
— Hans Fritzsche German Nazi official 1900 - 1953
To Leon Goldensohn, May 24, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004 - Page 71
Essay on Atomism: From Democritus to 1960 (1961), p.6
— Hans Fritzsche German Nazi official 1900 - 1953
To Leon Goldensohn, May 24, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004 - Page 71
— John Ruskin English writer and art critic 1819 - 1900
Lecture II, section 35
The Eagle's Nest (1872)
— Robert Musil Austrian writer 1880 - 1942
Wir haben nicht zuviel Verstand und zu wenig Seele, sondern wir haben zu wenig Verstand in den Fragen der Seele.
Helpless Europe (1922)
— Edward Hopper prominent American realist painter and printmaker 1882 - 1967
Quote in Hopper's letter to Charles H. Sawyer, October 29, 1939; as cited in Edward Hopper, Lloyd Goodrich; New York, Harry N. Abrams, 1971, p. 164
1911 - 1940
— Jacqueline Kennedy Onassis public figure, First Lady to 35th U.S. President John F. Kennedy 1929 - 1994
The "Camelot" interview (29 November 1963)
„History does not so much repeat as echo, I suppose.“
— Lois McMaster Bujold, Vorkosigan Saga
Quelle: Vorkosigan Saga, Cryoburn (2010), Chapter 13 (p. 257)
— Max Born physicist 1882 - 1970
"Einstein's Statistical Theories" in Albert Einstein : Philosopher-Scientist (1951) edited by Paul Arthur Schilpp, p. 176
— P. W. Botha South African prime minister 1916 - 2006
As state president, referring to the ruling National Party House of Assembly, 17 August 1987, as cited in PW Botha in his own words, Pieter-Dirk Uys, 1987, p. 28
— Stephen Jay Gould, buch An Urchin in the Storm
"Exultation and Explanation", p. 187
An Urchin in the Storm (1987)
— Ingmar Bergman Swedish filmmaker 1918 - 2007
"Introduction" of Four Screenplays (1960). <!-- Simon & Schuster -->
Kontext: When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings. Music works in the same fashion; I would say that there is no art form that has so much in common with film as music. Both affect our emotions directly, not via the intellect. And film is mainly rhythm; it is inhalation and exhalation in continuous sequence. Ever since childhood, music has been my great source of recreation and stimulation, and I often experience a film or play musically.
— William Leonard Pickard American writer and researcher 1945
Quelle: The Rose of Paracelsus (2015), p. 197
— Nathaniel Hawthorne American novelist and short story writer (1804 – 1879) 1804 - 1864
January 1854
Notebooks, The English Notebooks (1853 - 1858)
— Banksy pseudonymous England-based graffiti artist, political activist, and painter
taken from Adbusters magazine
Other sources
— Arthur Conan Doyle, buch The Stark Munro Letters
The Stark Munro Letters (1894)
Kontext: The more we progress the more we tend to progress. We advance not in arithmetical but in geometrical progression. We draw compound interest on the whole capital of knowledge and virtue which has been accumulated since the dawning of time. Some eighty thousand years are supposed to have existed between paleolithic and neolithic man. Yet in all that time he only learned to grind his flint stones instead of chipping them. But within our father's lives what changes have there not been? The railway and the telegraph, chloroform and applied electricity. Ten years now go further than a thousand then, not so much on account of our finer intellects as because the light we have shows us the way to more. Primeval man stumbled along with peering eyes, and slow, uncertain footsteps. Now we walk briskly towards our unknown goal.
— Robert G. Ingersoll Union United States Army officer 1833 - 1899
My Reviewers Reviewed (lecture from June 27, 1877, San Francisco, CA)
Kontext: The earth, rotating at the rate of one thousand miles an hour, was stopped. The motion of this vast globe would have instantly been changed into heat. It has been calculated by one of the greatest scientists of the present day that to stop the earth would generate as much heat as could be produced by burning a world as large as this of solid coal. And yet, all this force was expended for the paltry purpose of defeating a few poor barbarians. The employment of so much force for the accomplishment of so insignificant an object would be as useless as bringing all the intellect of a great man to bear in answering the arguments of the clergymen of San Francisco.
— Lucille Clifton American poet 1936 - 2010
On her worldly view of poetry in “Poet Lucille Clifton: 'Everything Is Connected'” https://www.npr.org/templates/story/story.php?storyId=124113507 in NPR (2010 Feb 28)