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Donald Barthelme Zitate

Donald Barthelme war ein amerikanischer Schriftsteller. Er gilt als einer der bedeutendsten Vertreter der „new fiction“ bzw. der amerikanischen Postmoderne. Wikipedia  

✵ 7. April 1931 – 23. Juli 1989  •  Andere Namen دونالد بارتلمی, Дональд Бартелмі
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Donald Barthelme: Zitate auf Englisch

“The aim of literature… is the creation of a strange object covered with fur which breaks your heart.”

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Donald Barthelme

"Florence Green is 81".
Quelle: Come Back, Dr. Caligari (1964)
Kontext: His examiner... said severely: "Baskerville, you blank round, discursiveness is not literature." "The aim of literature," Baskerville replied grandly, "is the creation of a strange object covered with fur which breaks your heart."

“Well chaps first I'd like to say a few vile things more or less at random, not only because it is expected of me but also because I enjoy it.”

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Donald Barthelme buch Snow White

Quelle: Snow White

“And I sat there getting drunker and drunker and more in love and more in love.”

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Donald Barthelme buch Sixty Stories

Quelle: Sixty Stories

“When I was hired they showed me my desk, an old beat-up scarred wooden desk, and they told me that it had been O. Henry’s desk when O. Henry worked for the paper, as he had at one time. And I readily believed it. I could see the place where O. Henry had savagely stabbed the desk with his pen in pursuit of a slimy adjective just out of reach, and a kind of bashed-in-looking place where O. Henry had beaten his poor genius head on the desk in frustration over not being able to capture the noun leaping like a fawn just out of reach… So I sat down at the desk and I too began to chase those devils, the dancy nouns and come-hither adjectives, what joy.”

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Donald Barthelme

“Return”, p. 55.
The Teachings of Don. B: Satires, Parodies, Fables, Illustrated Stories, and Plays of Donald Barthelme (1992)

“What makes The Joker tick I wonder?” Fredric said. “I mean what are his real motivations?”
“Consider him at any level of conduct,” Bruce said slowly, “in the home, on the street, in interpersonal relations, in jail—always there is an extraordinary contradiction. He is dirty and compulsively neat, aloof and desperately gregarious, enthusiastic and sullen, generous and stingy, a snappy dresser and a scarecrow, a gentleman and a boor, given to extremes of happiness and despair, singularly well able to apply himself and capable of frittering away a lifetime in trivial pursuits, decorous and unseemly, kind and cruel, tolerant yet open to the most outrageous varieties of bigotry, a great friend and an implacable enemy, a lover and abominator of women, sweet-spoken and foul-mouthed, a rake and a puritan, swelling with hubris and haunted by inferiority, outcast and social climber, felon and philanthropist, barbarian and patron of the arts, enamored of novelty and solidly conservative, philosopher and fool, Republican and Democrat, large of soul and unbearably petty, distant and brimming with friendly impulses, an inveterate liar and astonishingly strict with petty cash, adventurous and timid, imaginative and stolid, malignly destructive and a planter of trees on Arbor Day—I tell you frankly, the man is a mess.”
“That’s extremely well said Bruce,” Fredric stated. “I think you’ve given a very thoughtful analysis.”

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Donald Barthelme

“I was paraphrasing what Mark Schorer said about Sinclair Lewis,” Bruce replied.
“The Joker’s Greatest Triumph”.
Come Back, Dr. Caligari (1964)

“People who had, in the past, suffered from technophobia suffered even more. Others took other positions. Things were not so bad. Things could be worse. Worse things could be imagined. Worse things had been endured and triumphed over, in the past. This was not the worst. The worst was yet to come.”

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Donald Barthelme

“A Nation of Wheels”, p. 131.
The Teachings of Don. B: Satires, Parodies, Fables, Illustrated Stories, and Plays of Donald Barthelme (1992)

“Went for a walk, whistling. Saw a throne in a window. I said: What chair is this? Is it the one great Ferdinand sat in, when he sent the ships to find the Indies? The seat is frayed. Hardly a day passes without an announcement of some kind of marriage, a pregnancy, a cancer, a rebirth. Sometimes they drift in from the Yukon and other far places, come in and sit down at the kitchen table, want a glass of milk and a peanut-butter-and-jelly, I oblige, for old times’ sake. Sent me the schedule for the Little League soccer teams, they’re all named after cars, the Mustangs vs. the Mavericks, the Chargers vs. the Impalas. Something funny about that. My son. Slept with What’s-Her-Name, they said, while she was asleep, I don’t think that’s fair. Prone and helpless in the glare of the headlights. They went away, then they came back, at Christmas and Eastertide, had quite a full table, maybe a dozen in all including all the little…partners they’d picked up on their travels….”

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Donald Barthelme buch Sixty Stories

“Aria”.
Sixty Stories (1981)

“Self-criticism sessions were held, but these produced more criticism than could usefully be absorbed or accomodated.”

