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“As I grew I no longer lost any sleep over the questions of God and infinity. I understood they could have no answers. At some point the reality of God was no longer present in my mind. I believed in the basic Church teachings because I thought they were correct, not because God wanted me to. In my mind, in the way I interpret them, I still live by them today. Not by the rules and regulations, but by the principles. For example, in the matter of abortion, I am pro-choice, but by personal choice would have nothing to do with an abortion of a child of my own. I believe in free will, and believe I have no right to tell anyone else what to do. Popes come and go, and John XXIII has been the only one I felt affection for. Their dictums strike me as lacking in the ability to surprise. They have been leading a holding action for a millennium.”

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Roger Ebert

Quelle: Life Itself : A Memoir (2011), Ch. 54 : How I Believe In God

“The result is a horrible mess of a movie, without shape, trajectory or purpose — a one joke movie, if it had one joke. The two characters wander witlessly past the bizarre backdrops of Las Vegas (some real, some hallucinated, all interchangeable) while zonked out of their minds. Humor depends on attitude. Beyond a certain point, you don't have an attitude, you simply inhabit a state. I've heard a lot of funny jokes about drunks and druggies, but these guys are stoned beyond comprehension, to the point where most of their dialog could be paraphrased as "eh?"… As for Depp, what was he thinking he made this movie? He was once in trouble for trashing a New York hotel room, just like the heroes of Fear and Loathing in Las Vegas. What was that? Research? After River Phoenix died of an overdose outside Depp's club, you wouldn't think Depp would see much humor in this story — but then, of course, there *isn't* much humor in this story.”

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Review http://www.rogerebert.com/reviews/fear-and-loathing-in-las-vegas-1998 of Fear and Loathing in Las Vegas (22 May 1998) Reviews, One-star reviews

“I've been reviewing movies for a long time, and I can't think of one that more dramatically shoots itself in the foot.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/diary-of-a-mad-black-woman-2005 of Diary of a Mad Black Woman (25 February 2005) Reviews, One-star reviews

“Khan is played as a cauldron of resentment by Ricardo Montalban, and his performance is so strong that he helps illustrate a general principle involving not only Star Trek but Star Wars and all the epic serials, especially the James Bond movies: Each film is only as good as its villain. Since the heroes and the gimmicks tend to repeat from film to film, only a great villain can transform a good try into a triumph.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/star-trek-ii-the-wrath-of-khan-1982 of Star Trek II: The Wrath of Khan (1 January 1982) Reviews, Three star reviews

“In my very first review I was already jaded, observing of "Galia," an obscure French film, that it "opens and closes with arty shots of the ocean, mother of us all, but in between it's pretty clear that what is washing ashore is the French New Wave." My pose in those days was one of superiority to the movies, although just when I had the exact angle of condescension calculated, a movie would open that disarmed my defenses and left me ecstatic and joyful.”

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Roger Ebert

Awake in the Dark: The Best of Roger Ebert (2006)

“I know that the real Brockovich liked to dress provocatively; that's her personal style and she's welcome to it. But the Hollywood version makes her look like a miniskirted hooker, with bras that peek cheerfully above her necklines.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/erin-brockovich-2000 of Erin Brockovich (17 March 2000) Reviews, Two star reviews

“I lay awake wondering how I could pray for faith to a God I could not believe in without faith. That seemed to leave me suspended between two questions. These logical puzzles were generated spontaneously within my mind. They didn’t come from my school or my family. Most of my neighborhood friends were Protestants who were not interested in theories about God, apart from the fact that of course he existed.
I bought the teachings of the Roman Catholic Church lock, stock, and barrel, apart from the God problem.”

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Roger Ebert

Quelle: Life Itself : A Memoir (2011), Ch. 54 : How I Believe In God

“When the film premiered at Cannes 2003, Lars von Trier was accused of not portraying Americans accurately, but how many movies do? Anything by David Spade come to mind? Von Trier could justifiably make a fantasy about America, even an anti-American fantasy, and produce a good film, but here he approaches the ideological subtlety of a raving prophet on a street corner.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/dogville-2004 of Dogville (9 April 2004) Reviews, Two star reviews

“Valentine's Day is being marketed as a Date Movie. I think it's more of a First-Date Movie. If your date likes it, do not date that person again. And if you like it, there may not be a second date.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/valentines-day-2010 of Valentine's Day (10 February 2010) Reviews, Two star reviews

“It is strange how the romances of the teenage years retain a poignancy all through life - how a girl who turns you down when you're 16 retains an aura in your memory even long after you, and she, have ceased to be who you were then. I attended my high school reunion a couple of weeks ago and discovered, in the souvenir booklet assembled by the reunion committee, that one of the girls in my class had a crush on me all those years ago. I would have given a great deal to have had that information at the time.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/metropolitan-1990 of Metropolitan (10 August 1990) Reviews, Three-and-a-half star reviews

“Here is how [life] happens. We find something we want to do, if we are lucky, or something we need to do, if we are like most people. We use it as a way to obtain food, shelter, clothing, mates, comfort, a first folio of Shakespeare, model airplanes, American Girl dolls, a handful of rice, sex, solitude, a trip to Venice, Nikes, drinking water, plastic surgery, child care, dogs, medicine, education, cars, spiritual solace -- whatever we think we need. To do this, we enact the role we call "me," trying to brand ourselves as a person who can and should obtain these things.In the process, we place the people in our lives into compartments and define how they should behave to our advantage. Because we cannot force them to follow our desires, we deal with projections of them created in our minds. But they will be contrary and have wills of their own. Eventually new projections of us are dealing with new projections of them. Sometimes versions of ourselves disagree. We succumb to temptation — but, oh, father, what else was I gonna do? I feel like hell. I repent. I'll do it again… This has not been a conventional review. There is no need to name the characters, name the actors, assign adjectives to their acting. Look at who is in this cast. You know what I think of them. This film must not have seemed strange to them. It's what they do all day, especially waiting around for the director to make up his mind.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/synecdoche-new-york-2008 of Synecdoche, New York (5 November 2008) Reviews, Four star reviews

“For many years I visualized the Soviet Union as a land where the sun never came out and enslaved Catholic peasants labored under lowering skies for their godless rulers.
But our theology was often very practical: All men are created equal. Do onto others as you would have them do onto you. Follow the Ten Commandments, which we studied at length, except for adultery, “which you children don’t have to worry about.””

