as quoted at website David Smith State http://www.davidsmithestate.org/statements.html
“Sculpture is as free as the mind; as complex as life..”
in his notes for an article, 1951
Quelle: 1950s, from 'Abstract Expressionism' (1990), p. 159
In an interview with w:David Sylvester (1960), edited for BBC broadcasting: first published in 'Living Arts', April 1964; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 8
1960s
1940s, The Question – What is your Hope' (c. 1940s)
1950s, Tradition and Identity' (1959)
1950s, Tradition and Identity' (1959)
1950s, Tradition and Identity' (1959)
quote, early 1950's
Quelle: 1950s, from 'Abstract Expressionism' (1990), p. 40
In an interview with w:David Sylvester (1960), edited for BBC broadcasting: first published in 'Living Arts', April 1964; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 12
1960s
1960s, The Fields of David Smith,' (1999)
1950s, Tradition and Identity' (1959)
In an interview with w:David Sylvester (1960), edited for BBC broadcasting: first published in 'Living Arts', April 1964; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 10
1960s
“An arrogant independence to create is my only motivation.”
Selden Rodman, Conversations With Artists, 1957
1950s
quote, early 1950's
Quelle: 1950s, from 'Abstract Expressionism' (1990), p. 41
1950s, Tradition and Identity' (1959)
