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“I want to shape the TV screen canvas
as precisely as Leonardo,
as freely as Picasso,
as colorfully as Renoir,
as profoundly as Mondrian,
as violently as Pollock
and as lyrically as Jasper Johns.”

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Nam June Paik

Paik (1969) Versatile Color TV Synthesizer, Manifesto, cited in: Edith Decker-Phillips. Paik Video, Barrytown, Limited, 1998. p. 154
1960s

“Cybernated art is very important, but art for cybernated life is
more important, and the latter need not be cybernated....
Cybernetics, the science of pure relations, or relationship
itself, has its origin in karma...
The Buddhists also say
Karma is samsara
Relationship is metempsychosis”

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Nam June Paik

Nam June Paik, “Cybernated Art,” in Manifestos, Great Bear Pamphlets, (New York: Something Else Press, 1966), p. 24; Quoted in: Edward A. Shanken, " Cybernetics and Art: Cultural Convergence in the 1960s http://www.artexetra.com//CyberneticsArtCultConv.pdf," in: From Energy to Information: Representation in Science, Technology, Art, and Literature, Stanford University Press, Bruce Clarke and Linda Dalrymple Henderson (eds.), 2002.
1960s

“Our life is half natural and half technological. Half-and-half is good. You cannot deny that high-tech is progress. We need it for jobs. Yet if you make only high-tech, you make war. So we must have a strong human element to keep modesty and natural life.”

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Nam June Paik

1970s
Quelle: Douglas C. McGill, ART PEOPLE http://www.nytimes.com/1986/10/03/arts/art-people.html, New York Times, October 3, 1986

“I am a poor man from a poor country, so I have to be entertaining every second.”

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Nam June Paik

Attributed in: Yuji Takahashi " For Paik http://www.suigyu.com/yuji/en-text/paik.html," exhibition catalogue “ Bye-bye Nam June Paik http://www.watarium.co.jp/exhibition/0606_paik_en.html” at Watarium Museum, 2006.
1970s

“I make technology ridiculous.”

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Nam June Paik

Leigh Landy, Antje von Graevenitz. " 'I MAKE TECHNOLOGY RIDICULOUS' — THE UNUSUAL DIALECTICS OF NAM JUNE PAIK," in: Leigh Landy (ed.) 1992. Technik, p. 79
1970s

“By using TV as a bra… the most intimate belonging of a human being, we will demonstrate the human use of technology, and also stimulate viewers… to look for the new, imaginative and humanistic ways of using our technology.”

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Nam June Paik

Statement on TV Bra for a Living Scultpure (1969), cited in: C. A. Xuan Mai Ardia, "[http://artradarjournal.com/2014/10/24/nam-june-paik-becoming-robot-new-york/ Nam June Paik: “Becoming Robot” in New York – in pictures," at Art Radar journal, posted on 24/10/2014
1960s

“Without electricity, there can be no art.”

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Nam June Paik

Nam June Paik, (c. 1976) in "Nam June Paik retrospective, Liverpool" by Emma O'Kelly in Wallpaper, 20 December 2010 (at archive.org https://web.archive.org/web/20101222082827/http://www.wallpaper.com/art/nam-june-paik-retrospective-liverpool/5045).
1970s

“It is the historical necessity, if there is a historical necessity in history, that a new decade of electronic television should follow to the past decade of electronic music.”

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Nam June Paik

Nam June Paik (1965), as cited in: David Dunn, " A History of Electronic Music Pioneers http://vasulka.org/Kitchen/PDF_Eigenwelt/pdf/021-062.pdf." ders.(Hrsg.), Eigenwelt der Apparate-Welt.(Katalog), Linz (1992): 21-62.
1960s