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Fritz Leiber war ein US-amerikanischer Schauspieler und Autor von Science-Fiction-, Fantasy- und Horror-Geschichten und Romanen.

Leiber benutzte gelegentlich das Pseudonym Francis Lathrop. Wikipedia  

✵ 24. Dezember 1910 – 5. September 1992
Fritz Leiber Foto
Fritz Leiber: 72 Zitate7 Gefällt mir

Fritz Leiber Berühmte Zitate

„Der verschlingener des Lebens’—‘The Devourer“

Fritz Leiber

The Second Haunts & Horrors MEGAPACK®: 20 Tales by Modern and Classic Authors

„Aber ich weiß, daß wir nicht einmal den milliardsten Bruchteil dessen verstehen, was im Kosmos vor sich geht.“

Fritz Leiber

Fritz Leiber in einem Interview mit Paul Walker (1978), in: Fritz Leiber: Herrin der Dunkelheit (orig.: Our Lady Of Darkness, 1976), ins Deutsche übersetzt von Hans Maeter, München 1980, ISBN 3-453-30676-7, S. 186

„Da wir gerade von Glück usw. sprechen: es hat mir auch viel eingebracht, daß ich sehr intensiv mit H. P. Lovecraft in den letzten acht Monaten seines Lebens korrespondiert habe. Er hämmerte mir ein, daß man beim Schreiben auf Ehrlichkeit, Überzeugung, Sorgfalt, Vollkommenheit und Wissenschaftlichkeit achten muß.“

Fritz Leiber

Fritz Leiber in einem Interview mit Paul Walker (1978), in: Fritz Leiber: Herrin der Dunkelheit (orig.: Our Lady Of Darkness, 1976), ins Deutsche übersetzt von Hans Maeter, München 1980, ISBN 3-453-30676-7, S. 182

„Welchen Sinn hatte das Leben überhaupt? Er hatte sich mühsam aus den Fesseln des Alkoholismus befreit, nur um dem Nasenlosen, jetzt mit einer neuen, länglichen Maske, erneut gegenüberzustehen.“

Fritz Leiber

Fritz Leiber: Herrin der Dunkelheit (orig.: Our Lady Of Darkness, 1976), ins Deutsche übersetzt von Hans Maeter, München 1980, ISBN 3-453-30676-7, S. 165
"What was the use of life anyhow? He had laboriously recovered from his alcoholism only to face the Noseless One once more in a new triangular mask." - '

„Zu jedem Zeitpunkt der Geschichte hat es eine oder zwei Städte der monströsen Art gegeben - z. B. Babel oder Babylon, Ur-Lhasa, Ninive, Syrakus, Rom, Samarkand, Tenochtitlan, Peking - aber wir leben heute im megapolitanischen (oder nekropolitanischen) Zeitalter, wo solche Desaster sich vervielfältigt haben und die Gefahr besteht, daß sie zusammenwachsen und die Welt unter totem, aber multipotentem Großstadtmüll begraben.“

Fritz Leiber

Fritz Leiber: Herrin der Dunkelheit (orig.: Our Lady Of Darkness, 1976), ins Deutsche übersetzt von Hans Maeter, München 1980, ISBN 3-453-30676-7, S. 67
"At any particular time in history there have always been one or two cities of the monstrous sort - viz., Babel oder Babylon, Ur-Lhassa, Niniveh, Syracuse, Rome, Samarkand, Tenochtitlan, Peking - but we live in the Megapolitan (or Necropolitan) Age, when such disastrous blights are manifold and threaten to conjoin and enshroud the world with funebral yet multipotent city-stuff." - '

Fritz Leiber: Zitate auf Englisch

“Work and pray,
Live on hay.
You’ll get pie
In the sky
When you die—
It’s a lie!”

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Fritz Leiber

“Bread Overhead” (p. 121); originally published in Galaxy Science Fiction, February 1958; alluding to the song The Preacher and the Slave.
Short Fiction, A Pail of Air (1964)

“There was an omnipresent sense of crisis.”

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Fritz Leiber buch The Wanderer

Quelle: The Wanderer (1964), Chapter 33 (p. 259).

