„It’s vital as we postulate and work toward exploration and human settlement beyond Earth. I like to think of the possibilities of sustaining humanity’s continuum, with preserved recorded history way beyond the life of our Sun.“

—  Vanna Bonta, Ch. 5
Vanna Bonta Foto
Vanna Bonta
US-amerikanische Schriftstellerin und Filmschauspielerin (1… 1958 - 2014
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Gloria Steinem Foto
Arundhati Roy Foto
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Abraham Joshua Heschel Foto

„The account of our experiences, the record of debit and credit, is reflected in the amount of trust or distrust we display towards life and humanity.“

—  Abraham Joshua Heschel Polish-American Conservative Judaism Rabbi 1907 - 1972
Context: The account of our experiences, the record of debit and credit, is reflected in the amount of trust or distrust we display towards life and humanity. There are those who maintain that the good is within our reach everywhere; you have but to stretch out your arms and you will grasp it. But there are others who, intimidated by fraud and ugliness, sense scorn and ambushes everywhere and misgive all things to come. Those who trust develop a finer sense for the good, even at the hight cost of blighted hopes. Charmed by the spell of love, faith is, as it were, imposed upon their heart. "The Holy Dimension", p. 338

Wangari Maathai Foto
Reinhold Niebuhr Foto
Vanna Bonta Foto
Bill Clinton Foto
Jean Jacques Rousseau Foto
Roger Ebert Foto

„I find it a way to elevate the whole story into a larger realm of inexplicable but real behavior. We need something beyond the human to add another dimension.“

—  Roger Ebert American film critic, author, journalist, and TV presenter 1942 - 2013
Context: Magnolia is a film of sadness and loss, of lifelong bitterness, of children harmed and adults destroying themselves. As the narrator tells us near the end, "We may be through with the past, but the past is never through with us." In this wreckage of lifetimes, there are two figures, a policeman and a nurse, who do what they can to offer help, hope and love. … The central theme is cruelty to children, and its lasting effect. This is closely linked to a loathing or fear of behaving as we are told, or think, that we should. … As an act of filmmaking, it draws us in and doesn't let go. It begins deceptively, with a little documentary about amazing coincidences (including the scuba diver scooped by a fire-fighting plane and dumped on a forest fire) … coincidences and strange events do happen, and they are as real as everything else. If you could stand back far enough, in fact, everything would be revealed as a coincidence. What we call "coincidences" are limited to the ones we happen to notice. … In one beautiful sequence, Anderson cuts between most of the major characters all simultaneously singing https://www.youtube.com/watch?v=aNmKghTvj0E Aimee Mann's "It's Not Going to Stop." A directorial flourish? You know what? I think it's a coincidence. Unlike many other "hypertext movies" with interlinking plots, Magnolia seems to be using the device in a deeper, more philosophical way. Anderson sees these people joined at a level below any possible knowledge, down where fate and destiny lie. They have been joined by their actions and their choices. And all leads to the remarkable, famous, sequence near the film's end when it rains frogs. Yes. Countless frogs, still alive, all over Los Angeles, falling from the sky. That this device has sometimes been joked about puzzles me. I find it a way to elevate the whole story into a larger realm of inexplicable but real behavior. We need something beyond the human to add another dimension. Frogs have rained from the sky eight times this century, but never mind the facts. Attend instead to Exodus 8:2, which is cited on a placard in the film: "And if thou refuse to let them go, behold, I will smite your whole territory with frogs." Let who go? In this case, I believe, it refers not to people, but to fears, shames, sins. Magnolia is one of those rare films that works in two entirely different ways. In one sense, it tells absorbing stories, filled with detail, told with precision and not a little humor. On another sense, it is a parable. The message of the parable, as with all good parables, is expressed not in words but in emotions. After we have felt the pain of these people, and felt the love of the policeman and the nurse, we have been taught something intangible, but necessary to know. Review of Magnolia (1999), in review for Great Movies (27 November 2008) http://www.rogerebert.com/reviews/great-movie-magnolia-1999

Nikolai Berdyaev Foto
Henry David Thoreau Foto

„I hear beyond the range of sound,
I see beyond the range of sight,
New earths and skies and seas around,
And in my day the sun doth pale his light.“

—  Henry David Thoreau 1817-1862 American poet, essayist, naturalist, and abolitionist 1817 - 1862
Inspiration, Edmund Clarence Stedman, ed. (1833–1908). An American Anthology, 1787–1900

Honoré de Balzac Foto

„I think that if there is a scheme worthy of our kind it is that of human transformations causing the human being to advance toward unknown zones.“

—  Honoré de Balzac French writer 1799 - 1850
Context: You know what my religion is. I am not orthodox, and I do not believe in the Roman Church. I think that if there is a scheme worthy of our kind it is that of human transformations causing the human being to advance toward unknown zones. That is the law of creations inferior to ourselves; it ought to be the law of superior creations. Swedenborgianism, which is only a repetition in the Christian sense of ancient ideas, is my religion, with the addition which I wish to make to it of the incomprehensibility of God. Letter to Evelina de Hanska (31 May 1837), translated by Katharine Prescott Wormeley.

F. E. Smith, 1st Earl of Birkenhead Foto

„Politically, economically and philosophically the motive of self-interest not only is but must…and ought to be the mainspring of human conduct…For as long a time as the records of history have been preserved human societies passed through a ceaseless process of evolution and adjustment.“

—  F. E. Smith, 1st Earl of Birkenhead British politician 1872 - 1930
Context: Politically, economically and philosophically the motive of self-interest not only is but must... and ought to be the mainspring of human conduct... For as long a time as the records of history have been preserved human societies passed through a ceaseless process of evolution and adjustment. This process has sometimes been pacific, but more often it has resulted from warlike disturbance. The strength of different nations, measured in terms of arms, varies from century to century. The world continues to offer glittering prizes to those who have stout hearts and sharp swords; it is therefore extremely improbable that the experience of future ages will differ in any material respect from that which has happened since the twilight of the human race … it is for us who, in our history have proved ourselves a martial … people … to maintain in our own hands the adequate means for our own protection and … to march with heads erect and bright eyes along the road of our imperial destiny. "Idealism in International Politics", Rectoral Address at Glasgow University (7 November, 1923). Quoted in The Times, 8 November 1923, according to "Guarantee of Peace: The League of Nations in British Policy 1914-1925" by Peter J. Yearwood, pg 280

Joan Miró Foto

„to try also, inasmuch as possible, to go beyond easel painting, which in my opinion has a narrow goal, and to bring myself closer, through painting, to the human masses I have never stopped thinking about.“

—  Joan Miró Catalan painter, sculptor, and ceramicist 1893 - 1983
In: 'Je rêve d'un grand atelier', Miro 1938; as quoted in Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 65

„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“