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“My teaming up with Amitabh Bachchan in Do Anjan earned me fame as an intense actress. Then it was Hrishikesh Mukherjee’s Khubsoorat in 1978 that established me as an actress of repute.”

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Rekha

The diva rules

“I was called the ‘Ugly Duckling’ of Hindi films because of my dark complexion and South Indian features. I used to feel deeply hurt when people compared me with the leading heroines of the time and said I was no match for them. I was determined to make it big on sheer merit.”

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Rekha

The diva rules

“It was my first chance to rub shoulders with the immensely talented Amitabh Bachchan and we went on to become a super hit pair”

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Rekha

After acting with Amitab Bachan in ‘Do Anjane' quoted in "Ever gorgeous".
Ever gorgeous

“The real turning point in my life came when I performed my best in Muzaffar Ali’s Umrao Jaan. After reading the script, I felt I had Umrao in me — the character influenced me so much. I put my soul into each minute aspect of my performance. I was thrilled when I won the National Award for Best Actress for Umrao Jaan.”

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Rekha

The diva rules

“For a woman to be complete, she has to be a blend of Paro and Chandramukhi [the two women who love Devdas. I feel that I am that woman.”

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Rekha

Quoted in Rekha: The divine diva, 17 May 2003, 7 December 2013, Rediff.com http://www.rediff.com/entertai/2003/may/17dinesh.htm,

“After reading the script, I had a strange feeling that I had Umrao in me. And the film created history.… I gave a performance which is one of my personal favourites.”

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Rekha

About her acting in Umroa Jan quoted in Ever gorgeous, 16 October 2010, 7 December 2013, The Hindu http://www.hindu.com/mp/2010/10/16/stories/2010101650330700.htm,
Ever gorgeous

“My teaming with Amitabh taught me many practical aspects of life and the film world. He’s one of the most versatile actors of Indian cinema.”

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Rekha

The diva rules

“Hindi cinema’s only woman of substance, of late who enthralled the audiences and others with that air of mystery and intrigue while remaining a top heroine for more than 10 years is Rekha.”

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Rekha

Critique V. Gangadhar unraveling the enigma of Rekha
Queen bee:The legend of Rekha

“She is a dreamer… she lives in her own world. She imagines a lot of things that suit her psyche as an actor. She is a very genuine, warm and a very sensitive person… And no denying the fact a very good learner. It has been an amazing experience to work with her; she is a perfect actress.”

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Rekha

Comment by Muzaffar Ali said.
At 55, Rekha still an engima, an icon

“Rekha, a photogenic girl with seductive eyes, languished in insubstantial roles. The audience was floored when there was a swift change in her screen personality, as well as her style of acting. She paid painstaking attention to her make-up and acting technique. She improved her dress sense and recorded albums to promote physical fitness. What Jane Fonda did for aerobics in America, Rekha did for yoga in India.”

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Rekha

Quoted in Love, anger, the works!, 7 December 2013, Filmfare http://downloads.movies.indiatimes.com/site/june2002/flashback.html,

“The celebrated Hindi film actress has a cult of personality surrounding her that is unparalleled among other actresses and is often the subject of particularly fascinating urban legend.”

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Rekha

Susan Dewey in [Dewey, Susan, Making Miss India Miss World: Constructing Gender, Power, and the Nation in Postliberalization India, http://books.google.com/books?id=-WamxY5bQtIC&pg=PA111, 2008, Syracuse University Press, 978-0-8156-3176-7, 111–]

“Rekha fashioned herself as an actress with a signature look very different from her early years as a struggling actress. This transformation was often referred to as as that of an ugly duckling. In interviews and film magazines Rekha claimed that she had achieved this by changing her lifestyle, healthy eating practices, and doing yoga. Soon she had inspired a whole fashion trend and had film magazines raving about her affair with Amitab Bachhan. Such publicity added to her image as a symbol of seduction and glamour. She was seen as a woman who could challenge patriarchal norms by remaining single and being famous.”

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Rekha

Editor Manju Jain in [Jain, Manju, Narratives of Indian Cinema, http://books.google.com/books?id=ORE9TDOoU1IC&pg=PA187, 2009, Primus Books, 978-81-908918-4-4, 187–]