„Naturally, form has come to take precedence over color with me, though when I began painting color predominated. Slowly artistic evolution carried from color to form and while I still employ color, of course, it is the drawing which assumes the place of first importance in my pictures.“

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— Francis Picabia

Quote of Picabia, in an interview in an American newspaper, 1915; as quoted by William A. Camfield, in Francis Picabia: His Art, Life and Times, Princeton, 1979, p.77
Picabia emphasised that line took precedence over colour in his works since 1915
1910's

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Francis Picabia6

kubanischer Schriftsteller, Maler, Grafiker 1879 - 1953

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„As for the value of color I am close to the philosophy of Fauvists: Matisse, Raoul Dufy, and Vlaminck. In other words, color for me is the most important constituent of painting. The composition and form extract themselves from the depth of color. My colors are the spirit of my paintings. For example, when the space is sad it is my pallet of colors that convey this sadness first.“

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— Guity Novin artist 1944

Quelle: Negin (1971), p. 57

„The first thing to change in my painting was the color [c. 1908-09]. I forsook natural color for pure color. I had come to feel that the colors of nature cannot be reproduced on canvas. Instinctively I felt that painting had to find a new way to express the beauty of nature.“

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— Piet Mondrian Peintre Néerlandais 1872 - 1944

Quote of Mondrian about 1905-1910; in 'Mondrian, Essays' ('Plastic art and pure plastic art', 1937 and his other essays, (1941-1943) by Piet Mondrian; Wittenborn-Schultz Inc., New York, 1945, p. 10; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, p. 40

„Tony Cairo [English abstract sculptor] and I tried to collaborate at several points and it hasn't been successful. As a matter of fact, recently Tony has made sculpture that I have painted. He has to make the sculpture before I can paint it. That means that the form is taking precedence – that the material takes precedence as a form, rather than color establishing the form. It's not going to well but I'm working on it. There's something about color that is so abstract that it is difficult for it to function in conjunction with solid form... Color has properties of weight, density, transparency, and so forth. And when it also has to be compatible with things that have an actual density, a given form, it's very difficult.“

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— Kenneth Noland American artist 1924 - 2010

Quelle: Color, Format and Abstract Art' (1977), pp. 99 – 105

„I make a little mystique for myself. Since I have no preference or so-called sense of color, I could take almost everything that could be some accident of a previous painting. Or I set out to make a series. I take, for instance, some pictures where I take a color, some arbitrary color I took from some place. Well, this is gray maybe, and I mix the color for that, and then I find out that when I am through with getting the color the way I want it, I have six other colors in it, to get that color; and then I take those six colors and I use them also with this color. It is probably like a composer does a variation on a certain theme. But it isn't technical, it isn't just fun.“

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— Willem de Kooning Dutch painter 1904 - 1997

interview conducted by David Sylvester for the BBC, 1962; as quoted in Abstract Expressionism: Creators and Critics, edited by Clifford Ross, Abrahams Publishers, New York 1990, p. 50.
1960's

„If I were the type of artist that didn't care whether or not my works communicated with viewers then I wouldn't bother exhibiting them, I might as well stock them in a warehouse. But I do exhibit and I do care because I want to communicate back to the viewer what I've viewed. My paintings are inspired by my homeland's traditional spaces. My colors are the colors of monasteries and mosques, the color of ruins of Sassanid and Seljuq era, colors of Bazaars of Isfahan and Shiraz, and colors of northern-Iran's ceramics. I have sensed all these colors, forms and everything within my painting's frame from the viewer's own world.“

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— Guity Novin artist 1944

Quelle: Negin (1971), p. 57

„Color is all. When color is right, form is right. Color is everything, color is vibration like music; everything is vibration.“

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— Marc Chagall French artist and painter 1887 - 1985

„I mixed [early 1950's] funny shades of colors and used them but I used them because they made the drawing in my picture move. It wasn't because I was in love with the idea of putting color down. But these colors were the expedient things to use for the way I drew and I say 'draw' not meaning line, though it might have included line. But the way I drew or envisioned or made my work. And it happened that it came out stressing color. But I did not have a vision or a notion about color per se being the thing that would make me or my pictures work or operate.“

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— Helen Frankenthaler American artist 1928 - 2011

quote about shades and drawing
1960s, Interview with Barbara Rose', Archives - American Art, 1968

„Serious color studies of nudes and heads. Only as practice and first training. Very strict determination of color values through water color. On top of it, some oils, simply for blending. The results are quite unattractive, little of importance to be hoped for here. This month of February is devoted to color. I painted many nudes from nature and even the portrait of a head, my syster's!“

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— Paul Klee German Swiss painter 1879 - 1940

Quote (1903), # 485, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1903 - 1910

„We separate color and drawing because we have to. But nature doesn't. She doesn't give something a shape, for coloring it only afterwards. Form and color are inherent properties of the object that we have got as thing to paint. If we neglect one of both, we only give half.“

