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“As you [Tono] has written, people say that my works are 'neutral'. But if you paint something, it is 'something', and it cannot be neutral. Being neutral is a mere expression of a form of intention.”

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Jasper Johns

Quote from: Jasper Johns in Tokyo, Yoshiaki Tono, Tokyo August 1964, as cited in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 101
1960s

“Like drawing a straight line – you draw a straight line and it's crooked and you draw another straight line on top of it and it's crooked a different way and then you draw another one and eventually you have a very rich thing on your hands which is not a straight line. If you can do that the it seems to me you are doing more than most people. The thing is, it is very difficult to know oneself whether one is doing that or not, whether you mean what you do; and there is the other problem of the way you do it and whether sometimes you do more than you mean or you do less than you mean. It's very good if you can establish a language where it's clear that that is what you are doing – that you do what you mean to do.”

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Jasper Johns

interview at John's studio, Billy Klüver, March 1963, as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 85
1960s

“I'm especially interested in the music of John Cage... I would like to do some experimenting with the relationship between his freeform sound and free-form art.”

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Jasper Johns

Quote of Johns, from: John Adds Plaster Casts To Focus Target Paintings, Donald Key, Milwaukee Journal, 19 June 1960, pt. 5, p. 6
1960s

“Bend color names which should be made of neon or copper tubing. Place an object on a surface – trace the object – then bend the object – leaving some part of it attached.”

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Jasper Johns

Book A (sketchbook), p 43, c 1963-64: as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 54
1960s