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John Cage Berühmte Zitate

„Ich verstehe nicht, warum Leute Angst vor neuen Ideen haben. Ich habe Angst vor den alten.“

„Viele schmutzige Hände haben mit Schönheit gespielt und sie auf ihre Fahnen geschrieben. Am liebsten möchte ich diese Hände abhacken, denn ich glaube wirklich an diese Fahne… der Unterschied ist, daß Kunst Schönheit ist.“

John Cage

„Die Musik, mit der ich mich beschäftige, muss nicht unbedingt Musik genannt werden. In ihr gibt es nichts, woran man sich erinnern soll. Keine Themen, nur Aktivität von Ton und Stille.“

John Cage

„Raus aus einem Käfig, in dem du bist.“

John Cage

„Die moderne Kunst des 20. Jahrhunderts hat eine sehr, sehr gute Arbeit geleistet. Welche Arbeit? Die Augen der Leute zu öffnen. Was Besseres hätte man da machen können? Aber jetzt müssen wir unsere Aufmerksamkeit anderen Dingen zuwenden, und diese Dinge sind sozial.“

John Cage

„In der Bewunderung von Originalität fühlen wir uns ganz zu Hause. Sie ist die Qualität von Kunst, die uns einigermaßen erreichbar erscheint. Deshalb sagen wir etwa folgendes: Nicht nur hat jeder seine eigene Art, die Dinge zu tun — er sollte sie auch haben. Kunst ist eine individuelle Sache.“

John Cage

„Die Welt wimmelt; alles kann passieren.“

John Cage

John Cage: Zitate auf Englisch

“Every something is an echo of nothing”

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John Cage

“The first question I ask myself when something doesn't seem to be beautiful is why do I think it's not beautiful. And very shortly you discover that there is no reason.”

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John Cage

“If something is boring after two minutes, try it for four. If still boring, then eight. Then sixteen. Then thirty-two. Eventually one discovers that it is not boring at all.”

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John Cage

“Get yourself out of whatever cage you find yourself in.”

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John Cage

“I can't understand why people are frightened of new ideas. I'm frightened of the old ones.”

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John Cage

Quoted in Richard Kostelanetz (1988) Conversing with Cage
1980s

“In the dark, all cats are black.”

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John Cage

“I am trying to be unfamiliar with what I'm doing.”

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John Cage

“Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating. The sound of a truck at fifty miles per hour. Static between the stations. Rain. We want to capture and control these sounds, to use them not as sound effects but as musical instruments. Every film studio has a library of "sound effects" recorded on film. With a film phonograph it is now possible to control the amplitude and frequency of any one of these sounds and to give to it rhythms within or beyond the reach of the imagination. Given four film phonographs, we can compose and perform a quartet for explosive motor, wind, heartbeat, and landslide.”

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John Cage

Quote of John Cage, in: 'The Future of Music: Credo' (1937); in: 'Silence: lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, V.
1930s

“If you develop an ear for sounds that are musical it is like developing an ego. You begin to refuse sounds that are not musical and that way cut yourself off from a good deal of experience.”

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John Cage

“I have nothing to say/ and I am saying it/ and that is poetry/ as I need it.”

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John Cage

"Lecture on Nothing" (1949)
1940s

“As far as consistency of thought goes, I prefer inconsistency.”

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John Cage

Quote from an interview by John Corbett (1989)
1980s
Quelle: Silence

“The world is teeming; anything can happen.”

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John Cage buch Silence: Lectures and Writings

Quelle: Silence: Lectures and Writings

“There is poetry as soon as we realize that we possess nothing.”

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John Cage

“Which is more musical, a truck passing by a factory or a truck passing by a music school?
Are the people inside the school musical and the ones outside unmusical?”

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John Cage

"Communication", the third of the Composition as a Process lectures, John Cage gave in Darmstadt in 1958 and published in Silence.
1950s

“All great art is a form of complaint”

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John Cage

“There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot.”

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John Cage buch Silence: Lectures and Writings

Quelle: Silence: Lectures and Writings

“The emotions - love, mirth, the heroic, wonder, tranquility, fear, anger, sorrow, disgust - are in the audience.”

