The dominant note is always horror. Society, apparently, cannot get along without capital punishment—for there are some people whom it is simply not safe to leave alive—and yet there is no one, when the pinch comes, who feels it right to kill another human being in cold blood. I watched a man hanged once. There was no question that everybody concerned knew this to be a dreadful, unnatural action. I believe it is always the same—the whole jail, warders and prisoners alike, is upset when there is an execution. It is probably the fact that capital punishment is accepted as necessary, and yet instinctively felt to be wrong, that gives so many descriptions of executions their tragic atmosphere. They are mostly written by people who have actually watched an execution and feel it to be a terrible and only partly comprehensible experience which they want to record; whereas battle literature is largely written by people who have never heard a gun go off and think of a battle as a sort of football match in which nobody gets hurt.
"As I Please" column in The Tribune (3 November 1944)<sup> http://alexpeak.com/twr/oocp/</sup>
As I Please (1943–1947)
George Orwell: Zitate auf Englisch (seite 23)
George Orwell war britischer Schriftsteller, Essayist und Journalist. Zitate auf Englisch.
Part I : England Your England, § IV
The Lion and the Unicorn (1941)
Part I : England Your England, § III
The Lion and the Unicorn (1941)
Part I : England Your England, § III
The Lion and the Unicorn (1941)
A Collection of Essays, pp. 65-66
Charles Dickens (1939)
He liked to think of the lost people, the under-ground people: tramps, beggars, criminals, prostitutes. It is a good world that they inhabit, down there in their frowzy kips and spikes. He liked to think that beneath the world of money there is that great sluttish underworld where failure and success have no meaning; a sort of kingdom of ghosts where all are equal. That was where he wished to be, down in the ghost-kingdom, below ambition. It comforted him somehow to think of the smoke-dim slums of South London sprawling on and on, a huge graceless wilderness where you could lose yourself forever.
Quelle: Keep the Aspidistra Flying (1936), Ch. 10
. . . It is Germany that is moving towards Russia, rather than the other way about. It is therefore nonsense to talk about Germany ‘going Bolshevik’ if Hitler falls. Germany is going Bolshevik because of Hitler and not in spite of him.
Review of The Totalitarian Enemy by F. Borkenau, Time and Tide (4 May 1940). Orwell: My Country Right or Left - 1940 to 1943, Vol. 2, Essays, Journalism & Letters, Sonia Orwell and Ian Angus, edit., Boston, MA, Nonpareil Books (2000), p. 25.
Perhaps the fundamental difference is that beneath a tropical sun individuality seems less distinct and the loss of it less important.
Review of Indian Mosaic by Mark Channing, in The Listener (15 July 1936)
Letter to Leonard Moore (19 November 1932)
Quelle: The Collected Essays, Journalism & Letters, George Orwell: An Age Like This, 1920–1940, Editors: Sonia Orwell, Ian Angus. p. 106.
Quelle: "Can Socialists Be Happy?" https://www.orwellfoundation.com/the-orwell-foundation/orwell/essays-and-other-works/can-socialists-be-happy/, Tribune (20 December 1943). Published under the name ‘John Freeman’.
Quelle: “Bookshop Memories” in Fortnightly (November 1936)
Part III : The English Revolution, § II
The Lion and the Unicorn (1941)