Rouben Mamoulian in Lecture and discussion at University of Southern California, December 7, 1975. Tape recording, Special Collections, University of Southern California. (M).
Fred Astaire:
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Fred Astaire in a letter to his agent Leland Hayward dated February 9, 1934. He went on to make a further nine musical films with Rogers. (M).
Sometimes misattributed to Astaire. In fact, it's just a scripted line (written by Blake Edwards and Larry Gelbart) from The Notorious Landlady. Astaire delivers the line to Jack Lemmon.
Misattributed
from Lorenz Hart's lyric to "Do it the Hard Way" from Pal Joey.
From P.G. Wodehouse's Bachelors Anonymous (1973).
Mikhail Baryshnikov at the 1978 Kennedy Center Honours for Fred Astaire and George Balanchine, as quoted in Satchell, Tim. Astaire, The Biography. Hutchinson, London. 1987. ISBN 0-09-173736-2 p. 255.
Graham Greene reviewing Follow the Fleet in The Spectator 1936 and quoted in Thomas, Bob. Astaire, the Man, The Dancer. Weidenfeld & Nicolson, London, 1985. ISBN 0297784021 , p. 81.
from Astaire's autobiography Steps in Time, 1959, p. 325.
“Come on, Fred, I'm not your sister, you know.”
Claire Luce, (Astaire's first dance partner after his sister Adele retired, urging Astaire to turn on the passion during rehearsals for Gay Divorce) in Telephone interview with John Mueller, June 7, 1981. (M).
Adele Astaire op. cit.
“As a dancer, I out-Fred the nimblest Astaire.”
P.G. Wodehouse's Bertie Wooster in Joy in the Morning (1947).
“As a dancer he stands alone, and no singer knows his way around a song like Fred Astaire.”
Irving Berlin, quoted in Puttin' on the Ritz, BBC Programme Acquisition, 1999.
“(Cary Grant) is, along with Fred Astaire, the best-dressed actor in American movies”
Benjamin Schwarz in " Becoming Cary Grant http://www.theatlantic.com/magazine/archive/2007/01/becoming-cary-grant/5548/" The Atlantic, January/February 2007
Richard Avedon in Silverman, Stephen M. Dancing on the Ceiling. Knopf, 1996. ISBN 0679414126.
Fred Astaire in "Reminiscences of Fred Astaire", Interview with Ronald L. Davis, Beverly Hills, July 31, 1978, SMU Oral History Project on the Performing Arts. (M).
Cyd Charisse in Charisse, Cyd; Martin, Tony; Kleiner, Dick. The Two of Us, New York: Mason/Charter, 1976. ISBN 0-884-053636.
Gene Kelly quoted in Shipman, David. The Great Movie Stars, The Golden Years. Crown Publishers, New York. 1970. pp. 25-29 as referenced in Billman, Larry: Fred Astaire - A Bio-bibliography, Greenwood Press, Connecticut, 1997. ISBN 0-313-29010-5 p. 351.
“By far the gentlest man I have ever known.”
Frank Sinatra on Astaire as quoted in Barnes, Clive. "Top Hat, White Tie and Tails - Fred Astaire dead at 88," New York Times, June 23, 1987 as reproduced in Billman, Larry. Fred Astaire - a Bio-Bibliography, Greenwood Press, Connecticut, 1997, p. 300.
“When you talk about Fred Astaire, you talk about heaven. What more can I say?”
Johnny Green to Mike Steen in Steen, Mike. Hollywood Speaks! An Oral History, G.P. Putnam's, New York, 1974.
Fred Astaire in Time. "The New Pictures: 'Blue Skies'". October 14, 1946, p. 103. (M).
“If I was black and blue, it was Gene. If I didn't have a scratch it was Fred.”
Cyd Charisse on how her husband would know with whom she had danced, quoted in Aloff, Mindy. Dance Anecdotes: Stories from the Worlds of Ballet, Broadway, the Ballroom, and Modern Dance. Oxford University Press, 2006. p. 196 ISBN 0195054113.
Dance critic Anna Kisselgoff, in Shepard, Richard F. "Fred Astaire, The Ultimate Dancer, Dies," The New York Times, 23 June 1987.
“Can't act, slightly bald, also dances.”
Fred Astaire's version of the lost infamous screen test report in his interview on 20/20 with Barbara Walters, ABC, 1980 and reaffirmed by Astaire in Thomas, Bob. Astaire, the Man, The Dancer. Weidenfeld & Nicolson, London, 1985. ISBN 0297784021 , p. 78.
from Lorenz Hart's title number to On Your Toes.
Fred Astaire on his role in Silk Stockings in Smith, Cecil. "Astaire prefers the 'Good Old Days' of the present." Los Angeles Times, July 14, 1957, sec. 5, p. 3. (M).
Artie Shaw on his collaboration with Astaire in Second Chorus (1940) as interviewed in Fantle, Dave and Johnson, Tom. Reel to Real. Badger Books LLC, 2004, p. 304. ISBN 1932542043.
From P.G. Wodehouse's Mulliner Nights (1933).
Arlene Croce, in Croce, Arlene. The Fred Astaire and Ginger Rogers Book, W.H. Allen, London, 1974. p. 7. ISBN 0491001592.
George Balanchine in Nabokov, Ivan and Carmichael, Elizabeth. "Balanchine, An Interview". Horizon, January 1961, pp. 44-56. (M).