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— Willem Roelofs Dutch painter and entomologist (1822-1897) 1822 - 1897

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Wij scheiden kleur en teekening af, omdat wij dat wel moeten. Maar de natuur doet dat niet. Zij geeft niet iets een vorm, om het daarna te kleuren. Vorm en kleur zijn inhaerente eigenschappen van het voorwerp, dat ons te schilderen is gegeven. Verwaarloozen wij een van beide, dan geven wij slechts de helft.
Quote of Roelofs, in Elsevier's geïllustreerd maandschrift..., Oct. / Nov. 1891; as cited in an excerpt in the RKD Archive https://rkd.nl/explore/excerpts/219, The Hague
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„However, new plasticism is pure painting [in contrast with the opinion of Theo van Doesburg, then]: the means of expression still are form and color, though these are completely interiorized; the straight line and flat color remain purely pictorial means of expression.“

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— Piet Mondrian Peintre Néerlandais 1872 - 1944

1910's, Natural Reality and Abstract Reality', 1919

„When I have to think about it, I know the picture is wrong. And sizing is a form of thinking and coloring is too. My instinct about painting says, 'If you don’t think about it, it's right.'“

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— Andy Warhol American artist 1928 - 1987

As soon as you have to decide and choose, it's wrong. And the more you decide about, the more wrong it gets. Some people, they paint abstract, so they sit there thinking about it because their thinking makes them feel they're doing something. But my thinking never makes me feel I'm doing anything.
Quelle: 1970s, The Philosophy of Andy Warhol (1975), p. 149

„.. drawing, always all my learning had to do with drawing. And I never really thought about color at all. When I first started thinking about color it was sort of out of perversity. In other words, say around 1950 and '51, it occurred to me that something ugly or muddy could be a color as well as something clear and bright and a nameable, beautiful, known color.“

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— Helen Frankenthaler American artist 1928 - 2011

quote about her years 1950-51 - reacting on the general view that her painting art was mainly focused on color and not on drawing / line
1960s, Interview with Barbara Rose', Archives - American Art, 1968

„The medium is as unimportant as I myself. Essential is only the forming... I take any material whatsoever if the picture demands it. When I adjust materials of different kinds to one another, I have taken a step in advance of mere oil painting, for in addition to playing off color against color, line against line, form against form etc., I play off material against material, wood against sack clothes.“

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— Kurt Schwitters German artist 1887 - 1948

Schwitters (1921) in: Abstract Art, Anna Moszynska, Thames and Hudson, London 1990, p. 68-69.
1920s

„This new plastic idea will ignore the particulars of appearance, that is to say, natural form and color. On the contrary, it should find its expression in the abstraction of form and color, that is to say, in the straight line and the clearly defined primary color.“

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— Piet Mondrian Peintre Néerlandais 1872 - 1944

1910's, Natural Reality and Abstract Reality', 1919

„I believe that one should not think so much about nature when painting, at least not during the conception of the picture. Make the color sketch exactly as one has felt something in nature. But my personal feeling is the main thing. Once I have established it, lucid in tone and color, I must bring in from nature the things that make my painting seem natural, so that a layman will only think that 1 have painted it from nature.“

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— Paula Modersohn-Becker German artist 1876 - 1907

quote from her Diaries, 1 October, 1902; as cited in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 31
1900 - 1905

„Color is one of the great things in the world that makes life worth living to me and as I have come to think of painting it is my effort to create an equivalent with paint color for the world – life as I see it.“

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— Georgia O'Keeffe American artist 1887 - 1986

1930s

„Dark green is my favorite color. It's the color of nature and the color of money and the color of moss!“

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— Leonardo DiCaprio American actor and film producer 1974

http://www.popmonk.com/actors/leonardo-dicaprio/quotes-leonardo-dicaprio.htm

„The chief aim of color should be to serve expression as well as possible. I put down my colors without a preconceived plan. If at the first step and perhaps without my being conscious of it one tone has particularly pleased me, more often then not when the picture is finished, I will notice that I have respected this tone while I have progressively altered and transformed the others. I discover the quality of colors in a purely instinctive way.“

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— Henri Matisse French artist 1869 - 1954

Quelle: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 412

„Only now [1943] I become conscious that my work in black, white and little color planes has been merely 'drawing' in oil color. In drawing, the lines are the principal means of expressions... In painting, however, the lines are absorbed by the color planes; but the limitations of the planes show themselves as lines and conserve their great value.“

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— Piet Mondrian Peintre Néerlandais 1872 - 1944

note from his postcard, late May 1943; as quoted in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 240
1940's

„.. I did a great deal of work [in 1903, Normandy]. And I understood how to transfer nature into colors appropriate to the odor of my soul. I painted a large number of landscapes there, bushes and Breton heads from my window. The pictures were glowing with color. And my inner self was contended.“

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— Alexej von Jawlensky Russian painter 1864 - 1941

Quote of Jawlensky, c. 1903; as cited by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 114
1900 - 1935

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