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Richard Wright Zitate
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Richard Nathaniel Wright war ein US-amerikanischer Romancier und Erzähler.

✵ 4. September 1908 – 28. November 1960
Richard Wright Foto
Richard Wright: 130 Zitate0 Gefällt mir

Richard Wright: Zitate auf Englisch

“Later I came awake with a sudden start, remembering the fright and tension that had accompanied my foray into crime. Well, all that was gone now. I could start anew. I did not like to feel tension and fear. I wanted something else, to be human, to be caught up in something meaningful.”

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Richard Wright buch Black Boy

Black Boy (1945)

“Every movement of his body is an unconscious protest. Every desire, every dream, no matter how intimate or personal, is a plot or a conspiracy. Every hope is a plan for insurrection. Every glance of the eye is a threat. His very existence is a crime against the state!”

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Richard Wright

Native Son (1940)

“Because he could go now, run off if he wanted to and leave it all behind, he felt a certain sense of power, a power born of a latent capacity to live. He was conscious of this quiet, warm, clean rich house, this room with this bed so soft, the wealthy white people moving in luxury to all sides of him, whites living in smugness, a security, a certainty that he had never known. The knowledge that he had killed a white girl they loved and regarded as their symbol of beauty made him feel equal of them, like a man who had been somehow cheated, but had now evened the score.”

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Richard Wright

"Flight", pp. 155
Native Son (1940)

“If laying down my life could stop the suffering in the world I'd do it. But I don't believe anything can stop it,' I told him. He heard me but he did not speak. I wanted to say more to him, but I knew that it would have been useless. Though older than I, he had neither known nor felt anything of life for himself; he had been carefully reared by his mother and father and he had always been told what to feel.”

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Richard Wright buch Black Boy

Black Boy (1945)

“Often, when perplexed, I longed to be like the smiling, lazy, forgetful black boys in the noisy hotel locker rooms, with no torrential conflicts to resolve. Many times I grew weary of the secret burden I carried and longed to cast it down, either in action or in resignation. But I was not made to be a resigned man and I had only a limited choice of actions, and I was afraid of all of them.”

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Richard Wright buch Black Boy

Black Boy (1945)

“There were rare moments when a feeling and longing for solidarity with other black people would take hold of him. He would dream of making a stand against that white force, but that dream would fade when he looked at the other black people near him. Even though black like them, he felt there was too much difference between him and them to allow for a common binding and a common life. Only when threatened with death could that happen; only in fear and shame, with their backs against a wall, could that happen. But never could they sink their differences in hope.”

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Richard Wright

"Flight", pp. 109, Harper Row 1966
Native Son (1940)

“[As] the tide of white domination of the land mass of Asia and Africa recedes, there lies exposed to view a procession of shattered cultures, disintegrated societies, and a writhing sweep of more aggressive, irrational religion than the world has known for centuries.”

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Richard Wright

White Man, Listen! (1957)

“And in a boy like Bigger, young, unschooled, whose subjective life was clothed in the tattered rags of American "culture," this primitive fear and ecstasy were naked, exposed, unprotected by religion or a framework of government or a scheme of society whose final faiths would gain his love and trust; unprotected by trade or profession, faith or belief; opened to every trivial blast of daily or hourly circumstance.”

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Richard Wright

pg. xxv
Native Son (1940)

“And still when the delicate and unconscious machinery of race relations slips, there will be murder again. How can law contradict the lives of millions of people and hope to be administered successfully?”

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Richard Wright

pg. 361
Native Son (1940)

““That’s all right,” he said. “But when you’re through reading those books, I want you to tell me what you get out of them.” That night in my rented room, while letting the hot water run over my can of pork and beans in the sink, I opened A Book of Prefaces and began to read. I was jarred and shocked by the style, the clear, clean, sweeping sentences. Why did he write like that? And how did one write like that? I pictured the man as a raging demon, slashing with his pen, consumed with hate, denouncing everything American, extolling everything European or German, laughing at the weaknesses of people, mocking God, authority. What was this?”

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Richard Wright buch Black Boy

Black Boy (1945)

“Oh, Christ their disease had reached out and claimed him too. He had been subverted by the contagion of the lawless; he had been defeated by that which he had sought to destroy.”

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Richard Wright buch The Outsider

The Outsider (1953)

“The despised, the insulted, the hurt, the dispossessed—in short, the underdogs of the human race were meeting. Here were class and racial and religious consciousness on a global scale. Who had thought of organizing such a meeting? And what had these nations in common? Nothing, it seemed to me, but what their past relationship to the Western world had made them feel. This meeting of the rejected was in itself a kind of judgment upon the Western world!”

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Richard Wright buch The Color Curtain

The Color Curtain (1956)

“But the moment he makes the attempt his words falter, for he is confronted and defied by the inexplicable array of his own emotions. Emotions are subjective and he can communicate them only when he clothes them in objective guise; and how can he ever be so arrogant as to know when he is dressing up the right emotion in the right Sunday suit?”

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Richard Wright

Quelle: Native Son (1940), p. viii

“My ability to endure tension had now grown amazingly. From the accidental pain of southern years, from anxiety that I had sought to avoid, from fear that had been too painful to bear, I had learned to like my unintermittent burden of feeling, had become habituated to acting with all of my being, had learned to seek those areas of life, those situations, where I knew that events would complement my own inner mood. I was conscious of what was happening to me; I knew that my attitude of watchful wonder had usurped all other feelings, had become the meaning of my life, an integral part of my personality; that I was striving to live and measure all things by it. Having no claims upon others, I bent the way the wind blew, rendering unto my environment that which was my environment's, and rendering unto myself that which I felt was mine. It was a dangerous way to live, far more dangerous than violating laws or ethical codes of conduct; but the danger was for me and me alone.”

