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Madeleine L’Engle

Geburtstag: 29. November 1918
Todesdatum: 6. September 2007
Andere Namen: مادلین لانقل

Madeleine L’Engle war eine US-amerikanische Autorin zahlreicher Bücher für Kinder und Erwachsene.

Zitate Madeleine L’Engle

„Alike and Equal are not the same.“

—  Madeleine L'Engle, buch A Wrinkle in Time

A Wrinkle in Time (1962)

„The problem is not that it's too difficult for children, but that it's too difficult for grown ups. Much of the world view of Einstein's thinking wasn't being taught when the grown ups were in school, but the children were comfortably familiar with it.“

—  Madeleine L'Engle

Acceptance Speech for the Margaret Edwards Award (1998)
Kontext: I've always believed that there is no subject that is taboo for the writer. It is how it is written that makes a book acceptable, as a work of art, or unacceptable and pornographic. There are many books circulating today, for the teen-ager as well as the grown up, which would not have been printed in the fifties. It is still amazing to me that A Wrinkle In Time was considered too difficult for children. My children were seven, ten, and twelve while I was writing it, and they understood it. The problem is not that it's too difficult for children, but that it's too difficult for grown ups. Much of the world view of Einstein's thinking wasn't being taught when the grown ups were in school, but the children were comfortably familiar with it.

„A self is not something static, tied up in a pretty parcel and handed to the child, finished and complete. A self is always becoming.“

—  Madeleine L'Engle

Section 1.10 <!-- p. 32 -->
Quelle: The Crosswicks Journal, A Circle of Quiet (1972)
Kontext: We do have to use our minds as far as they will take us, yet acknowledging that they cannot take us all the way.
We can give a child a self-image. But is this a good idea? Hitler did a devastating job at that kind of thing. So does Chairman Mao. … I haven't defined a self, nor do I want to. A self is not something static, tied up in a pretty parcel and handed to the child, finished and complete. A self is always becoming.

„Maybe you have to know darkness before you can appreciate the light.“

—  Madeleine L'Engle, A Ring of Endless Light

Quelle: A Ring of Endless Light (1980)

„Believing takes practice.“

—  Madeleine L'Engle

Quelle: A Wrinkle in Time: With Related Readings

„We can't take any credit for our talents. It's how we use them that counts.“

—  Madeleine L'Engle

Quelle: A Wrinkle in Time: With Related Readings

„Just because we don't understand doesn't mean that the explanation doesn't exist.“

—  Madeleine L'Engle, buch A Wrinkle in Time

A Wrinkle in Time (1962)

„We are all strangers in a strange land, longing for home, but not quite knowing what or where home is.“

—  Madeleine L'Engle

The Rock That is Higher: Story as Truth (1993)
Kontext: We are all strangers in a strange land, longing for home, but not quite knowing what or where home is. We glimpse it sometimes in our dreams, or as we turn a corner, and suddenly there is a strange, sweet familiarity that vanishes almost as soon as it comes…

„Unless a writer works constantly to improve and refine the tools of his trade they will be useless instruments if and when the moment of inspiration, of revelation, does come. This is the moment when a writer is spoken through, the moment that a writer must accept with gratitude and humility, and then attempt, as best he can, to communicate to others.“

—  Madeleine L'Engle

The Expanding Universe (1963)
Kontext: I heard a famous author say once that the hardest part of writing a book was making yourself sit down at the typewriter. I know what he meant. Unless a writer works constantly to improve and refine the tools of his trade they will be useless instruments if and when the moment of inspiration, of revelation, does come. This is the moment when a writer is spoken through, the moment that a writer must accept with gratitude and humility, and then attempt, as best he can, to communicate to others.
A writer of fantasy, fairly tale, or myth must inevitably discover that he is not writing out of his own knowledge or experience, but out of something both deeper and wider. I think that fantasy must possess the author and simply use him. I know that this is true of A Wrinkle in Time. I can’t possibly tell you how I came to write it. It was simply a book I had to write. I had no choice. And it was only after it was written that I realized what some of it meant.
Very few children have any problem with the world of the imagination; it’s their own world, the world of their daily life, and it’s our loss that so many of us grow out of it.

„Detachment and involvement: the artist must have both. The link between them is compassion.“

—  Madeleine L'Engle

Section 1.16 <!-- p. 50 -->
The Crosswicks Journal, A Circle of Quiet (1972)
Kontext: Detachment and involvement: the artist must have both. The link between them is compassion. It has taken me over fifty years to get a glimmer of what this means.

„A Wrinkle in Time was almost never published. You can't name a major publisher who didn't reject it.“

—  Madeleine L'Engle

Penguins and Golden Calves (2003)
Kontext: A Wrinkle in Time was almost never published. You can't name a major publisher who didn't reject it. And there were many reasons. One was that it was supposedly too hard for children. Well, my children were 7, 10, and 12 while I was writing it. I'd read to them at night what I'd written during the day, and they'd say, "Ooh, mother, go back to the typewriter!" A Wrinkle in Time had a female protagonist in a science fiction book, and that wasn't done. And it dealt with evil and things that you don't find, or didn't at that time, in children's books. When we'd run through forty-odd publishers, my agent sent it back. We gave up. Then my mother was visiting for Christmas, and I gave her a tea party for some of her old friends. One of them happened to belong to a small writing group run by John Farrar, of Farrar, Straus & Giroux, which at that time did not have a juvenile list. She insisted that I meet John any how, and I went down with my battered manuscript. John had read my first novel and liked it, and read this book and loved it. That's how it happened.

„We each have to say it, to say it in our own way. Not of our own will, but as it comes through us. Good or bad, great or little: that isn't what human creation is about. It is that we have to try; to put it down in pigment, or words, or musical notations, or we die.“

—  Madeleine L'Engle

Section 1.9 <!-- p. 28 -->
The Crosswicks Journal, A Circle of Quiet (1972)
Kontext: My husband is my most ruthless critic. … Sometimes he will say, "It's been said better before." Of course. It's all been said better before. If I thought I had to say it better than anyone else, I'd never start. Better or worse is immaterial. The thing is that it has to be said; by me; ontologically. We each have to say it, to say it in our own way. Not of our own will, but as it comes through us. Good or bad, great or little: that isn't what human creation is about. It is that we have to try; to put it down in pigment, or words, or musical notations, or we die.

„It is so great a thing to be an infinitesimal part
of this immeasurable orchestra the music bursts the heart,
And from this tiny plosion all the fragments join:
Joy orders the disunity until the song is one.“

—  Madeleine L'Engle

"Instruments" in The Weather of the Heart (1978)
Kontext: I endeavor
To hold the I as one only for the cloud
Of which I am a fragment, yet to which I'm vowed
To be responsible. Its light against my face
Reveals the witness of the stars, each in its place
Singing, each compassed by the rest,
The many joined to one, the mightiest to the least.
It is so great a thing to be an infinitesimal part
of this immeasurable orchestra the music bursts the heart,
And from this tiny plosion all the fragments join:
Joy orders the disunity until the song is one.

„Suddenly she knew. She knew! Love.“

—  Madeleine L'Engle, buch A Wrinkle in Time

A Wrinkle in Time (1962)
Kontext: Suddenly she knew. She knew! Love. That was what she had that IT did not have. She had Mrs. Whatsit's love, and her father's, and mother's, and the real Charles Wallace's love, and the twins', and Aunt Beast's. And she had her love for them. But how could she use it? What was she meant to do?

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