Olga Wladimirowna Rosanowa war eine russische Malerin, Buchillustratorin, Lyrikerin und Kunsttheoretikerin, deren Werke den Stilen Suprematismus, Neoprimitivismus und Kubofuturismus zugerechnet werden. Wikipedia
“The Bases of the New Creation and the Reasons Why It Is Misunderstood.”
the title of her essay, 1913; as quoted by Anya Wyman: 'Rediscovering Rozanova', 12 May, 2000 http://www.thecrimson.com/article/2000/5/12/rediscovering-rozanova-pmalevich-popova-kandinsky-chagall-these/ <br class="br">in her essay Rozanova describes the process of 'creation' in 3 stages: 1: the intuitive principle, 2: individual transformation of the visible, 3: abstract creation
Quote, 1913, in 'Osnovy novogo tvorchestva i prichiny ego neponimaniia,', in 'Soiuz molodezhi' (St. Petersburg), March 1913, p. 20; translated in John E. Bowlt, The Russian Avant- Garde: Theory and Criticism; Thames and Hudson, London 1988, p. 109
Olga Rozanova, in 'Osnovy Novogo Tvorchestva i printsipy ego neponimaniia,' Soiuz molodezhi 3 (March 1913), pp. 20-21; as quoted by Svetlana Dzhafarova, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932 (transl. Jane Bobko); Guggenheim Museum, New York, 1992, p. 477
Olga Rozanova, in 'Osnovy Novogo Tvorchestva i printsipy ego neponimaniia,' Soiuz molodezhi 3 (March 1913), p. 18; as quoted by Svetlana Dzhafarova, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932 (transl. Jane Bobko); Guggenheim Museum, New York, 1992, p. 477
Olga Rozanova accused the critics and their brethren of bad faith, citing as a prime example Aleksandr Benua's "Kubizm ili Kukishizm" ("Cubism or Je-m'en-foutisme"), a scathing 1912 review
