
„I am my own muse. I am the subject I know best. The subject I want to better.“
— Frida Kahlo Mexican painter 1907 - 1954
Jane Sinnett, trans 1846 p. 50
The Vocation of Man (1800), Knowledge
„I am my own muse. I am the subject I know best. The subject I want to better.“
— Frida Kahlo Mexican painter 1907 - 1954
— Johann Gottlieb Fichte, buch Die Bestimmung des Menschen
Jane Sinnett, trans 1846 p. 71
The Vocation of Man (1800), Faith
— Ludwig Feuerbach German philosopher and anthropologist 1804 - 1872
Lecture I, , R. Manheim, trans. (1967), p. 2
Lectures on the Essence of Religion http://www.marxists.org/reference/archive/feuerbach/works/lectures/index.htm (1851)
— Vincent Van Gogh, buch The Letters of Vincent van Gogh
1880s, 1880, Letter to Theo (Cuesmes, July 1880)
Quelle: The Letters of Vincent van Gogh
Kontext: So please don't think that I am renouncing anything, I am reasonably faithful in my unfaithfulness and though I have changed, I am the same, and what preys on my mind is simply this one question: what am I good for, could I not be of service or use in some way, how can I become more knowledgeable and study some subject or other in depth? That is what keeps preying on my mind, you see, and then one feels imprisoned by poverty, barred from taking part in this or that project and all sorts of necessities are out of one's reach. As a result one cannot rid oneself of melancholy, one feels emptiness where there might have been friendship and sublime and genuine affection, and one feels dreadful disappointment gnawing at one's spiritual energy, fate seems to stand in the way of affection or one feels a wave of disgust welling up inside. And then one says “How long, my God!”
„I paint myself because I am so often alone and because I am the subject I know best.“
— Frida Kahlo Mexican painter 1907 - 1954
Quoted from: Antonio Rodríguez, "Una pintora extraordinaria," Así (17 March 1945)
1925 - 1945
Variante: I paint self-portraits because I am so often alone, because I am the person I know best.
— Gore Vidal American writer 1925 - 2012
Preface http://www.threepennyreview.com/samples/vidal_su95.html
1990s, The City and the Pillar and Seven Early Stories (1995)
— Henry Charles Beeching English clergyman, author and poet 1859 - 1919
The Masque of Balliol http://rpo.library.utoronto.ca/poem/2735.html (1880)
— Wallace Stevens American poet 1879 - 1955
"Angel Surrounded by Paysans" (1949)
Kontext: I am one of you and being one of you
Is being and knowing what I am and know.
Yet I am the necessary angel of earth,
Since, in my sight, you see the earth again,
Cleared of its stiff and stubborn, man-locked set
And, in my hearing, you hear its tragic drone
Rise liquidly in liquid lingerings,
Like watery words awash; like meanings said
By repetitions of half-meanings. Am I not,
Myself, only half a figure of a sort,
A figure half seen, or seen for a moment, a man
Of the mind, an apparition appareled in
Apparels of such lightest look that a turn
Of my shoulders and quickly, too quickly, I am gone?
„I am as desirous of being a good neighbor as I am of being a bad subject.“
— Henry David Thoreau, buch Über die Pflicht zum Ungehorsam gegen den Staat
Civil Disobedience (1849)
— Frantz Fanon, buch Black Skin, White Masks
"The Lived Experience of the Black Man"/"The Fact of Blackness"
Black Skin, White Masks (1952)
— Kim Jong-il General Secretary of the Workers' Party of Korea 1941 - 2011
Conversation with Konstantin Pulikovsky (Summer 2001), quoted in his book Orient Express
Behnke, Alison. Kim Jong Il's North Korea http://books.google.ba/books?id=cdQ8QZU6H0MC&printsec=frontcover&dq=kim+jong+il&source=bl&ots=qNQT5KQLoZ&sig=OguwgfrkTQ-eOqbqUCBWSnQAe-k&hl=hr&sa=X&ei=7VJWUPC3OK_74QSxmoGQBg&redir_esc=y#v=onepage&q=kim%20jong%20il&f=false
Variante: I know I'm an object of criticism in the world, but if I am being talked about, I must be doing the right things.
— Torquato Tasso, Aminta
Ovunque i mi sia, io sono Amore.
Ne'pastori non men, che ne gli heroi;
E la disagguaglianza de'soggetti,
Come à me piace, agguaglio.
Prologue
Aminta (1573)
„You will hardly know who I am or what I mean“
— Walt Whitman American poet, essayist and journalist 1819 - 1892
— William Lloyd Garrison American journalist 1805 - 1879
"To the Public", No. 1 (1 January 1831) http://www.pbs.org/wgbh/aia/part4/4h2928t.html
The Liberator (1831 - 1866)
Kontext: I am aware that many object to the severity of my language; but is there not cause for severity? I will be as harsh as truth, and as uncompromising as justice. On this subject, I do not wish to think, or to speak, or write, with moderation. No! no! Tell a man whose house is on fire to give a moderate alarm; tell him to moderately rescue his wife from the hands of the ravisher; tell the mother to gradually extricate her babe from the fire into which it has fallen; — but urge me not to use moderation in a cause like the present. I am in earnest — I will not equivocate — I will not excuse — I will not retreat a single inch — AND I WILL BE HEARD. The apathy of the people is enough to make every statue leap from its pedestal, and to hasten the resurrection of the dead.
„Someone might object, "But you do not express yourself like Cicero". What of it? I am not Cicero. But I think I express my own self.“
Non exprimis, aliquis inquit, Ciceronem. Quid tum? Non enim sum Cicero; me tamen, ut opinor, exprimo.
— Poliziano Italian writer 1454 - 1494
Epistolae 8, 16. Quoted in Literary Imitation in the Italian Renaissance (1995) by Martin L. McLaughlin, p. 203.
— Johann Gottlieb Fichte, buch Die Bestimmung des Menschen
Wenn ich nur dasjenige weiß, und von ihm überzeugt bin, was ich selbst gefunden, – nur dasjenige wirklich kenne, was ich selbst erfahren habe, so kann ich in der That nicht sagen, daß ich über meine Bestimmung das Geringste wisse; ich weiß blos, was Andre darüber zu wissen behaupten.
Quelle: The Vocation of Man (1800), P. Preuss, trans. (1987), p. 4
— Pablo Picasso Spanish painter, sculptor, printmaker, ceramicist, and stage designer 1881 - 1973
Paris 1923
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 311
Quotes, 1920's