Margaret Fuller: Zitate auf Englisch
"Good Sense" in a dialogue between Free Hope, Old Church, Good Sense, and Self -Poise. p. 127.
Summer on the Lakes, in 1843 (1844)
Kontext: All around us lies what we neither understand nor use. Our capacities, our instincts for this our present sphere are but half developed. Let us confine ourselves to that till the lesson be learned; let us be completely natural; before we trouble ourselves with the supernatural. I never see any of these things but I long to get away and lie under a green tree and let the wind blow on me. There is marvel and charm enough in that for me.
“Today a reader, tomorrow a leader.”
Variante: Today a reader, tomorrow a leader.”
― Margaret Fuller
“Existence is as deep a verity:
Without the dual, where is unity?”
Life Without and Life Within (1859), The One In All
Kontext: Existence is as deep a verity:
Without the dual, where is unity?
And the "I am"" cannot forbear to be;But from its primal nature forced to frame
Mysteries, destinies of various name,
Is forced to give that it has taught to claim.
“Very early, I knew that the only object in life was to grow.”
Memoirs of Margaret Fuller Ossoli (1852), Vol. I, p. 132.
“Nature provides exceptions to every rule.”
Woman in the Nineteenth Century (1845)
Kontext: Male and female represent the two sides of the great radical dualism. But, in fact, they are perpetually passing into one another. Fluid hardens to solid, solid rushes to fluid. There is no wholly masculine man, no purely feminine woman.
History jeers at the attempts of physiologists to bind great original laws by the forms which flow from them. They make a rule; they say from observation what can and cannot be. In vain! Nature provides exceptions to every rule. She sends women to battle, and sets Hercules spinning; she enables women to bear immense burdens, cold, and frost; she enables the man, who feels maternal love, to nourish his infant like a mother.
“There are noble books but one wants the breath of life sometimes.”
Letter to Ralph Waldo Emerson (1 March 1838); published in The Letters of Margaret Fuller vol. I, p. 327, , edited by Robert N. Hudspeth (1983).
Kontext: There are noble books but one wants the breath of life sometimes. And I see no divine person. I myself am more divine than any I see — I think that is enough to say about them...
“Let every woman, who has once begun to think, examine herself”
Quelle: Woman in the Nineteenth Century
“Men disappoint me so, I disappoint myself so, yet courage, patience, shuffle the cards …”
Letter to Reverend William Henry Channing http://web.csustan.edu:80/english/reuben/pal/chap4/channing_henry.html (21 February 1841) quoted in Margaret Fuller Ossoli (1898) by Thomas Wentworth Higginson, p. 112.
“It was thy kiss, Love, that made me immortal.”
Probably derived from "Make me immortal with a kiss" in Faustus by Christopher Marlowe.
Dryad Song (1900)
Life Without and Life Within (1859), Sub Rosa, Crux
Kontext: The pass-word now is lost
To that initiation full and free;
Daily we pay the cost
Of our slow schooling for divine degree.
We know no means to feed an undying lamp;
Our lights go out in every wind or damp.
Woman in the Nineteenth Century (1845)
Kontext: What I mean by the Muse is that unimpeded clearness of the intuitive powers, which a perfectly truthful adherence to every admonition of the higher instincts would bring to a finely organized human being. It may appear as prophecy or as poesy. … and should these faculties have free play, I believe they will open new, deeper and purer sources of joyous inspiration than have as yet refreshed the earth.
Let us be wise, and not impede the soul. Let her work as she will. Let us have one creative energy, one incessant revelation. Let it take what form it will, and let us not bind it by the past to man or woman, black or white.
“God will transplant the root, if he wills to rear it into fruit-bearing.”
Letter (Spring 1850).
Memoirs of Margaret Fuller Ossoli (1852)
Kontext: I feel perfectly willing to stay my threescore years and ten, if it be thought I need so much tuition from this planet; but it seems to me that my future upon earth will soon close. It may be terribly trying, but it will not be so very long, now. God will transplant the root, if he wills to rear it into fruit-bearing.
“See the wild herd nobly ranging,
Nature varying, not changing,
Lawful in their lawless ranging.”
Life Without and Life Within (1859), The Captured Wild Horse
Kontext: p>On the boundless plain careering
By an unseen compass steering, Wildly flying, reappearing, —
With untamed fire their broad eyes glowing
In every step a grand pride showing,
Of no servile moment knowing, —Happy as the trees and flowers, In their instinct cradled hours,
Happier in fuller powers, —See the wild herd nobly ranging,
Nature varying, not changing,
Lawful in their lawless ranging.</p
“With equal sweetness the commissioned hours
Shed light and dew upon both weeds and flowers.”
Life Without and Life Within (1859), The Thankful and the Thankless
Kontext: With equal sweetness the commissioned hours
Shed light and dew upon both weeds and flowers.
