Quelle: 1956 - 1967, Art-as-Art Dogma' part II, (1964), pp. 156-157
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Quelle: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 157
Quelle: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 155
“The artists is responsible for his history and his nature, his history is part of his nature.”
after 1967 - posthumous
Quelle: Gerhard Richter, Doubt and belief in painting, Robert Storr, MOMA, New York, 2003, p. 32 note 1.
Quelle: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 155
Quelle: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 158
1956 - 1967
Quelle: Pax, no. 13, 1960; as quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 151
Quote of Ad Reinhardt (1963); as cited in: Joseph Kosuth, (1969), " Art after Philosophy http://www.ubu.com/papers/kosuth_philosophy.html"
1956 - 1967
Variante: The one thing to say about art is that it is one thing. Art is art-as-art and everything else is everything else. Art as art is nothing but art. Art is not what is not art.
Quote of Ad Reinhardt in: Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 107
after 1967 - posthumous
“Who said last, 'A cleaner New York-school is Up To You?”
1956 - 1967
Quelle: the 'Ad Reinhardts Papers', Archives of American Art, microfilm no. N/69-103, frame no. 285
1956 - 1967
Quelle: Pax, no. 13, 1960; as quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 150
1956 - 1967
Quelle: the 'Ad Reinhardts Papers', Archives of American Art, microfilm no. N/69-103, frame no. 268
1940 - 1955
Quelle: Contemporary American Painting, University of Illinois, Urbana 1952, p. 226-227
Quelle: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 155
Quote of Ad Reinhardt in: Abstract Expressionism, Davind Anfam, Thames and Hudson Ltd London, 1990, p. ?
1940 - 1955
1940 - 1955
Quelle: Contemporary American Painting, University of Illinois, Urbana 1952, p. 226
Quelle: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 154
Quote from the six page comic How to Look at Anvolved in some ideas. In painting – for me – no fooling-the-eye, no window-hole-in-the wall, no illusions, no representations, no associations, no distortions, no paint-caricaturing, no dream pictures of dripping, no delirium trimmings, no sadism or slashing, no therapy, no kicking-the-effigy, no clowning, no acrobatics, no heroics, no self-pity, no guilt.. ..no abstraction of everything, no nonsense, no involvements, no confusing painting with everything that is no painting.
Quelle: Contemporary American Painting, University rt, in Arts & Architecture, January 1947. note: 1940 - 1955,
en.wikiquote.org - Ad Reinhardt / Quotes of Ad Reinhardt / 1940 - 1955
1956 - 1967
Quelle: Pax, no. 13, 1960; as quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 152
1959, reacting on a remark of Robert Motherwell
1956 - 1967
Quelle: Pax, no. 13, 1960; as quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 152
“Study the old masters. Look at nature. Watch out for armpits.”
[in 1956, Reinhardt is quoting Paul Cézanne here freely]
1956 - 1967
Quelle: Pax, no. 13, 1960; as quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 150
quote in 1943, discussing the art of Piet Mondrian
Quote of Ad Reinhardt in: Abstract Expressionism, Davind Anfam, Thames and Hudson Ltd London, 1990, p. ?
1940 - 1955
