1974
1970's, interview, K. Horsfield & L. Blumenthal
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her remark in 1966 as quoted by Ann Wilson in 'Linear Webs', Art and Artists 1, no. 7, Oct. 1966, p. 49; as quoted on the Tate exhibition, London June - October 2015 http://www.tate.org.uk/whats-on/tate-modern/exhibition/agnes-martin/room-guide/room-nine & by Julie Warchol, on Smith College Museum of Art https://www.smith.edu/artmuseum/Collections/Cunningham-Center/Blog-paper-people/Agnes-Martin-On-a-Clear-Daywebsite <br class="br">1960's
1980 - 2000, The Skowhegan Lecture', 1987
1974
1970's, interview, K. Horsfield & L. Blumenthal
in a year
In a letter to Helene Wurlitzer, late 1956; as quoted by Christina Bryan Rosenberger, in Drawing the Line: The Early Work of Agnes Martin, Univ of California Press, July 2016, p. 88
1950's
poem before 1973; in a exh. cat., ed. Suzanne Delehanty (1973; repr., Philadelphia: The Falcon Press, 1976), p. 40
1970's
Quelle: 1970's, The Untroubled Mind', 1972, p. 61
1974
1970's, interview, K. Horsfield & L. Blumenthal
1980 - 2000, Perfection Is in the Mind', 1995
as quoted in A House Divided: American Art Since 1955, Anne M. G. Wagner, Univ. of California Press 2012, p. 205 - note 8
1980 - 2000
interview by Suzan Campbell, May 15, 1989; transcript in 'Archives of American Art', The Smithsonian Institution, Washington, D.C. <br class="br">One of her first grid paintings she made in New York in 1964, it was [ https://www.moma.org/collection/works/78361 titled 'The Tree']. Martin often described this painting as her first grid. In fact, she had been making them since at least the beginning of 1960's <br class="br">1980 - 2000
after 2000, Agnes Martin: Between the Lines', 2002
Quelle: 1970's, The Untroubled Mind', 1972, p. 62
1970's, The Untroubled Mind', 1971
interview with Joan Simon, 1995 in Perfection is in the Mind, p. 86; as quoted in A House Divided: American Art Since 1955, Anne M. G. Wagner, Univ. of California Press, 2012, p. 263
1980 - 2000
as quoted by Lucy R. Lippard, in 'Hommage to the Square', Art in America, July-August 1967, p. 55
This quote is one of the most frequently quoted statements of Agnes Martin. A later variation by her: 'The rectangle is pleasant, whereas the square is not'; Agnes Martin is than 89 - quoted in A House Divided: American Art Since 1955, Anne M. G. Wagner Univ. of California Press 2012, p. 263
1960's
1980 - 2000, Perfection Is in the Mind', 1995
“I am staying unsettled and trying not to talk for three years. I want to do it very much.”
In a letter to curator Sam Wagstaff, 1967 <br class="br">Agnes Martin stopped painting in 1967 and left New York. Before leaving town she wrote to the curator Sam Wagstaff https://www.aaa.si.edu/collections/samuel-wagstaff-papers-6939, who was then working at the Wadsworth Atheneum in Hartford <br class="br">1960's
In 'Beauty Is the Mystery of Life', 1989; a lecture by Agnes Martin, Carnegie Museum of Art, Pittsburgh, 1989. Printed in Agnes Martin, eds. Morris and Bell, pp. 158–59
1980 - 2000
1980 - 2000, The Skowhegan Lecture', 1987
In Martin's open letter, 1981 to the Whitney Museum of American Art; as quoted in 'The Heroic Art of Agnes Martin', by Hilton Als, NYR 14 July 2016
1980 - 2000
1974
1970's, interview, K. Horsfield & L. Blumenthal
In 'On a Clear Day', 1973; as quoted by Julie Warchol on website Smith College Museum of Art https://www.smith.edu/artmuseum/Collections/Cunningham-Center/Blog-paper-people/Agnes-Martin-On-a-Clear-Day, <br class="br">1970's
a passage Martin wrote in 1975 'On a Clear Day', 15 Oct. 1975. Printed in Agnes Martin, eds. Morris and Bell, p. 124
1970's
1980 - 2000, The Skowhegan Lecture', 1987
