Ingmar Bergman Zitate
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[ˌiŋːmaɾ ˈbæɾːʝman] war ein schwedischer Drehbuchautor, Film- und Theaterregisseur. 1997 wurde Bergman bei den Filmfestspielen in Cannes als „Bester Filmregisseur aller Zeiten“ geehrt. Die Mehrzahl seiner Filme sind der Gattung des Filmdramas zuzurechnen, er drehte aber auch Komödien und Dokumentationen. In seinen Filmen thematisierte er häufig existenzielle Themen wie den Tod, die Suche nach Gott, die Einsamkeit des Menschen und zwischenmenschliche Beziehungen. Seine Filmsprache zeichnete sich unter anderem durch lange Naheinstellungen und eine spezielle Lichtsetzung aus, die er zusammen mit seinem langjährigen Kameramann Sven Nykvist entwickelte. Die mitunter direkte Darstellung von Sexualität führte in den 1950er- und 1960er-Jahren wiederholt zu Problemen mit der Zensur und verhalf unter anderem dem Film Das Schweigen zu einem Skandalerfolg. Weitere namhafte Werke sind Das siebente Siegel, Wilde Erdbeeren, Szenen einer Ehe und Fanny und Alexander.

✵ 14. Juli 1918 – 30. Juli 2007
Ingmar Bergman Foto
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Ingmar Bergman: Zitate auf Englisch

“When I was young, I was extremely scared of dying, but now I think it a very, very wise arrangement. It’s like a light that is extinguished. Not very much to make a fuss about.”

Ingmar Bergman

As quoted in "Ingmar Bergman, Master Filmmaker, Dies at 89" by Mervyn Rothstein in The New York Times (31 July 2007) http://www.nytimes.com/2007/07/31/movies/31bergman.html?hp.

“I don't watch my own films very often. I become so jittery and ready to cry… and miserable. I think it's awful.”

Ingmar Bergman

BBC article http://news.bbc.co.uk/2/hi/entertainment/3616037.stm (10 April 2004).

“I liked Truffaut a lot, I've felt a lot of admiration for his way to address the audience, and his storytelling…. La nuit américaine is adorable, and another film I like to see is L'enfant sauvage, with its fine humanism.”

Ingmar Bergman

On the works of filmmaker Francois Truffaut
Variant translation: I liked Truffaut enormously, I admired him. His way of relating with an audience, of telling a story, is both fascinating and tremendously appealing. It's not my style of storytelling, but it works wonderfully well in relation to the film medium.
Jan Aghed interview (2002)

“Self-portraiture is something one should never get involved in, since it is wrong to lie even though one endeavours to tell the truth.”

Ingmar Bergman

"Ingmar's self portrait" (1957) as quoted in "Who is he really?" http://www.ingmarbergman.se/universe.asp?guid=4F72F9D3-43BB-405D-B42B-3D091B8FAF3A

“Winter Light — suppose we discuss that now?… The film is closely connected with a particular piece of music: Stravinski's A Psalm Symphony. I heard it on the radio one morning during Easter, and it struck me I'd like to make a film about a solitary church on the plains of Uppland. Someone goes into the church, locks himself in, goes up to the altar, and says: 'God, I'm staying here until in one way or another You've proved to me You exist. This is going to be the end either of You or of me!' Originally the film was to have been about the days and nights lived through by this solitary person in the locked church, getting hungrier and hungrier, thirstier and thirstier, more and more expectant, more and more filled with his own experiences, his visions, his dreams, mixing up dream and reality, while he's involved in this strange, shadowy wrestling match with God.
We were staying out on Toro, in the Stockholm archipelago. It was the first summer I'd had the sea all around me. I wandered about on the shore and went indoors and wrote, and went out again. The drama turned into something else; into something altogether tangible, something perfectly real, elementary and self-evident.
The film is based on something I'd actually experienced. Something a clergyman up in Dalarna told me: the story of the suicide, the fisherman Persson. One day the clergyman had tried to talk to him; the next, Persson had hanged himself. For the clergyman it was a personal catastrophe.”

Ingmar Bergman

Jonas Sima interview <!-- pages 173-174 -->
Bergman on Bergman (1970)

“I make all my decisions on intuition. I throw a spear into the darkness. That is intuition. Then I must send an army into the darkness to find the spear. That is intellect.”

Ingmar Bergman

As quoted in &quot;Ingmar Bergman Confides in Students&quot; http://www.nytimes.com/1981/05/08/movies/ingmar-bergman-confides-in-students.html New York Times, May 7, 1981.

“Say anything you want against The Seventh Seal.”

Ingmar Bergman

My fear of death — this infantile fixation of mine — was, at that moment, overwhelming. I felt myself in contact with death day and night, and my fear was tremendous. When I finished the picture, my fear went away. I have the feeling simply of having painted a canvas in an enormous hurry — with enormous pretension but without any arrogance. I said, 'Here is a painting; take it, please.'
Interview with Charles Thomas Samuels (1971).

“I come from a world of conservative Christian thought. I've absorbed Christianity with my mother's milk. So it must be obvious that certain… archetypes, aren't they called?”

Ingmar Bergman

stick in one's mind, and that certain lines, certain courses of events, certain ways of behaving, become adequate symbols for what goes on in the Christian system of ideas. … I keep myself supplied with my own angels and demons...
Torsten Manns interview.
Bergman on Bergman (1970)

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