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“At the beginning of my present earthly existence I was put into touch with many people who said they had a great inner aspiration, an urge towards something deeper and truer, but were tied down, subjected, slaves of that brutal necessity of earning their living, and that this weighed down upon them so much, took way so much of their time and energy that they could not engage in any other activity, inner or outer. I heard that very often.”

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The Mother

Quoted by Debbie Magee, in "Auroville — The City Of Dawn in South India (27 February 2009)"
Sayings

“I took my little cat-it was really sweet -and put it on a table and called Sri Aurobindo. I told him, "Kiki has been stung by a scorpion, it must be cured." The cat stretched its neck and looked at Sri Aurobindo, its eyes already a little glassy. Sri Aurobindo sat before it and looked at it also. Then we saw this little cat gradually beginning to recover, to come round, and an hour later it jumped to its feet and went away completely healed.”

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The Mother

One day a cat named Kiki happened to play with a scorpion and got stung. It quickly ran to the Mother and showed her the paw which was already dangerously swollen. "I took my little cat -it was really sweet, quoted in "Pondicherry", also in God Shall Grow Up: Body, Soul & Earth Evolving Together by Wayne Bloomquist (1 January 2001) http://books.google.co.in/books?id=T1Me82LNkP0C&pg=PA90, p. 90.

“In the days when Sri Aurobindo used to give Darshan, before he gave it there was always a concentration of certain forces or of a certain realisation which he wanted to give people. And so each Darshan marked a stage forward; each time something was added. But that was at a time when the number of visitors was very limited.”

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The Mother

In "The Formation Of The Ashram", also in Mother India Sri Aurobindo Ashram Trust (1987) http://books.google.co.in/books?id=T9Y5AAAAIAAJ, p. 474

“… after a month's yoga I looked exactly eighteen. And someone who had seen me before, who had lived with me in Japan and came here, found it difficult to recognize me. He asked me, "But really, is it you?"”

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The Mother

I said, "Of course!" <br class="br">After doing yoga and sadhana with Sri Aurobindo, the Mother experienced a visible physical change, quoted in " Pondicherry http://www.searchforlight.org/TheMother_lifeSketchpart6.htm, also in The Mother: The Story of Her Life - George Van Vrekhem (2000) http://books.google.co.in/books?id=On_XAAAAMAAJ, p. 201

“I knew a painter, a disciple of Gustave Moreau; he was truly a very fine artist, he knew his work quite well, and then … he was starving, he did not know how to make both ends meet and he used to lament. Then one day, a well-wishing friend sent a picture-dealer to his studio. The latter inspected all his works, without discovering anything of interest: the works of the painter were simply not fashionable and therefore without commercial value. But at last the dealer found a canvas with some palette-scrapings in a dusty corner and was suddenly full of enthusiasm: "Here you are! my friend, you are a genius, this is a miracle, it is this you should show! Look at this richness of tones, this variety of forms, and what an imagination.”

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The Mother

As quoted in Paris (1897-1904) http://www.searchforlight.org/TheMother_lifeSketchpart2.htm and also in Mother India: Monthly Review of Culture, Volume 60 by Sri Aurobindo Ashram ( 2007) http://books.google.co.in/books?id=01tMAQAAIAAJ, p. 131.

“I don't feel that you are sincere, neither you nor your flock. You all went there to fulfill a social duty and social custom, but not at all because you really wanted to enter into communion with God.”

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The Mother

Comment to a Priest who questioned her for not attending the Sunday service during her voyage on the ship Kaga Maru, quoted in Diary notes and Meeting with Sri Aurobindo http://www.searchforlight.org/TheMother_lifeSketchpart4.htm.

“I belong to no nation, no civilization, no society, no race, but to the Divine. I obey no master, no rules, no law, no social convention, but the Divine. To Him I have surrendered all, will, life and self; for Him I am ready to give all my blood, drop by drop, if such is His will, with complete joy, and nothing in his service can be sacrifice, for all is perfect delight.”

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The Mother

from Collected Works of The Mother, Volume 2, Words of Long Ago, p.166 (February, 1920, Japan) http://www.sriaurobindoashram.org/ashram/mother/on_herself.php Also quoted by Debbie Magee, in "Auroville — The City Of Dawn in South India" (27 February 2009) http://serreal.ning.com/group/greencommunities/forum/topics/auroville-the-city-of-dawn-in, also in Beyond the Mask: The Rising Sign — Part I: Aries — Virgo, Part 1 by Kathleen Burt (1 January 2010) http://books.google.co.in/books?id=Q4kbBqVe0RIC&pg=PA46, p. 46 <br class="br">Sayings

“I was lying in an easy-chair, in front of a garden. I saw that the spiritual power was still active in me: I could go on with occult experiments in spite of the illness. I used to concentrate on things and persons and circumstances and wanted to see if the power worked. It worked very well on the mental and vital planes. Then I broadened the field of activity. I could go on doing my work in various parts of France and America and other places. I could clearly see the faces of the persons worked upon. They could be made to do what they by themselves could not. These were controlled experiments … I could see that nothing could stop the work: even without my body the work could go on … Wherever the call was, I could attend.”

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The Mother

Her notings in the diary when she was very ill in April 1915, quoted in "Diary notes and Meeting with Sri Aurobindo", also in Chapter 10 Return to France http://www.motherandsriaurobindo.org/Content.aspx?ContentURL=_staticcontent/sriaurobindoashram/-00%20e-library@@@/-03%20disciples/k%20r%20srinivas%20iyengar/On%20The%20Mother/-12_Return%20to%20France.htm, p. 136

“It is in accordance with the impression that the plate ought to be painted; it gives you an impact, you translate the impact, and it is this which is truly artistic. It is like this that modern art began. And note that he was right. His plates were not round, but he was right in principle.”

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The Mother

As quoted in "Paris (1897-1904)", and in The Mother on Art http://www.motherandsriaurobindo.org/Content.aspx?ContentURL=/_staticcontent/sriaurobindoashram/-02%20the%20mother/the%20mother%20as%20an%20artist/-05%20mother%20on%20art.htm

“Yes, indeed, I do feel the weight of the world's miseries pressing upon me!”

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The Mother

Response when her mother asked her: Why do you sit thus with a set face, as if the whole world were pressing upon you? in "Birth and Girlhood", and in The Mother (of Sri Aurobindo Ashram) by Prema Nandakumar (1977) http://books.google.co.in/books?id=R1sqAAAAYAAJ, p. 1

“Will you shut up now?”

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The Mother

At the age of seven she set right a thirteen-year old bully, who was bullying and molesting girls, by lifting him up and throwing him down with great force. She attributed this power to Mahakali the divine warrior force, quoted in "Birth and Girlhood".