In the Artist's Studio interview (2010)
Kontext: I dislike giving advice, and am always very careful to find out what the person needs to hear (not necessarily wants to hear; the two usually have little in common) before venturing into that territory. I’m sure I have received much good advice, but can only recall the bad.
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On Alan Lee
In the Artist's Studio interview (2010)
Kontext: From Alan, I learned to take a more instinctive and intuitive approach to pencil work. I used to let my mind get far too far ahead of my pencil, which can be productive, but removes the serendipitous switch of direction when the pencil and hand discover an idea the mind’s eye had missed. Drawing at the right speed is a sort of graphic contrapposto providing what I’d be tempted to call an “intuitional resilience” unobtainable with more energetic methods. I very much enjoyed working with him, a situation of symbiosis between enthusiasm and despair, the former because his work is just so good, the latter because his work is just so good. He is hard to keep up with, but then I believe he says the same of me. He is a dear friend and a wonderful artist.
Quelle: John Howe : Fantasy Art Workshop (2007), p. 6
Kontext: Drawing is giving yourself up to an exercise with no immediate application. It is a form of communion with your subject, be it in front of you or in your head. Expertise and skill go hand in hand with your desire to express feelings, to tell stories, to create and share worlds. It's personal.
Lost Worlds : A visit with John Howe (May 2009) http://www.youtube.com/watch?v=lGaxYZX-N3Q <br class="br">Kontext: History is like a jigsaw puzzle, except every piece is from a different puzzle, and you try to make them all fit. Although you many never have a finished picture, the time you spend, I think you end up understanding at least the pieces.
As quoted in Tolkien's World: Paintings of Middle-Earth (1992) published by MJF Books
Quelle: John Howe : Fantasy Art Workshop (2007), p. 11
In the Artist's Studio interview (2010)
Quelle: John Howe : Fantasy Art Workshop (2007), p. 52
