Andy Warhol: Zitate auf Englisch (seite 7)

Andy Warhol war amerikanischer Grafiker, Künstler, Filmemacher und Verleger. Zitate auf Englisch.
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“The name [Pop] sounds so awful. Dada must have something to do with Pop. it's so funny, the names are really synonyms. Does anyone know what they're supposed to mean or have to do with, those names? Johns and Rauschenberg, Neo-Dada for all those years, and everyone calling them derivative and unable to transform the things they use, are now called progenitors of Pop. It's funny the way things change. I think John Cage has been very influential, and Merce Cunningham too, I think.... History books are being rewritten all the time.”

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Andy Warhol

Quelle: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

“The farther West we drove [to California, Fall of 1963, with Gerard Malanga, Wynn Chamberlain, and Taylor Mead for an opening of Warhol's 'Liz & Elvis paintings' at the Ferus Gallery in Los Angeles], the more Pop everything looked on the highways. Suddenly we all felt like insiders because even though Pop was everywhere – that was the thing about it, most people still took it for granted, whereas we were dazzled by it – to us, it was the new Art. Once you 'got' Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. The moment you label something, you take a step – I mean, you can never go back again to seeing it unlabeled. We were seeing the future and we knew it for sure.... the mystery was gone, but the amazement was just starting.”

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Andy Warhol

quote in 1963
Quote in Warhol in his own words – Untitled Statements ( 1963 – 1987), selected by Neil Printz; as quoted in Andy Warhol, retrospective, Art and Bullfinch Press / Little Brown, 1989, pp. 457 – 467
1963 - 1967

“In some circles where very heavy people think they have very heavy brains, words like "charming" and "clever" and "pretty" are all put-downs; all the lighter things in life, which are the most important things, are put down.”

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Andy Warhol

Quelle: 1975, The Philosophy of Andy Warhol (1975), Ch. 4: Beauty

“If an artist can't do anymore, then he should just quit; and an artist ought to be able to change his style without feeling bad. I heard that Lichtenstein said he might not be painting comic strips a year of two from now [1963]. I think that would be so great, to be able to change styles. And I think that's what's going to happen; that's going to be the whole new scene.”

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Andy Warhol

Quelle: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

“Therefore, everything seen – every object, that is, plus the process of looking at it – is a Duchamp. Turn it over and it is.”

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Andy Warhol

Quote by John Cage that Banes relates to Warhol's work in Greenwich Village 1963: Avant-garde Performance and the Effervescent Body, Sally Banes, Duke University Press, 1993; p. 124
1963 - 1967

“I guess it was the big plane crash picture [why Warhol started his 'Death'-series], the front page of a newspaper: '129 DIED'. I was also painting the Marilyns [the Marylin Monroe portraits, Warhol started after her tragic death in 1962] I realized that everything I was doing must have been death. It was Christmas or Labor Day - a holiday - and very time that you turned on the radio they said something like '4 millions are going to die'. That started it. But when you see I gruesome picture over and over again, it doesn't really have any effect.”

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Andy Warhol

Quelle: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

“A lot of people thought it was me everyone at the 'Factory' was hanging around, that I was some kind of big attraction that everyone came to see, but that's absolutely backward: it was me who was hanging around everyone else. I just paid the rent, and the crowds came simply because the door was open. People weren't particularly interested in seeing me; they were interested in seeing each other. They came to see who came.”

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Andy Warhol

1975 - 1987
Quelle: POPism (1980); as quoted in Warhol in his own words – Untitled Statements ( 1963 – 1987), selected by Neil Printz, in Andy Warhol, retrospective, Art and Bullfinch Press / Little Brown, 1989, pp. 457 – 467

“The reason I'm painting this way is that I want to be a machine, and I feel that whatever I do and do machine-like is what I want to do.”

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Andy Warhol

'What is Pop Art? Answers from 8 Painters', Part 1, G. R. Swenson, in Art News 62, November 1963
1963 - 1967

“In my art work, hand painting would take much too long and anyway that's not the age we're living in.”

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Andy Warhol

undated quotes
Quelle: Machine in the Studio, Caroline A. Jones, University of Chicago Press, 1996 pp. 197-198

“Sex is nostalgia for sex.”

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Andy Warhol

Quote from: http://nymag.com/arts/art/features/47184/index3.html
undated quotes

“In the future, everybody will be world famous for 15 minutes.”

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Andy Warhol

1968 - 1974
This quotation has produced a common cliché about fame in pop-culture which is called "15 minutes of fame"; it has often been paraphrased or misquoted in various ways
Quelle: Catalogue of an exhibition of his art in Stockholm, Sweden (1968)

“When I have to think about it, I know the picture is wrong. And sizing is a form of thinking and coloring is too. My instinct about painting says, 'If you don’t think about it, it's right.'”

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Andy Warhol

As soon as you have to decide and choose, it's wrong. And the more you decide about, the more wrong it gets. Some people, they paint abstract, so they sit there thinking about it because their thinking makes them feel they're doing something. But my thinking never makes me feel I'm doing anything.
Quelle: 1970s, The Philosophy of Andy Warhol (1975), p. 149