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“What was crucial to the partnership, it should be noted, is that Flavor Flav was a clown — in the tradition of the best black comics — yet he was a clown with consciousness, empowered with knowledge of self, an entirely different persona from the "Stepin Fetchit" and "Sambo" stereotypes of subservient and uncouth black Americans. Flavor Flav was and is a fool, but a fool on a mission. On the cover of Nation of Millions, he wears a gigantic clock as a medallion — a preposterous getup — yet it is designed to illustrate, through a comic medium, that time is indeed running out.”

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Flavor Flav

Rickey Vincent, Funk: The Music, the People, and the Rhythm of the One (1996), p. 309.
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“Yeah boyeee!”

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Flavor Flav

Catch phrase, often delivered with comic timing; recounted in Rickey Vincent, Funk: The Music, the People, and the Rhythm of the One (1996), p. 309. Alternately reported by other sources with spelling variations.

“Well let me tell you like this, the rap scene right now has taken its own course and its own direction because you have so many rap records of all different calibers coming out. And me, I favor everybody, I like everybody and the reason why is because I want everyone to Favor Flav. If I favor one certain rapper or one certain singer then only one certain singer/rappers are going to favor Flav. So me, I'm just a friendly ghost and not only that I'm a musician. I like all kinds of music. And everybody making records right now is definitely respected by Flav and for all you new comers just starting to make records: welcome aboard.”

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Flavor Flav

[Casey, Cisneros, http://media.www.collegian.com/media/storage/paper864/news/2005/01/27/VervetheDishLive/Flavor.Flav.Interview-1705943.shtml, Flavor Flav interview, The Rocky Mountain Collegian, Colorado State University, 27 January 2005, 2008-03-05]