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Donald Barthelme

“The Crisis”.
Great Days (1979)

“My deranged mother has written another book. This one is called The Bough and is even worse that the others. I refer not to its quality—it exhibits the usual “coruscating wit” and “penetrating social observation”—but to the extent to which it utilizes, as a kind of mulch pile, the lives of her children.”

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Donald Barthelme

“The Author”, opening; p. 45.
The Teachings of Don. B: Satires, Parodies, Fables, Illustrated Stories, and Plays of Donald Barthelme (1992)

“The center will not hold if it has been spot-welded by an operator whose deepest concern is not with the weld but with his lottery ticket.”

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Donald Barthelme buch Sixty Stories

"At The End Of The Mechanical Age".
Sixty Stories (1981)

“I obey the Commandments, the sensible ones. Where they don’t know what they’re talking about I ignore them. I keep thinking about the story of the two old women in church listening to the priest discoursing on the dynamics of the married state. At the end of the sermon one turns to the other and says, “I wish I knew as little about it as he does.””

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Donald Barthelme

“Basil From Her Garden”.
Flying to America: 45 More Stories (2007)

“LeDuff’s argument (in Shock Art #37) that an image, once floated on the international art-sea, is a fish that anyone may grab with impunity, and make it his own, would not persuade an oyster. Questions of primacy are not to be scumbled in this way, which, had he been writing from a European perspective, he would understand, and be ashamed. The brutality of the American rape of the world’s exhibition spaces and organs of art-information has distanciated his senses. The historical aspects have been adequately trodden by others, but there is one category yet to be entertained—that of the psychological. The fact that LeDuff is replicated in every museum, in every journal, that one cannot turn one’s gaze without bumping into this raw plethora, LeDuff, LeDuff, LeDuff (whereas poor Bruno, the true progenitor, is eating the tops of bunches of carrots)—what has this done to LeDuff himself? It has turned him into a dead artist, but the corpse yet bounces in its grave, calling attention toward itself in the most unseemly manner. But truth cannot be swallowed forever. When the real story of low optical stimulus is indited, Bruno will be rectified.”

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Donald Barthelme

“Letters to the Editore”, Guilty Pleasures (1974).

“I didn’t go to church because I was a black sheep. There were five children in my family and the males rotated the position of black sheep among us, the oldest one being the black sheep for a while while he was in his DWI period or whatever and then getting grayer as he maybe got a job or was in the service and then finally becoming a white sheep when he got married and had a grandchild. My sister was never a black sheep because she was a girl.”

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Donald Barthelme

“Chablis”.
Forty Stories (1987)

““Sometimes I see signs on walls saying Kill the Rich,” Clem said. “And sometimes Kill the Rich has been crossed out and Harm the Rich written underneath. A clear gain for civilization I would say. And the one that says Jean-Paul Sartre Is a Fartre. Something going on there, you must admit. Dim flicker of something….””

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Donald Barthelme buch Snow White

Quelle: Snow White (1967), p. 66.

“What did you do today?
—Went to the grocery store and Xeroxed a box of English muffins, two pounds of ground veal and an apple. In flagrant violation of the Copyright Act.
—You had your nap, I remember that—
—I had my nap.
—Lunch, I remember that, there was lunch, slept with Susie after lunch, then your nap, woke up, right?, went Xeroxing, right?, read a book not a whole book but part of a book—
—Talked to Happy on the telephone saw the seven o’clock news did not wash dishes want to clean up some of this mess?
—If one does nothing but listen to the new music, everything else drifts, frays. Did Odysseus feel this way when he and Diomedes decided to steal Athene’s statue from the Trojans, so that they would become dejected and lose the war? I don’t think so, but who is to know what effect the new music of that remote time had on its hearers?
—Or how it compares to the new music of this time?
—One can only conjecture.”

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Donald Barthelme

“The New Music”, opening
Great Days (1979)

“True dragons are Danish and speak Danish, a tongue that the Danes themselves describe as less a language than a throat disease. To attract a dragon, one chains a naked maiden to a rock. The maiden must be chained to the rock in such a way that every part of her is visible to the dragon. Many famous paintings demonstrate the technique; Ingres’s Angelica Saved by Ruggiero is an example. After the dragon has inspected your maiden to its heart’s content, you issue one of the conventional formal challenges, in Danish—’Jeg udfordre dig til ridderlig camp’ is the way one usually puts it—and then the fight begins.”

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Donald Barthelme

Quelle: The King (1990), p. 39.

“Where is my daddy? asked the emerald. My da?
Moll dropped a glass, which shattered.
Your father.
Yes, said the emerald, amn’t I supposed to have one?
He’s not here.
Noticed that, said the emerald.
I’m never sure what you know and what you don’t know.
I ask in true perplexity.
He was Deus Lunus. The moon god. Sometimes thought of as the man in the moon.
Bosh! said the emerald. I don’t believe it.
Do you believe I’m your mother?
I do.
Do you believe you’re an emerald?
I am an emerald.
Used to be, said Moll, women wouldn’t drink from a glass into which the moon had shone. For fear of getting knocked up.
Surely this is a superstition?
Hoo, hoo, said Moll. I like superstition.
I thought the moon was female.
Don’t be culture-bound. It’s been female in some cultures at some times, and in others, not.
What did it feel like? The experience.
Not a proper subject for discussion with a child.
The emerald sulking. Green looks here and there.
Well it wasn’t the worst. Wasn’t the worst. I had an orgasm that lasted three hours. I judge that not the worst.”

