Interview mit Martin Amis, 1979. Übersetzung: Wikiquote. Siehe auch DIE WELT 10.10.2009
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"Roman Polanski: An Exclusive Interview" by Taylor Montague http://web.archive.org/web/20041121095701/http://www.geocities.com/mishaca/interviews/polanski.html
Kontext: It's already getting more and more difficult to make an ambitious and original film. There are less and less independent producers or independent companies and an increasing number of corporations who are more interested in balance sheets than in artistic achievement. They want to make a killing each time they produce a film. They're only interested in the lowest common denominator because they're trying to reach the widest audience. And you got some kind of entropy. That's the danger; they look more alike, those films. The style is all melting and it all looks the same. Even young directors — for most of them, their only standard of achievement is how well their films do on the first weekend or whatever. It worries me. But then, from time to time, you have a film like The Usual Suspects or.... I'm trying to think of something American with some kind of originality... Pulp Fiction.
Interview in Telecran magazine (25 January 1970)
“It's already getting more and more difficult to make an ambitious and original film.”
"Roman Polanski: An Exclusive Interview" by Taylor Montague http://web.archive.org/web/20041121095701/http://www.geocities.com/mishaca/interviews/polanski.html
Kontext: It's already getting more and more difficult to make an ambitious and original film. There are less and less independent producers or independent companies and an increasing number of corporations who are more interested in balance sheets than in artistic achievement. They want to make a killing each time they produce a film. They're only interested in the lowest common denominator because they're trying to reach the widest audience. And you got some kind of entropy. That's the danger; they look more alike, those films. The style is all melting and it all looks the same. Even young directors — for most of them, their only standard of achievement is how well their films do on the first weekend or whatever. It worries me. But then, from time to time, you have a film like The Usual Suspects or.... I'm trying to think of something American with some kind of originality... Pulp Fiction.
“Sharon had grace and charm; she knew how to make anybody's life easier.”
Interview in Telecran magazine (25 January 1970)
Kontext: I'm forced to mix with people of this industry and I can swear that is really difficult to meet people with her nature and her spirit. Generally, everybody is opportunistic here. Sharon had grace and charm; she knew how to make anybody's life easier. When somebody was busy, she was there in a discreet manner to serve you a drink or a coffee.
“She was the least hypocritical woman you could ever meet”
Interview in Telecran magazine (25 January 1970)
Kontext: She was the least hypocritical woman you could ever meet: once, when an executive told her that we should ask for single cabins in the transatlantic that brought us to the United States, she simply said, "Why? Everybody knows that we live together."
Polanski : His Life and Films (1982)
Kontext: People like Truffaut, Lelouch and Godard are like little kids playing at being revolutionaries. I've passed through this stage. I lived in a country where these things happened seriously.
"The Pianist Interview" by Marilyn Cole Lownes http://minadream.com/romanpolanski/ThePianistInterview.htm
Kontext: Berlin was great. It’s a new generation. If you continue to hate, you are entering into the same philosophy that began the war. You have to look forward at people and new times.
Interview in Telecran magazine (25 January 1970)
Kontext: I'm forced to mix with people of this industry and I can swear that is really difficult to meet people with her nature and her spirit. Generally, everybody is opportunistic here. Sharon had grace and charm; she knew how to make anybody's life easier. When somebody was busy, she was there in a discreet manner to serve you a drink or a coffee.
"Roman Polanski: An Exclusive Interview" by Taylor Montague
Kontext: You know, whenever you do something new and original, people run to see it because it's different. Then, if it happens to be successful, the studios rush to imitate it. It becomes commonplace right away. But it's been like that before, I think. Now, the stakes are so gigantic that they cut each other's throats. So if most of the films are failures, then those that succeed so spectacularly, so commercially, become the norm. It's like a roulette for the studios. The problem with it is that it becomes more and more of a committee. Before, you dealt with the studio. It had one or two persons and now you have masses of executives who have to justify their existence and write so-called "creative notes" and have creative meetings. They obsess about the word creative probably because they aren't.
“I want people to go to the movies. I am the man of the spectacle. I'm playing.”
Polanski : His Life and Films (1982)
“My films are the expression of momentary desires. I follow my instincts, but in a disciplined way.”
As quoted in The Everything Cryptograms Book (2005) by Nikki Katz
I can remain silent no longer (2010)
As quoted in Atlas magazine, Vol. 20 (1971), p. 56, and The Book of Hollywood Quotes (1979) by Gary Herman, p. 26
“It's weird. I always had the premonition that Sharon belonged to me just for a little while.”
On his murdered wife, Sharon Tate, in an interview in Telecran magazine (25 January 1970)
“It's easy to direct while acting — there’s one less person to argue with.”
New York Times (22 February 1976)
“Cinema should make you forget you are sitting in a theater.”
As quoted in Values of the Wise : Aspiring to "The Life of Value" (2004) by Jason Merchey, p. 330
I can remain silent no longer (2010)
“Whenever I get happy, I always have a terrible feeling.”
As quoted in The Cinema of Roman Polanski : Dark spaces of the World (2006) by John Orr and Elżbieta Ostrowska, p. 146
As quoted in Shakespearean Criticism : Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations (1985) by Laurie Lanzen Harris, p. 11
Interview in Playboy magazine (February 1972); also quoted in Make It Again, Sam : A Survey of Movie Remakes (1975) by Michael B. Druxman, p. 105
Roman by Polanski (1984)
Interview https://books.google.ca/books?id=umhoFsnYri8C with Martin Amis (1979), published in Visiting Mrs Nabokov : And Other Excursions (1993), this was modified to censor the word "fuck" when quoted in "Roman Polanski: 'Everyone else fancies little girls too'" by Michael Deacon http://blogs.telegraph.co.uk/news/michaeldeacon/100011795/roman-polanski-everyone-else-fancies-little-girls-too/
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