„Ich bin nur eine musikalische Prostituierte, mein Lieber.“

zitiert bei Uta C. Schmidt: Vom Rand zur Mitte - Aspekte einer feministischen Perspektive in der Geschichtswissenschaft. Edition Ebersbach, 1994. S. 34 books.google http://books.google.de/books?id=ej8pAAAAYAAJ&q=fu%C3%9Fmatte
Original engl.: "I myself have never been able to find out precisely what feminism is: I only know that people call me a feminist whenever I express sentiments that differentiate me from a doormat or a prostitute." - Mr. Chesterton in Hysterics - A Study in Prejudice. The Clarion 14. November 1913, p. 5 marxists.org http://www.marxists.org/history/international/social-democracy/clarion/1913/chesterton.htm

"Jenseits der Zeit", Film von Bruno Monsaingeon, arte, 13. Mai 2005
My love to Bach made me become a musician. All what I was interested in, was impressed by him. It is hardly imaginable, that the greatest musician of history, whose work still today attracts us magnetically and who was criterion for the musician art of the last two centuries, did not accomplish any impression, with the musicians and the audience of his time, ...Bach was the greatest nonconformist of the history of music.
He writes tonal, but without excess of colors. He uses an endless palette of shades of grey. ...The piece and the devotion of the last fugue are overwhelming. He modulates never in the conventional sense, but lets the impression of an expanding universe come into being.

Politische Essays

Die Kunst des Liebens

Bert Hellinger: Liebesgeschichten(2011) ISBN 978-3-942808-02-6

Infanta, Frankfurt am Main, 1990. ISBN 3-518-38372-8, S. 52

Dom Karlos II, 8 / Prinzessinn, S. 152 http://www.deutschestextarchiv.de/schiller_domkarlos_1787/162
Dom Karlos (1787)