Jonas Sima interview
Bergman on Bergman (1970)
Ingmar Bergman:
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As quoted in "Ingmar Bergman, Master Filmmaker, Dies at 89" by Mervyn Rothstein in The New York Times (31 July 2007) http://www.nytimes.com/2007/07/31/movies/31bergman.html?hp.
BBC article http://news.bbc.co.uk/2/hi/entertainment/3616037.stm (10 April 2004).
On Federico Fellini
Jan Aghed interview (2002)
On the works of filmmaker Francois Truffaut
Variant translation: I liked Truffaut enormously, I admired him. His way of relating with an audience, of telling a story, is both fascinating and tremendously appealing. It's not my style of storytelling, but it works wonderfully well in relation to the film medium.
Jan Aghed interview (2002)
On Orson Welles
Jan Aghed interview (2002)
"Ingmar's self portrait" (1957) as quoted in "Who is he really?" http://www.ingmarbergman.se/universe.asp?guid=4F72F9D3-43BB-405D-B42B-3D091B8FAF3A
Jonas Sima interview <!-- pages 173-174 -->
Bergman on Bergman (1970)
Torsten Manns interview.
Bergman on Bergman (1970)
Jan Aghed interview (2002)
"Alma" (Bibi Andersson) in Persona (1966).
Films
As quoted in "Ingmar Bergman Confides in Students" http://www.nytimes.com/1981/05/08/movies/ingmar-bergman-confides-in-students.html New York Times, May 7, 1981.
Ingmar Bergman
buch
Laterna Magica
Laterna Magica (1987); The Magic Lantern : An Autobiography as translated by Joan Tate (1988).
Variant translation: Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.
As quoted in "Ev'ry Time We Say Goodbye" by John Berger, Sight and Sound (June 1991).
“Say anything you want against The Seventh Seal.”
My fear of death — this infantile fixation of mine — was, at that moment, overwhelming. I felt myself in contact with death day and night, and my fear was tremendous. When I finished the picture, my fear went away. I have the feeling simply of having painted a canvas in an enormous hurry — with enormous pretension but without any arrogance. I said, 'Here is a painting; take it, please.'
Interview with Charles Thomas Samuels (1971).
stick in one's mind, and that certain lines, certain courses of events, certain ways of behaving, become adequate symbols for what goes on in the Christian system of ideas. … I keep myself supplied with my own angels and demons...
Torsten Manns interview.
Bergman on Bergman (1970)
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