The weeds unthankful raise their vile heads high,
Flaunting back insult to the gracious sky;
While the dear flowers, wht fond humility,
Uplift the eyelids of a starry eye
In speechless homage, and, from grateful hearts,
Perfume that homage all around imparts.
Life Without and Life Within (1859), The One In All
Kontext: A single thought transfuses every form;
The sunny day is changed into the storm,
For light is dark, hard soft, and cold is warm.One presence fill and floods the whole serene;
Nothing can be, nothing has ever been,
Except the one truth that creates the scene.</p
"Poets of the People" in Art, Literature and the Drama (1858).
Kontext: There are two modes of criticism. One which … crushes to earth without mercy all the humble buds of Phantasy, all the plants that, though green and fruitful, are also a prey to insects or have suffered by drouth. It weeds well the garden, and cannot believe the weed in its native soil may be a pretty, graceful plant.
There is another mode which enters into the natural history of every thing that breathes and lives, which believes no impulse to be entirely in vain, which scrutinizes circumstances, motive and object before it condemns, and believes there is a beauty in natural form, if its law and purpose be understood.
Letter XXIV (19 April 1848), ** Part II, Things and Thoughts of Europe, p. 326.
At Home And Abroad (1856)
Kontext: My friends write to urge my return the talk of our country as the land of the future. It is so, but that spirit which made it all it is of value in my eyes, which gave me all hope with which I can sympathize for that future, is more alive here at present than in America. My country is at present spoiled by prosperity, stupid with the lust of gain, soiled by crime in its willing perpetuation of slavery, shamed by an unjust war, noble sentiment much forgotten even by individuals, the aims of politicians selfish or petty, the literature frivolous and venal. In Europe, amid the teachings of adversity, a nobler spirit is struggling — a spirit which cheers and animates mine. I hear earnest words of pure faith and love. I see deeds of brotherhood. This is what makes my America. I do not deeply distrust my country. She is not dead, but in my time she sleepeth, and the spirits of our fathers flame no more, but lies hid beneath the ashes. It will not be so long; bodies cannot live when the soul gets too overgrown with gluttony and falsehood.
It weeds well the garden, and cannot believe the weed in its native soil may be a pretty, graceful plant.
There is another mode which enters into the natural history of every thing that breathes and lives, which believes no impulse to be entirely in vain, which scrutinizes circumstances, motive and object before it condemns, and believes there is a beauty in natural form, if its law and purpose be understood.
"Poets of the People" in Art, Literature and the Drama (1858).
Though "the Bard" is often reference to William Shakespeare, Fuller here probably uses the term in a generic sense, and in tribute to the poet-philosopher she considered in some ways her mentor, Ralph Waldo Emerson, who may have made such a statement, which she elsewhere quotes as "I have witnessed many a shipwreck, yet still beat noble hearts".
Woman in the Nineteenth Century (1845)
Kontext: I stand in the sunny noon of life. Objects no longer glitter in the dews of morning, neither are yet softened by the shadows of evening. Every spot is seen, every chasm revealed. Climbing the dusty hill, some fair effigies that once stood for symbols of human destiny have been broken; those I still have with me show defects in this broad light. Yet enough is left, even by experience, to point distinctly to the glories of that destiny; faint, but not to be mistaken streaks of the future day. I can say with the bard,
"Though many have suffered shipwreck, still beat noble hearts."
Always the soul says to us all, Cherish your best hopes as a faith, and abide by them in action. Such shall be the effectual fervent means to their fulfilment.
Life Without and Life Within (1859), My Seal-Ring
Kontext: Mercury has cast aside
The signs of intellectual pride,
Freely offers thee the soul:
Art thou noble to receive?
Canst thou give or take the whole,
Nobly promise and believe?
Then thou wholly human art,
A spotless, radiant, ruby heart,
And the golden chain of love
Has bound thee to the realm above.
“I am absurdly fearful, and various omens have combined to give me a dark feeling.”
Letter (Spring 1850)
I am absurdly fearful about this voyage. Various little omens have combined to give me a dark feeling.... Perhaps we shall live to laugh at these. But in case of mishap I should perish with my husband and child, perhaps to be transferred to some happier state.
Letter to Marchioness Visconti Arconati (6 April 1850) as quoted in Margaret Fuller Ossoli by Thomas Wentworth Higginson, p. 274, the differences could be from differing translations or from omissions, as Emerson is said to have highly edited many of the letters as published in Memoirs of Margaret Fuller Ossoli.
Memoirs of Margaret Fuller Ossoli (1852)
Kontext: I am absurdly fearful, and various omens have combined to give me a dark feeling. I am become indeed a miserable coward, for the sake of Angelino. I fear heat and cold, fear the voyage, fear biting poverty. I hope I shall not be forced to be as brave for him, as I have been for myself, and that, if I succeed to rear him, he will be neither a weak nor a bad man. But I love him too much! In case of mishap, however, I shall perish with my husband and my child, and we may be transferred to some happier state.
