Letitia Elizabeth Landon Zitate (785 Zitate, seite 23)

“He fell as other thousands do,
Trampled down where they fall,
While on a single name is heap'd
The glory gain'd by all.
Yet even he whose common grave
Lies in the open fields,
Died not without a thought of all
The joy that glory yields.”

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Letitia Elizabeth Landon

The Record
The Troubadour (1825)

“O dream of fame, what hast thou been to me
But the destroyer of life's calm content!”

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Letitia Elizabeth Landon

Erinna
The Golden Violet (1827)

“And o'er them lowers destruction, high in air,
Upon those jutting crags, whose rugged sides,
Riven in fragments, and like ruins pil'd,
Seem as that giants of those ancient days
When earthborn creatures braved th' Olympic Gods,
Those of whom fable tells, had torn away
Rocks from their solid base, and with strong arm,
Parted the mountains: there the avalanche hangs,
Mighty, but tremulous; just a light breath
Will loosen it from off its airy throne;
Then down it hurls in wrath, like to the sound
Of thunder amid storms, or as the voice
Of rushing waters—death in its career.”

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Letitia Elizabeth Landon

Canto I, I
The Fate of Adelaide (1821)

“And when the reckless crowd among
I speak of one sweet art,
How lightly can I name the song,
Which yet has wrung my heart!
That lute and heart alike have chords
Not to be spoken of in words”

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Letitia Elizabeth Landon

(1826-2) The Wish
The Monthly Magazine

“The discharge of a duty from affection is the best solace for sorrow.”

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Letitia Elizabeth Landon

Heath's book of Beauty, 1833 (1832)

“Alas, the strange varieties or life!
We live 'mid perils and pleasures, like
Characters 'graven on the sand, or hues
Colouring the rainbow. Wild as a sick fancy
And changeful as a maiden, is this dream,
This brief dream on earth - - -”

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Letitia Elizabeth Landon

(7th September 1822) Poetical Sketches. Third series - Sketch the First. The Mine
14th September 1822) Poetical Sketches. Third series - Sketch the Second. Gladesmuir see The Improvisatrice (1824
21st September 1822) Poetical Sketches. Third series - Sketch the Third. The Minstrel of Portugal see The Improvisatrice (1824
28th September 1822) Poetical Sketches. Third series - Sketch the Fourth. The Castilian Nuptuals see The Vow of the Peacock (1835
5th October 1822) Poetical Sketches. Third series - Sketch the Fifth. The Lover's Rock see The Vow of the Peacock (1835
12th October 1822) Poetical Sketches. Third series - Sketch the Sixth. The Basque girl and Henri Quatre see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

“I do firmly believe that the Londoner is as contented with his city home as the dweller in the fairest valley among the Appennines; and that habit brings its usual indifference as to place.”

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Letitia Elizabeth Landon

Heath's book of Beauty, 1833 (1832)

“She spoke, they were but a few hurried words —
Of the sweet flowers around, the heat, the night —
Yet were they such as the blest heart records
For many an after-moment's long delight;
They touch'd upon his spirit's inmost chords;
Though broken was the sense, the accents light,
Yet sweeter was to him that tremulous tone
Than all that eloquence were proud to own.”

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Letitia Elizabeth Landon

26th August 1826) Metrical Fragments No. II. Tasso’s last interview with the Princess Leonora. (under the pen name Iole
The London Literary Gazette, 1826