“Life’s always been a business of working hard and fighting the cold,” Pa was saying. “The earth’s always been a lonely place, millions of miles from the next planet. And no matter how long the human race might have lived, the end would have come some night. Those things don’t matter. What matters is that life is good. It has a lovely texture, like some thick fur or the petals of flowers—you’ve never seen those, but you know our ice-flowers—or like the texture of flames, never twice the same. It makes everything else worth while. And that’s as true for the last man as for the first.”

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Fritz Leiber

“A Pail of Air” (p. 20); originally published in Galaxy Science Fiction, December 1951
Short Fiction, A Pail of Air (1964)

“What have I always told you about Soldiers? The bigger the gripe, the smaller the cause! It is infallible!”

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Fritz Leiber buch The Big Time

The Big Time (1958)

“What was life worth, anyway, if you had to sit around remembering not to mention this, that, and the other thing because someone else might be upset?”

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Fritz Leiber buch Conjure Wife

Quelle: Conjure Wife (1953), Chapter 11 (p. 116).

“You are not the first to be shocked and horrified by chess,” he assured her. “It is a curse of the intellect. It is a game for lunatics—or else it creates them.”

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Fritz Leiber

“The 64-Square Madhouse” (p. 74); originally published in If, May 1962
Short Fiction, A Pail of Air (1964)

“I’ll have to learn to snowshoe. I had my first lesson this morning and cut a ludicrous figure. I’ll be virtually a prisoner until I learn my way around. But any price is worth paying to get away from the thought-destroying din and soul-killing routine of the city!”

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Fritz Leiber

“Diary in the Snow” (p. 203); originally published in the first edition of Night's Black Agents (1947)
Short Fiction, Night's Black Agents (1947)

“There is an inescapable imperative about certain industrial developments. If there is not a safe road of advance, then a dangerous one will invariably be taken.”

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Fritz Leiber

Short Fiction, Catch that Zeppelin! (1975)

“Then time seemed to stop, or rather to lose its directional urgency of movement; it became a place in the open where one stood rather than a low, narrow corridor down which one was hurried.”

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Fritz Leiber buch The Wanderer

Quelle: The Wanderer (1964), Chapter 40 (p. 312).

“What is idealism? It is distortion. A giving of false values to things which in reality do not possess those values. Personalities differ chiefly in their pattern of values. When the values are largely false, the personality is unstable.”

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Fritz Leiber buch Gather, Darkness!

Quelle: Gather, Darkness! (1950), Chapter 10 (p. 106)

“Goniface was thinking how like his own was the destiny of the whole Hierarchy and of every priest in it. Whether they murdered their families—and their own youth—actually or only in spirit, it amounted to the same thing. They betrayed and deserted them, left them for dead, to enjoy the power and pleasures of a sterile tyrant class.”

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Fritz Leiber buch Gather, Darkness!

Quelle: Gather, Darkness! (1950), Chapter 19 (p. 207)

“The Devourers are the most accomplished merchants in all the many universes — so accomplished, indeed, that they sell only trash. There is a deep necessity in this, for the Devourers must occupy all their cunning in perfecting their methods of selling and so have not an instant to spare in considering the worth of what they sell.”

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Fritz Leiber

Short Fiction, Bazaar of the Bizarre (1963)

“After all, to the truly skeptical mind, diabolic forces are just as reasonable building blocks for the cosmos as mindless electrons. No possibility, however seemingly fantastic, should revolt the truly skeptical mind. It all depends on the evidence. The evidence decides everything.”

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Fritz Leiber buch Gather, Darkness!

Quelle: Gather, Darkness! (1950), Chapter 19 (p. 195)

“The idea of brutality actually shocks him, thought Goniface amusedly. I wonder what name he has for the toil we exact of the commoners, and the penances we impose on them?”

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Fritz Leiber buch Gather, Darkness!

Quelle: Gather, Darkness! (1950), Chapter 13 (p. 126)

“Devils may be nothing but beings intent on their purpose, which now happens to collide with yours.”

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Fritz Leiber buch The Wanderer

Quelle: The Wanderer (1964), Chapter 16 (p. 113).

“I suppose that every blundering idealist who hasn’t been brought face to face with the hard facts of life carries, at the back of his mind, a sneaking suspicion that villainy is a very dashing and romantic thing. When your mind turned turtle, or when they turned it for you, your new personality was necessarily fabricated out of all your fragmentary romantic notions of villainy—unlimited ambition and conceit, absolute lack of emotion, and all the rest of the supervillain ideology!”