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John Cage buch Silence: Lectures and Writings

Quelle: Silence: Lectures and Writings

“Everything we do is music.”

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John Cage

Quelle: Classical Composer, From: 4'33"

“It is not irritating to be where one is. It is only irritating to think one would like to be somewhere else.”

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John Cage

“College: two hundred people reading the same book. An obvious mistake. Two hundred people can read two hundred books.”

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John Cage

Quelle: M: Writings '67-'72

“There is one term of the problem which you are not taking into account: precisely, the world. The real. You say: the real, the world as it is. But it is not, it becomes! It moves, it changes! It doesn’t wait for us to change... It is more mobile than you can imagine. You are getting closer to this reality when you say as it 'presents itself'; that means that it is not there, existing as an object. The world, the real is not an object. It is a process.”

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John Cage

Quote in 'John Cage, For the Birds: John Cage In Conversation with Daniel Charles', London/New York: Marion Boyars, 1981; as quoted in: 'Tàpies: From Within', June ─ November, 2013 - Presse Release, Museu Nacional d’Art de Catalunya (MNAC ), p. 17, note 10
1980s

“Until I die there will be sounds. And they will continue following my death. One need not fear about the future of music.”

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John Cage

Quote of "Experimental Music", John Cage (1957)
1950s

“I remember loving sound before I ever took a music lesson. And so we make our lives by what we love.”

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John Cage

"Lecture on Nothing" (1949)
1940s

“When I hear what we call music, it seems to me that someone is talking. And talking about his feelings, or about his ideas of relationships. But when I hear traffic, the sound of traffic — here on Sixth Avenue, for instance — I don't have the feeling that anyone is talking. I have the feeling that sound is acting. And I love the activity of sound... I don't need sound to talk to me.”

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John Cage

Quote of Cage, in an interview with Miroslav Sebestik, 1991; in Listen, documentary by Miroslav Sebestik. ARTE France Développement, 2003; as quoted on Wikipedia, note 54
1990s

“I imagine that as contemporary music goes on changing in the way that I'm changing it what will be done is to more and more completely liberate sounds from abstract ideas about them and more and more exactly to let them be physically uniquely themselves. This means for me: knowing more and more not what I think a sound is but what it actually is in all of its acoustical details and then letting this sound exist, itself, changing in a changing sonorous environment.”

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John Cage

1952, quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812
1950s

“A finished work is exactly that, requires resurrection.”

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John Cage

Quote of John Cage from Forerunners of Modern Music (1949), first published in the New York journal A Tiger's Eye, later collected in Silence.
1940s

“I believe that the use of noise to make music will continue and increase until we reach a music produced through the use of electrical instruments which will make available for musical purposes any and all sounds that can be heard. Photoelectric, film and mechanical mediums for the synthetic production of music will be explored.”

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John Cage

Quote of John Cage, in: 'The Future of Music: Credo' (1937); SILENCE 3-4
1930s

“…WHEREAS, IN THE PAST, THE POINT OF DISAGREEMENT HAS BEEN BETWEEN DISSONANCE AND CONSONANCE, IT WILL BE, IN THE IMMEDIATE FUTURE, BETWEEN NOISE AND SO-CALLED MUSICAL SOUNDS.
THE PRESENT METHODS OF WRITING MUSIC, PRINCIPALLY THOSE WHICH EMPLOY HARMONY AND ITS REFERENCE TO PARTICULAR STEPS IN THE FIELD OF SOUND, WILL BE INADEQUATE FOR THE COMPOSER, WHO WILL BE FACED WITH THE ENTIRE FIELD OF SOUND.”

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John Cage

Quote of John Cage, in: 'The Future of Music: Credo' (1937); SILENCE; lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, CREDO/3
1930s

“A sound does not view itself as thought, as ought, as needing another sound for its elucidation, as etc.; it has not time for any consideration--it is occupied with the performance of its characteristics: before it has died away it must have made perfectly exact its frequency, its loudness, its length, its overtone structure, the precise morphology of these and of itself.”

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John Cage

1955, quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812
1950s

“Value judgments are destructive to our proper business, which is curiosity and awareness.”

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John Cage

Quoted in Richard Kostelanetz (1988) Conversing with Cage
1980s