Arthur Schopenhauer: Zitate auf Englisch

Arthur Schopenhauer war deutscher Philosoph. Zitate auf Englisch.
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“Talent hits a target no one else can hit; Genius hits a target no one else can see.”

Arthur Schopenhauer buch Die Welt als Wille und Vorstellung

Das Talent gleicht dem Schützen, der ein Ziel trifft, welches die Uebrigen nicht erreichen können; das Genie dem, der eines trifft, bis zu welchem sie nicht ein Mal zu sehn vermögen...
Vol. II, Ch. III, para. 31 (On Genius), 1844
As cited in The Little Book of Bathroom Philosophy: Daily Wisdom from the Greatest Thinkers‎ (2004) by Gregory Bergman, p. 137
The World as Will and Representation (1819; 1844; 1859)

“Every man takes the limits of his own field of vision for the limits of the world.”

Arthur Schopenhauer buch Parerga und Paralipomena

"Psychological Observations"
Parerga and Paralipomena (1851), Studies in Pessimism
Variante: Everyone takes the limits of his own vision for the limits of the world.
Quelle: Studies in Pessimism: The Essays

“Mostly it is loss which teaches us about the worth of things.”

Arthur Schopenhauer buch Parerga und Paralipomena

Meistens belehrt uns erst der Verlust über den Wert der Dinge.
Quelle: Parerga and Paralipomena (1851), Aphorisms on the Wisdom of Life

“The old woman dies, the burden is lifted.”
Obit anus, abit onus.

Arthur Schopenhauer

Statement Schopenhauer wrote in Latin into his account book, after the death of a seamstress to whom he had made court-ordered payments of 15 thalers a quarter for over twenty years, after she had accused him of having injured her arm; as quoted in Modern Philosophy: From Descartes to Schopenhauer and Hartmann (1877) by Francis Bowen, p. 392. Schopenhauer had won the original case, and, being assured by the head of the Kammergericht that the original judgment would be upheld, he left Berlin. In his absence, the judgement was overturned. Schopenhauer believed that the seamstress was feigning her injuries and that she would be sly enough to do so for the remainder of her life. The only visible signs of the assault were a few minor bruises. ; as quoted in A Biography" (2010) by David E. Cartwright, p. 408-411.

“The person who writes for fools is always sure of a large audience.”

Arthur Schopenhauer

Quelle: Religion: A Dialogue and Other Essays

“The composer reveals the innermost nature of the world, and expresses the profoundest wisdom in a language that his reasoning faculty does not understand”

Arthur Schopenhauer buch Die Welt als Wille und Vorstellung

Vol. I, Ch. III, The World As Representation
The World as Will and Representation (1819; 1844; 1859)
Kontext: The composer reveals the innermost nature of the world, and expresses the profoundest wisdom in a language that his reasoning faculty does not understand, just as a magnetic somnambulist gives information about things of which she has no conception when she is awake. Therefore in the composer, more than in any other artist, the man is entirely separate and distinct from the artist.

“Reason is feminine in nature; it can only give after it has received. Of itself it has nothing but the empty forms of its operation.”

Arthur Schopenhauer buch Die Welt als Wille und Vorstellung

Vol. I, Ch. 10, as translated by R. B. Haldane
Variant translations:
Reason is feminine in nature; it can give only after it has received. Of itself alone, it has nothing but the empty forms of its operation.
As translated by Eric F. J. Payne (1958) Vol. II, p. 50
Reason is feminine in nature: it will give only after it has received.
The World as Will and Representation (1819; 1844; 1859)
Kontext: Reason is feminine in nature; it can only give after it has received. Of itself it has nothing but the empty forms of its operation. There is no absolutely pure rational knowledge except the four principles to which I have attributed metalogical truth; the principles of identity, contradiction, excluded middle, and sufficient reason of knowledge. For even the rest of logic is not absolutely pure rational knowledge. It presupposes the relations and the combinations of the spheres of concepts. But concepts in general only exist after experience of ideas of perception, and as their whole nature consists in their relation to these, it is clear that they presuppose them.

“Truth that is naked is the most beautiful, and the simpler its expression the deeper is the impression it makes”

Arthur Schopenhauer

Essays, On Authorship and Style
Kontext: Truth that is naked is the most beautiful, and the simpler its expression the deeper is the impression it makes; this is partly because it gets unobstructed hold of the hearer’s mind without his being distracted by secondary thoughts, and partly because he feels that here he is not being corrupted or deceived by the arts of rhetoric, but that the whole effect is got from the thing itself.

“Man can do what he wills but he cannot will what he wills.”

Arthur Schopenhauer

Der Mensch kann tun was er will; er kann aber nicht wollen was er will. <br class="br">Einstein paraphrasing Schopenhauer. Reportedly from On The Freedom Of The Will (1839), as translated in The Philosophy of American History: The Historical Field Theory (1945) by Morris Zucker, p. 531 <br class="br">Variant translations: <br class="br">Man can do what he wants but he cannot want what he wants. <br class="br">As quoted in The Motivated Brain: A Neurophysiological Analysis of Human Behavior (1991) by Pavel Vasilʹevich Simonov, p. 198 <br class="br">We can do what we wish, but we can only wish what we must. <br class="br">As quoted by Einstein in &quot;What Life Means to Einstein: An Interview by George Sylvester Viereck&quot; The Saturday Evening Post (26 October 1929) p. 17. A scan of the article is available online here http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/what_life_means_to_einstein.pdf (see p. 114). <br class="br">Attributed <br class="br">Quelle: Essays and Aphorisms

“We forfeit three-fourths of ourselves in order to be like other people.”

Arthur Schopenhauer

As attributed in Dictionary of Quotations from Ancient and Modern English and Foreign Sources (1899) by James Wood, p. 624