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Fritz Leiber buch Gather, Darkness!

Quelle: Gather, Darkness! (1950), Chapter 14 (p. 144)

“To understand why George fell for this story, one must remember his stifled romanticism, his sense of personal failure, his deep need to believe. The thing came to him like, or rather instead of, a religious conversion.”

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Fritz Leiber

“Time Fighter” (p. 67); originally published in Fantastic Universe, March 1957
Short Fiction, A Pail of Air (1964)

“A scientist ought to have a healthy disregard for coincidences.”

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Fritz Leiber buch Conjure Wife

Quelle: Conjure Wife (1953), Chapter 3 (p. 39).

“Everyone knows Newton as the great scientist. Few remember that he spent half his life muddling with alchemy, looking for the philosopher's stone. That was the pebble by the seashore he really wanted to find.”

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Fritz Leiber buch Poor Superman

Originally published in Galaxy Science Fiction, July 1951, under the title "Appointment in Tomorrow".
Short Fiction, Poor Superman (1951)

“Besides, what difference did if make if there had been two genuine coincidences? The universe was full of them. Every molecular collision was a coincidence. You could pile a thousand coincidences on top of another, he averred, and not get Tom Digby one step nearer to believing in the supernatural. Oh, he knew intelligent people enough, all right, who coddled such beliefs. Some of his best friends liked to relate “yarns” and toy with eerie possibilities for the sake of a thrill. But the only emotion Tom ever got out of such stuff was a nauseating disgust. It cut too deep for joking. It was a reversion to that primitive, fear-bound ignorance from which science had slowly lifted man, inch by inch, against the most bitter opposition.”

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Fritz Leiber

“The Hill and the Hole” (p. 165); originally published in Unknown Worlds, August 1942
Short Fiction, Night's Black Agents (1947)

“Thoughts are dangerous, he told himself, and thoughts against all science, all sanity, all civilized intelligence, are the most dangerous of all.”

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Fritz Leiber buch Conjure Wife

Quelle: Conjure Wife (1953), Chapter 10 (p. 106).

“Now is a bearable burden. What buckles the back is the added weight of the past’s mistakes and the future’s fears.”

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Fritz Leiber buch The Big Time

The Big Time (1958)

“It was funny, though, how the human mind would cast doubt even on itself in order to explain away unusual and unconventional things it had seen vividly and unmistakably. It left you in the middle, the human mind did.”

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Fritz Leiber buch Our Lady of Darkness

Quelle: Our Lady of Darkness (1977), Chapter 15 (p. 83)

“Things are different from what I thought. They’re much worse.”

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Fritz Leiber buch Conjure Wife

Quelle: Conjure Wife (1953), Chapter 20 (p. 209).

“He knew that ahead lay many perils—threats to his bodily welfare. And recently Jarles had come to have a great respect for that bag of flesh and bones which contained his ego.”

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Fritz Leiber buch Gather, Darkness!

Quelle: Gather, Darkness! (1950), Chapter 12 (p. 117)

“You know, all insanity is a form of artistic expression, I often think. Only the person has nothing but himself to work with—he can’t get at outside materials to manipulate them—so he puts all his art into his behavior.”

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Fritz Leiber buch Our Lady of Darkness

Quelle: Our Lady of Darkness (1977), Chapter 10 (p. 56)

“The gods spend the wealth the universe gathers, they scan the wonders and fling them to nothingness. That’s why they’re the gods! I told you they were devils.”

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Fritz Leiber buch The Wanderer

Quelle: The Wanderer (1964), Chapter 42 (pp. 336-337).

“Beside me, traffic growled and snarled, rising at times to a machine-gun rata-tat-tat, while pedestrians were scuttling about with that desperate ratlike urgency characteristic of all big American cities, but which reaches its ultimate in New York.”

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Fritz Leiber

Short Fiction, Catch that Zeppelin! (1975)

“The Devourers want to brood about their great service to the many universes — it is their claim that servile customers make the most obedient subjects for the gods.”

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Fritz Leiber

Short Fiction, Bazaar of the Bizarre (1963)
Quelle: Bazaar of the Bizarre (p. 234) note: Fafhrd and the Gray Mouser series (1939-1988), Swords Against Death (1970)

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