„I tell you again that the recollection of the manner in which I saw the Queen of France in the year 1774 and the contrast between that brilliancy, Splendour, and beauty, with the prostrate Homage of a Nation to her, compared with the abominable Scene of 1789 which I was describing did draw Tears from me and wetted my Paper. These Tears came again into my Eyes almost as often as I lookd at the description. They may again. You do not believe this fact, or that these are my real feelings, but that the whole is affected, or as you express it, 'downright Foppery.'“
My friend, I tell you it is truth—and that it is true, and will be true, when you and I are no more, and will exist as long as men—with their Natural feelings exist.
Letter to Philip Francis (20 February 1790), quoted in Alfred Cobban and Robert A. Smith (eds.), The Correspondence of Edmund Burke, Volume VI: July 1789–December 1791 (1967), p. 91
1790s
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— Vincent Van Gogh Dutch post-Impressionist painter (1853-1890) 1853 - 1890
In his letter to Theo, from Cuesmes, 24 September 1880 - original manuscript of letter no. 158 - at Van Gogh Museum, location Amsterdam - inv. no. b156 V/1962, http://vangoghletters.org/vg/letters/let158/letter.html
Van Gogh's copies (drawings) he made after the work of Rousseau have been lost
1880s, 1880
Kontext: First and foremost, the masterly etching, 'The bush', by Daubigny/Ruisdael. [ Daubigny's etching 'The bush', he made after Jacob van Ruisdael ].... I plan to do two drawings, either in sepia or something else, one of them after this etching [by Daubigny] — the other [etching, made] after T. Rousseau's 'The oven in Les Landes'. This latter sepia is already done — it's true — but if you compare it with Daubigny's etching, you'll understand that it becomes weak, even though the sepia drawing considered on its own may very well have a certain tone and sentiment. I have to go back to it and work on it again.... I couldn't tell you how happy I feel to have taken up drawing again. It had already been on my mind for a long time, but I always saw the thing as impossible and beyond my reach.
— Aimee Bender Novelist, short story writer 1969
Quelle: The Particular Sadness of Lemon Cake

— Sufjan Stevens American singer-songwriter and multi-instrumentalist 1975
"The Only Thing"
Lyrics, Carrie and Lowell (2015)

— Sarah Dessen, buch What Happened to Goodbye
What Happened To Goodbye (2011)
Quelle: What Happened to Goodbye
— Albert Cohen Swiss writer 1895 - 1981
Le livre de ma mère [The Book of My Mother] (1954)

— Elizabeth Chase Allen American author, journalist, poet 1832 - 1911
Rock me to sleep, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
— Smohalla Native American prophet-dreamer 1815 - 1895
As quoted in The Ghost-Dance Religion and Wounded Knee (1890) by James Mooney on page 721; it has been sometimes also ascribed to w:Wovoka, which seems misappropriated as Mooney himself mentions Wovoka in the same book from page 765 on.
"It is perhaps the most commonly cited piece of evidence documenting the Native American belief in Mother Earth. […]They rarely place the statement in the context in which Mooney presented it, that is, the history of millenarian movements spawned in part by the pressures Native American felt from the European-Americans' insatiable desire for land […] it is a direct response to 'white' pressures placed on native relationships with the land." From Mother Earth. An American Story. https://www.press.uchicago.edu/ucp/books/book/chicago/M/bo5975950.html

— Miguel de Unamuno 19th-20th century Spanish writer and philosopher 1864 - 1936
The Tragic Sense of Life (1913), VIII : From God to God

„When my faith is getting weak
And I feel like giving in
You breathe into me again…“
— Karen Marie Moning author 1964
Quelle: Shadowfever
— Paullina Simons, buch The Bronze Horseman
Quelle: The Bronze Horseman

— Paula Modersohn-Becker German artist 1876 - 1907
note from her Journal, March 1902; as quoted by Susan P. Bachrach, in 'Paula Modersohn-Becker (1876-1907) Woman and Artist as Revealed Through Her Depiction of Children', (text on: Fembio - Notable Woman International: Biographies http://www.fembio.org/english/biography.php/woman/biography_extra/paula-modersohn-becker/)
1900 - 1905

— Vincent Van Gogh Dutch post-Impressionist painter (1853-1890) 1853 - 1890
Letter #158 to Theo (24 September 1880) http://www.vangoghletters.org/vg/letters/let158/letter.html <!-- This letter has slightly different translations everywhere, but this seems to be the more often quoted translation -->
Variant translation http://www.webexhibits.org/vangogh/letter/8/136.htm: "I felt my energy revive and I said to myself, I shall get over it somehow, I shall set to work again with my pencil, which I had cast aside in my deep dejection, and I shall draw again, and from that moment I have had the feeling that everything has changed for me"
1880s, 1880
Kontext: I felt my energy revive, and said to myself, In spite of everything I shall rise again: I will take up my pencil, which I have forsaken in my great discouragement, and I will go on with my drawing. From that moment everything has seemed transformed for me.

— Vyjayanthimala Indian actress, politician & dancer 1936
Vyjayanthimala still cuts a striking figure tall