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Théodore Rousseau

Geburtstag: 15. April 1812
Todesdatum: 22. Dezember 1867

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Etienne Pierre Théodore Rousseau war ein französischer Landschaftsmaler und Bruder des weniger bekannten Malers Philippe Rousseau. Er war Gründer der Schule von Barbizon, in der sich die ersten Freilichtmaler zusammenfanden. Sein Werk ist dem Realismus zuzuordnen.

Zitate Théodore Rousseau

„Do you see all those beautiful trees there? I sketched them all thirty years ago; I have had all their portraits. Look at that beech there, the sun lights it up and makes of it a marble column, a column that has muscles, limbs, hands and a fair skin, white and pallid... See the modest green of the heath and its plants, rosy, amaranthine, which distil honey for the bees and fragrance for the butterflies. The sun lights them up and gives them a diapason of extraordinary color. Ah, the sun..“

— Théodore Rousseau
Quote of Th. Rousseau, Sept. 1867; recorded by ; as cited by Charles Sprague Smith, in Barbizon days, Millet-Corot-Rousseau-Barye; publisher, A. Wessels Company, New York, July 1902, p. 164 In September 1867 (two months before Rousseau’s death, when already half paralyzed), Th. Rouseau took a ride with Sensier to look once more at the heather. He was pointing to the Sully, a giant of the wood

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„I thought only of one thing, to account to myself for the laws of light and perspective. I did not attach any importance to what they found original, new and romantic in me, I sought the picture.“

— Théodore Rousseau
as quoted in Barbizon days, Millet-Corot-Rousseau-Barye by Charles Sprague Smith, A. Wessels Company, New York, July 1902, p. 141 Th. Roussseau took little part in the French art-discussions of the day between Classicists and Romanticists, in the 1830's

„Do not be anxious about [an ordered painting] 'La Ferme' my dear Mr. Hartmann, I am anxious to establish in this picture such a decision deformed, that it may exist, independently of the caprices of the light, and of the influence of the hours of the day. I am regulating it, absolutely as a watchmaker regulates a watch after he has finished it.“

— Théodore Rousseau
In a letter to Mr. Hartmann, c. 1865; as quoted in The Painters of Barbizon I – Millet, Rousseau and Diaz, by John W. Mollett, B.A.; publ. Sampton Low, Marston, Searle & Rivington, Limited, London, 1890, p. 81 Mr. Hartmann, who had bought this and two other pictures had waited for them fifteen years, at last became impatient, and wrote Rousseau: 'I shall only enjoy my pictures in my extreme old age, when I shall have become too blind to see them'. his biographer/friend Alfred Sensier wrote: this seemed to Mr. Hartmann 'as the reasoning of a troubled mind.' [https://archive.org/details/souvenirssurthr00sensgoog?q=Theodore+Rousseau]

„If my painting depicts faithfully and without over-refinement the simple and true character of the place you have frequented, if I succeed.... in giving its own life to that world of vegetation, then you will hear the trees moaning under the winter wind, the birds that call their young and cry after their dispersion; you will feel the old chateau tremble; it will tell you that, as the wife you loved, it too will.... disappear and be reborn in multiple forms.. One does not copy with mathematical precision what one sees, but one feels and interprets a real world, all of whose fatalities hold you fast bound.“

— Théodore Rousseau
Quote in a letter to M. Guizot, c. 1839-41; as cited by Charles Sprague Smith, in Barbizon days, Millet-Corot-Rousseau-Barye publisher, A. Wessels Company, New York, July 1902, pp. 172-173 The Duke de Broglie had ordered of Rousseau a painting of the 'Chateau de Broglie', for his friend M. Guizot. Madame Guizot had died there, and The Duke de Broglie urged Rousseau to make the painting grave and sad.. The quote presents Rousseau’s responding

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„Ah! Silence is golden. When I was in my observatory at Belle-croix, I dared not move as the silence opened to me a course of discoveries. The families of the wood were then in action. It was the silence that permitted me, immovable as a tree trunk, to see the deer in their hiding-place and at their toilet, to observe the habits of the field rat, of the otter, of the salamander, those fantastic amphibious animals. He who lives in the silence becomes the center of a world; a little more and I could imagine myself the sun of a small creation, if my studies had not recalled to me that I had so much trouble to reproduce a poor tree or a cluster of rushes.“

— Théodore Rousseau
Quote recorded by , in Souvenirs sur Rousseau, Paris, 1872; as cited in The Barbizon School of Painters: Corot, Rousseau, Diaz, Millet, Daubigny, etc., by D. C. Thomson; Scribner and Welford, New York 1890 – (copy nr. 78), p. 120 Charles Jacque to Th. Rousseau: 'I should think you got weary here'. * Rousseau: 'That depends; when you wish to do so, one can always find beautiful things to study and understand. Look here at this charcoal-burner [in the field] before us, with his big felt hat - who is thinking of his sacks and of his faggots sees how the shadow of those large brims gives a clear yet grave tint to his face'. * Charles Jacque: 'Draw him, Rousseau, in this pensive attitude, he does not doubt that he is handsome, and if he posed himself he would become repellent. See, here is a sketch-book, go on!' Quote from a dialogue between Th. Rousseau and Jacque; as cited in The Barbizon School of Painters: Corot, Rousseau, Diaz, Millet, Daubigny, etc., by D. C. Thomson; Scribner and Welford, New York 1890 – (copy nr. 78), p 125

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