Roger Lima Zitate

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“Roger: I think it's different in the way of how they handle stuff. I don't think they were really trying to. They wouldn't want us on it if they didn't like our music, you know what I'm saying? They obviously want us to create what we create and then they do what they're going to do. It's more things like interviews and more videos and photo shoots.. things like that with a major label kind of brings to the table. Which I may or may not be into - but it's a cool chance.”

“Roger: I think that we still do what the song is asking for; you can't really control what kind of songs come out while writing,, so if the songs needs horns, we'll do some horns, if not, then that's ok too. We really don't think too much about what our fans want us to write, we just try to stay true to what is best for the song.”

“Roger: That is true to a degree; I usually have songs ideas demoed out, and I will pass them off to vinnie, and he will focus on the lyrics. Then we all get together, work out the nuts and bolts of the song, kick around some changes and everyone is involved in the finishing touches. Chris will do the same, bring in a song idea, and we'll all throw in ideas and the songs just evolve. Some songs change very little from the initial conception, (like a new song called "In-dependence Day") and others really go through many arrangement changes/lyric changes,”

“Roger: God I seem that crazy then, is that what you’re saying?”

“Roger: Well it’s been the same members of the band since ‘92 with the exception of one horn player. So it’s been the four of us since the beginning of the band and then we’ve had some different horn players but JR’s the new guy and he’s been in the band for eight years so it hasn’t been that drastic.”

“Roger: Well over 800 at this point.”

“Roger: The press girl’s not that cool (chuckles) but that’s all. I’m just kidding! (Press girl making mean face). I’m just kidding! I just like that face…that gasp.”

“Roger: [talking about pez dispensers] Psychedelic Eye from the 60’s. Look it up nerds.”

“Roger: It’s complicated. It kind of has different phases. It will be like Chris [Demakes, guitarist/singer] or I will have a song idea and Vinnie Fiorello [drummer/lyricist] will write lyrics that go with that song idea or Vinnie will just have words that he wrote down and we’ll take that and sort of mold it into a song. I mean it kind of happens in different ways and not everyone is always involved, and sometimes everyone is involved it just depends. There’s no like formula for writing songs at least not in our band. It’s pretty much however it comes apart and falls apart and everything if it feels right it feels right the song is the ultimate guide. Am I being too hippie for you?”

“Roger: Yeah, we got out of our major label stuff and we’re just doing our own thing.”

“Roger: Yeah, I don't know. It was awesome. It's a great feeling. I don't really know. It's built up so slowly that I can't even tell you when it actually went over the threshold of 500 kids or 1000 kids or 2000 kids or whatever - but we've stood it all. We've played with 80,000 kids at these festivals in Europe and we've played to eight kids, you know? It feels great. It feels great every time. As long as there's somebody out there singing or jumping around making an idiot out of themselves just as much as we are, then we think it's ok.”

“Roger: It hasn’t really been set in stone either way for the time being it’s just Less Than Jake releases but it doesn’t mean it won’t ever have another band. We’ll just have to see where that one leads.”

“Roger: They have internet now on tour.”

“Roger: You know it’s always a good time people are energetic and it’s awesome. Totally excited.”

“Roger: On a single tour.. Hmm.. Probably more than five. Cause when we first started, we had a really old van. It was a '79 Chevy. It was like the kind of thing where we'd pull over and get gas and it'd need two quarts of oil every time. That kind of thing. It'd break down pretty frequently. We have bad luck with vans. It's some sort of curse. But, then we got another one after that and that one was good to us for many years.”

“Roger: I’m a Back in Black guy. I can’t help it man. I see both sides of that fence. It’s a tough one.”

“Roger: Yeah! There's one that we'll be supposedly filming when we get back from Europe. Not really sure exactly what's going to happen or anything in the video 'cause Vinnie and I had like a great idea for the video and they basically said that they would have to spend way too much money on it so.. there you go. They don't want to pay for the special effects that we were talking about. It's a bummer though. It would have been good.”

“Roger: We’re playing like three songs and the old stuff that everyone wants to hear too. We can’t play just all brand new songs you got to mix it up a little.”

“Roger: Uh no – that would be dangerous because they’re in my bedroom. People could get hurt. But no, I made shelves and it takes up a giant wall.”

“Roger: But really, a punk rock kid is the same all over the world, it’s the same dress code, everyone’s wearing chucks, it’s the same skull tattoo, it’s the same look, and everyone’s happy to be there. Our fans are the same everywhere.”

“Roger:I think everyone can take different things from the lyrics, so it's up to you if you feel there is a theme,, to me, it's obviously LTJ lyrics and so it's always sort of dark, yet positive at the same time. I think the lyrics usually have some sort of light at the end of the tunnel ideal going on”

“Roger: The new Metallica. The new Metallica record is pretty rockin’ I’ve been listening to that. I’ve been listening to the Josie and the Pussycats Soundtrack on repeat since about 2003. Les Paul the guitar player, Les Paul and Mary Ford – check that out, it’s good stuff. I’m like really picky. I don’t like very many new bands. I feel like I’m in trouble, not naming the hottest five bands out right now. Actually I heard a pretty good Hillary Duff song the other day, I was impressed. It was catchy. It was good pop.”

“Roger: Hmm.. I don't know. I like playing at home because sleeping at home after the show is a bonus. That's really nice. I'd have to say I really like playing Japan. There's just a different level of respect or something that goes on with the fans. They're just completely animalistic and going crazy during the show and then in between songs like as soon as a song stops, it's silent 'cause they want to hear what you have to say so they can try and understand what you're saying. It's really awesome - it's great. Even in the UK and London - places like that, fans are just rabid and go completely crazy and it's always fun. I'd have to say Tokyo and London are pretty awesome”

“Roger: It’s exciting to play new songs live, we’ve been playing “Summon Monsters” and that’s on the new record it’s fast and got some fun fast quick bass licks that are fun to play so that’s a fun one to play live. Been getting off on that lately, and I think “Conviction Notice” is super solid live and the horn line is great. It’s fun to play new songs.”

“Roger: It’s totally cool you know. We go out there and put our best foot forward and we play songs we’ve played before, and that feels like we know what’s going to happen. The crowd is going to react to it or they’re not going to react to it. If we went out there and played all new songs it would be lame.”

“Roger: Um, I would add probably a little bit of salt, and I like anything that has ginger in it, so I would put a little ginger into Warped Tour and it would be PERFECT”

“Roger: Oh! I think just having the opportunity to be on yet another major label again after being on Capitol in the late '90s and then going to an indie label and coming back.. and now we're on Warner Brothers. Just having those kind of oppurtunities is pretty awesome. Because there are bands that struggle their whole entire life time to just like you know.. "oh, we just want to be on the radio - we want to be on a major label. That's all we really want."”

“Roger: Well no I think it goes a long way with people who are actually fans of the band. I understand that people who do buy the records are stoked when it’s something that has some value and some thought and actually looks cool. Hopefully slowly that will start to get people motivated to buy vinyl again. Not only does it sound better but you get more of an experience with the artwork and stuff and the lyric sheet in your hand rather than on your computer screen. There’s something more intimate about that. I think slowly but surely vinyl will continue to kind of hold steady even with people not buying CDs anymore.”

“Roger: It’s a little more freedom, sort of, but it’s more work, too, to keep up with all the little things. It’s kinda worth it, I guess; nobody really buys CDs so it really doesn’t matter.”