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“I don't have an iota of interest in the historical Muhammad Tughlaq. I have no interest as to whether he was good or evil, whether he was pro or anti-Hindu. I wished to write an entertaining play, and in the endeavor, wanted to choose a fairly complex character.”

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Girish Raghunath Karnad

Karnad in a reply to S.L. Bhyrappa quoted in Sandeep Balakrishna, Tipu Sultan - The Tyrant of Mysore, p.12

“I have been lucky in having multipronged career. You know how I have been an actor, a publisher, a film maker. But in none of these fields have I felt quite as much at home as play writing.”

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Girish Raghunath Karnad

Quelle: [Sahu, Nandini title=The Post-colonial Space: Writing the Self and the Nation, http://books.google.com/books?id=xs_tj0tDnnwC&pg=PA59, 2007, Atlantic Publishers & Dist, 978-81-269-0777-9, 117-18]

“When people all around us are slaughtered in the name of a temple (and masjid) I hear echoes from those times long past.”

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Girish Raghunath Karnad

Said while producing a picture called Tale danda on the subject of relationship of religion to politics.[Natesan Sharda Iyer, Musings on Indian Writing in English: Drama, http://books.google.com/books?id=e2_aFo5sAroC&pg=PA137, 1 January 2007, Sarup & Sons, 978-81-7625-801-2, 135]

“I've had a good life…. I have managed to do all I could wish for --even be a government servant. Now I feel whatever time I have left should be spent doing what I like best -- writing plays.”

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Girish Raghunath Karnad

Renaissance Man, 24 November 2013, India Today http://www.india-today.com/itoday/12041999/arts.html,

“I see a legacy of my generation… I am happy to belong to a generation that had a Dharmaveer Bharti, a Mohan Rakesh, a Vijay Tendulkar and I. Together we can claim that we did create a national theatre for modern India.”

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Girish Raghunath Karnad

Renaissance Man, 24 November 2013, India Today http://www.india-today.com/itoday/12041999/arts.html,

“What a person understands as his or her Purusharthas could very according to his or her background stageand station in life, sex, etc., as well as the nature of the crisis he or she is facing”

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Girish Raghunath Karnad

In this, Purushartha means "that which is sought by man; human purpose, aim, or end." Quoted in[Sahu, Nandini title=The Post-colonial Space: Writing the Self and the Nation, http://books.google.com/books?id=xs_tj0tDnnwC&pg=PA59, 2007, Atlantic Publishers & Dist, 978-81-269-0777-9, 59–]

“I was excited by the story of Yayati. This exchange of ages between the father and the son, which seemed to be terribly powerful and terribly modern. At the same time I was reading a lot of Sartre and the Existentialist. This consistent harping on responsibility which the Existentialist indulge in suddenly seemed to link up with the story of Yayati.”

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Girish Raghunath Karnad

This story of Yayati from the Mahabhrata generated interst in him to become a playwright and he explains this here.[Sahu, Nandini title=The Post-colonial Space: Writing the Self and the Nation, http://books.google.com/books?id=xs_tj0tDnnwC&pg=PA59, 2007, Atlantic Publishers & Dist, 978-81-269-0777-9, 120]

“The subject that interests most writers is, of course, themselves and it is easy subject to talk about. But you know it is always easier if you are a poet or a novelist because you are used to talking in your voice. You suspend your whole life talking as writer directly to the audience. The problem is being playwright is that everything that you write is for someone else to say.”

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Girish Raghunath Karnad

Expressed to R.K.Dhavan, quoted here [Sahu, Nandini title=The Post-colonial Space: Writing the Self and the Nation, http://books.google.com/books?id=xs_tj0tDnnwC&pg=PA59, 2007, Atlantic Publishers & Dist, 978-81-269-0777-9, 116]