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Roger Ebert

Quelle: Life Itself : A Memoir (2011), Ch. 54 : How I Believe In God

“There is a scene in this film where a character is defecated on by several people at the same time, and I dunno … I didn't enjoy it.”

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Roger Ebert

Quelle: Review http://www.rogerebert.com/reviews/tim-and-erics-billion-dollar-movie-2012 of Tim and Eric's Billion Dollar Movie (29 February 2012)

“I support freedom of choice. My choice is to not support abortion, except in cases of a clear-cut choice between the lives of the mother and child. A child conceived through incest or rape is innocent and deserves the right to be born.”

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Roger Ebert

"How I am a Roman Catholic" http://www.rogerebert.com/rogers-journal/how-i-am-a-roman-catholic Roger Ebert's Journal (1 March 2013)

“Empathy has been in short supply in our nation recently. Our leaders are quick to congratulate us on our own feelings, slow to ask us to wonder how others feel. But maybe times are changing. Every Lee film is an exercise in empathy. He is not interested in congratulating the black people in his audience, or condemning the white ones. He puts human beings on the screen, and asks his audience to walk a little while in their shoes.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/malcolm-x-1992 of Malcolm X (18 November 1992) Reviews, Four star reviews

“To see strong acting like this is exhilarating. In a time of flashy directors who slice and dice their films in a dizzy editing rhythm, it is important to remember that films can look and listen and attentively sympathize with their characters. Directors grow great by subtracting, not adding, and Eastwood does nothing for show, everything for effect.”

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Reviews, Four star reviews Quelle: Review http://www.rogerebert.com/reviews/mystic-river-2003 of Mystic River (8 October 2003)

“The R rating refers to Logue's use of vulgarity. It is utterly inexplicable. This is an excellent film for teenagers.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/the-kings-speech-2010 of The King's Speech (15 December 2010) Reviews, Four star reviews

“Why did they give an R rating to a movie perfect for teenagers?”

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Roger Ebert

Review http://www.rogerebert.com/reviews/almost-famous-2000 of Almost Famous (15 September 2000) Reviews, Four star reviews

“Is xXx a threat to the Bond franchise? Not a threat so much as a salute. I don't want James Bond to turn crude and muscular on me; I like the suave style. But I like Xander, too, especially since he seems to have studied Bond so very carefully.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/xxx-2002 of xXx (9 August 2002) Reviews, Three-and-a-half star reviews

“Especially in its opening scenes, Ballast is "slower" and "quieter" than we usually expect. You know what? So is life, most of the time. We don't wake up and immediately start engaging with plot points. But Ballast inexorably grows and deepens and gathers power and absorbs us. I always say I hardly ever cry at sad films, but I sometimes do, just a little, at films about good people.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/ballast-2008 of Ballast (29 October 2008) Reviews, Four star reviews

“These days too many children's movies are infected by the virus of Winning, as if kids are nothing more than underage pro athletes, and the values of Vince Lombardi prevail: It's not how you play the game, but whether you win or lose. This is a movie that breaks with that tradition, that allows its kids to be kids, that shows them in the insular world of imagination and dreaming that children create entirely apart from adult domains and values. There was a moment in the film when Rodriguez hit a line drive directly at the pitcher's mound, and I ducked and held up my mitt, and then I realized I didn't have a mitt, and it was then I also realized how completely this movie had seduced me with its memories of what really matters when you are 12.”

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Review http://www.rogerebert.com/reviews/the-sandlot-1993 of The Sandlot (7 April 1993) Reviews, Three star reviews

“Only enormously talented people could have made Death to Smoochy. Those with lesser gifts would have lacked the nerve to make a film so bad, so miscalculated, so lacking any connection with any possible audience.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/death-to-smoochy-2002 of Death to Smoochy (29 March 2002) Reviews, Half-star reviews

“The dialogue consists almost entirely of terse screams: Watch it! Incoming! Move! Look out! Fire! Move! The only characters I remember having four sentences in a row are the anchors on cable news. … Young men: If you attend this crap with friends who admire it, tactfully inform them they are idiots. Young women: If your date likes this movie, tell him you've been thinking it over, and you think you should consider spending some time apart.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/battle-los-angeles-2011 of Battle: Los Angeles (9 March 2011) Reviews, Half-star reviews

“Chaos is ugly, nihilistic, and cruel -- a film I regret having seen. I urge you to avoid it. Don't make the mistake of thinking it's 'only' a horror film, or a slasher film. It is an exercise in heartless cruelty and it ends with careless brutality. The movie denies not only the value of life, but the possibility of hope.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/chaos-2005 of Chaos (11 August 2005) Reviews, Zero star reviews

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Roger Ebert: Zitate auf Englisch

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Roger Ebert: Zitate auf Englisch

Ähnliche Autoren

Helen Rowland1

Kurt Vonnegut4

Isidor Isaac Rabi1

Allen Ginsberg10

Truman Capote74

Henry Miller11

Eleanor Roosevelt83

Norman Vincent Peale7

Malcolm X78

Jerome David Salinger6

Ähnliche Autoren

Helen Rowland1

Kurt Vonnegut4

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seite 9