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Richard Wright buch Black Boy

Quelle: Black Boy (American Hunger) (1991), p. 282

“Violence is a personal necessity for the oppressed…It is not a strategy consciously devised. It is the deep, instinctive expression of a human being denied individuality.”

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Richard Wright

Native Son (1940)

“Burning autumn leaves,
I yearn to make the bonfire
Bigger and bigger.”

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Richard Wright

Haiku: This Other World (1998)

“In a drizzling rain,
In a flower shop’s doorway,
A girl sells herself”

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Richard Wright

Haiku: This Other World (1998)

“I read Stein’s Three Lives, Crane’s The Red Badge of Courage, and Dostoevski’s The Possessed, all of which revealed new realms of feeling. But the most important discoveries came when I veered from fiction proper into the field of psychology and sociology. I ran through volumes that bore upon the causes of my conduct and the conduct of my family. I studied tables of figures relating population density to insanity, relating housing to disease, relating school and recreational opportunities to crime, relating various forms of neurotic behavior to environment, relating racial insecurities to the conflicts between whites and blacks… I still had no friends, casual or intimate, and felt the need for none. I had developed a self-sufficiency that kept me distant from others, emotionally and psychologically.”

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Richard Wright buch Black Boy

Black Boy (1945)

“I sat on the edge of the bed and stared at her in amazement. It was on reputedly disreputable Beale Street in Memphis that I had met the warmest, friendliest person I had ever known, that I discovered that all human beings were not mean and driving, were not bigots like the members of my family.”

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Richard Wright buch Black Boy

Black Boy (1945)

“Pity can purge us of hostility and arouse feelings of identification with the characters, but it can also be a consoling reassurance which leads us to believe that we have understood, and that, in pitying, we have even done something to right a wrong.”

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Richard Wright

Native Son (1940)

“A slow autumn rain:
The sad eyes of my mother
Fill a lonely night.”

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Richard Wright

Haiku: This Other World (1998)

“Slowly he lifted his hands in the darkness and held them in mid-air, the fingers spread weakly open. If he reached out with his hands, and if his hands were electric wires, and if his heart were a battery giving life and fire to those hands, and if he reached out with his hands and touched other people, reached out through these stone walls and felt other hands connected with other hearts -- if he did that, would there be a reply, a shock?”

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Richard Wright

Native Son (1940)

“He was not satisfied with the way things stood now; he was a man who had come in sight of a goal, then had won it, and in winning it had seen just within his grasp another goal, higher, greater. He had learned to shout and had shouted and no ear had heard him; he had just learned to walk and was walking but could not see the ground beneath his feel; he had long been yearning for weapons to hold in his hands and suddenly found that his hands held weapons that were invisible.”

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Richard Wright

"Flight", pp.125, Harper Row 1966
Native Son (1940)

“Not to know the end of the tale filled me with a sense of emptiness, loss. I hungered for the sharp, frightening, breathtaking, almost painful excitement that the story had given me, and I vowed that as soon as I was old enough I would buy all the novels there were and read them to feed that thirst for violence that was in me, for intrigue, for plotting, for secrecy, for bloody murders.”

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Richard Wright buch Black Boy

Black Boy (1945)

“He did not feel that he was stealing, for the cleaver, the radio, the money, and the typewriter were all on the same level of value, all meant the same thing to him. They were the serious toys of the men who lived in the dead world of sunshine and rain he had left, the world that had condemned him, branded him guilty.”

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Richard Wright

Eight Men (1961)

“He came like a sledgehammer, like a giant out of the mountain with a sledgehammer, writing with a sledgehammer…”

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Richard Wright

Historian John Henrik Clarke

“I must confess that this is no personal achievement of mine; this attitude was never striven for.... [ellipsis is in original, unabridged text] I've been shaped to this mental stance by the kind of experiences that I have fallen heir to. I say this neither in a tone of apology nor to persuade the reader in my ideological direction, but to give him a hinting clue as to why certain ideas and values appeal to me more than others, and why certain perspectives are stressed in these speeches.”

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Richard Wright

White Man, Listen! (1957)

“But I was still shy and half paralyzed when in the presence of a crowd, and my first day at the new school made me the laughingstock of the classroom. I was sent to the blackboard to write my name and address; I knew my name and address, knew how to write it, knew how to spell it; but standing at the blackboard with the eyes of the many girls and boys looking at my back made me freeze inside and I was unable to write a single letter.”

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Richard Wright buch Black Boy

Black Boy (1945)

“Granny intimated boldly, basing her logic on God’s justice, that one sinful person in a household could bring down the wrath of God upon the entire establishment, damning both the innocent and the guilty, and on more than one occasion she interpreted my mother’s long illness as the result of my faithlessness.”

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Richard Wright buch Black Boy

Black Boy (1945)

“What vision must Negro writers have before their eyes in order to feel the impelling necessity for an about face? What angle of vision can show them all the forces of modern society in process, all the lines of economic development converging toward a distant point of hope? Must they believe in some `ism?”

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Richard Wright

"Blueprint" 45
White Man, Listen! (1957)

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