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Donald Barthelme buch Sixty Stories

“The Emerald”.
Sixty Stories (1981)

“All right lad this is what we want with you. Your mission is this: to go out into the world and pull down all those election posters. Let’s get all those ugly faces off our streets and out of our elective offices. We are not going to vote any more, no matter how often they come around with their sound trucks and statesmanlike gestures. Pull down the sound trucks. Pull down the outstretched arms. To hell with the whole business. Voting has turned out to be a damned impertinence. They never do what we want them to do anyhow. And when they do what we want them to do, they don’t do it well. To hell with them. We are going to save up all our votes for the next twenty years and spend them all at one time. Maybe by that day there will be some Rabelaisian figure worth spending them on. …”

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Donald Barthelme buch Snow White

Quelle: Snow White (1967), p. 146.

“[Snow White talking to herself] “… No wonder we who are twenty-two don’t trust anybody over twelve. That is where you find people who know the score, under twelve. I think I will go out and speak to some eleven-year-olds, now, to refresh myself. Now or soon.””

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Donald Barthelme buch Snow White

Quelle: Snow White (1967), p. 145.

“We had a conversation the other day with Ming the Merciless, one of the preeminent villains of modern times, whose half-century-long struggle with his opposite number, Flash Gordon, has helped generations of Americans conceptualize the fearsome enchantments of space. We caught up with the veteran malefactor at the Volney, where he greeted us in a turquise-and-gold dressing gown, a black skullcap setting off his striking yellowish pallor. We immediately put our foot in it by addressing him as ”Mr. Ming”
“I don’t want to be stuffy,” he said pleasantly, “but that’s Emperor Ming, if you don’t mind. …””

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Donald Barthelme

“Ming”, p. 93, opening
The Teachings of Don. B: Satires, Parodies, Fables, Illustrated Stories, and Plays of Donald Barthelme (1992)

“These games are marvelous,” Amanda said. “I like them especially because they are so meaningless and boring, and trivial. These qualities, once regarded as less than desirable, are now everywhere enthroned as the key elements in our psychological lives, as reflected in the art of the period as well as—”

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Donald Barthelme

“Games Are the Enemies of Beauty, Truth, and Sleep, Amanda Said”, p. 77.
The Teachings of Don. B: Satires, Parodies, Fables, Illustrated Stories, and Plays of Donald Barthelme (1992)

“It's true," Carl said, "with a kind of merde-y inner truth which shines forth as the objective correlative of what actually did happen, back home.”

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Donald Barthelme

"Margins".
Come Back, Dr. Caligari (1964)

“We like books that have a lot of dreck in them, matter which presents itself as not wholly relevant (or indeed, at all relevant) but which, carefully attended to, can supply a kind of “sense” of what is going on. This “sense” is not to be obtained by reading between the lines (for there is nothing there, in those white spaces) but by reading the lines themselves—looking at them and so arriving at a feeling not of satisfaction exactly, that is too much to expect, but of having read them, of having “completed” them.”

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Donald Barthelme buch Snow White

Quelle: Snow White (1967), p. 106.

“Oh, there is nothing better than intelligent conversation except thrashing about in bed with a naked girl and Egmont Light Italic.”

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Donald Barthelme

"Florence Green is 81".
Come Back, Dr. Caligari (1964)

“BILL: … We are what we have been told about ourselves. We are the sum of the messages we have received. The true messages. The false messages.”

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Donald Barthelme

“Snow White” [play], p. 324.
The Teachings of Don. B: Satires, Parodies, Fables, Illustrated Stories, and Plays of Donald Barthelme (1992)

“—On the dedication page of the rebellion, we see the words “To Clementine”. A fine sentiment, miscellaneous organ music next, and, turning several pages, massed orange flags at the head of the column. This will not be easy, but neither will it be hard. Good will is everywhere, and the lighthearted song of the gondoliers is heard in the distance.
—Yes, success is everything. Morally important as well as useful in a practical way.
—What have the rebels captured thus far? One zoo, not our best zoo, and a cemetery. The rebels have entered the cages of the tamer animals and are playing with them, gently.
—Things can get better, and in my opinion will.
—Their Graves Registration procedures are scrupulous—accurate and fair.
—There’s more to it than playing guitars and clapping along. Although that frequently gets people in the mood.
—Their methods are direct, not subtle. Dissolution, leaching, sandblasting, cracking and melting of fireproof doors, condemnation, water damage, slide presentations, clamps and buckles.
—And skepticism, although absolutely necessary, leads to not very much.”

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Donald Barthelme

“The Crisis”, opening
Great Days (1979)

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